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This is a one-volume descriptive history of English literature from the beginning to the Norman Conquest. Emphasis is literary rather than linguistic.Originally published in 1966.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Thomas Mann's last major novel, 'Doktor Faustus', revolves around the transformation of traditional German culture into Hitler's fascist Germany, a process that intrigues and confounds thinking people still today. Mann has always been considered an exemplary and authoritative portrayer of German culture, and his opinion on the rise of fascism carries considerable weight. Unfortunately, the novel has always been interpreted as saying the opposite of what it does in fact say. Frances Lee provides a radically new interpretation by relating in a detailed manner to the text of Doktor Faustus the arguments expressed by Mann in his 'Observations of a Non-Political Man' -- a book of political essays published in 1918. This approach resolves many of the features that have been seen by critics as flaws or contradictions in the novel. Lee establishes what is actually happening in the novel in its historical setting, showing Mann's view of how the acceptance of fascism occurred and the determining role he attributed to the academic community in bringing about the disaster. Her book will be of interest to both amateur and professional students of Mann, particularly because it points to rich new directions for study. Frances Ann Ray Lee received the Ph.D. in German literature from the University of Toronto in 2005.

Goethe has long been enshrined as the greatest German poet, but his admirers have always been uneasy with the idea that he did not produce a great epic poem. A master in all the other genres and modes, it has been felt, should have done so. Arnd Bohm proposes that Goethe did compose an epic poem, which has been hidden in plain view: 'Faust'. Goethe saw that the Faust legends provided the stuff for a national epic: a German hero, a villain (Mephistopheles), a quest (to know all things), a sublime conflict (good versus evil), a love story (via Helen of Troy), and elasticity (all human knowledge could be accommodated by the plot). Bohm reveals the care with which Goethe draws upon such sources as Tasso, Ariosto, Dante, and Vergil. In the microcosm of the \"Auerbachs Keller\" episode Faust has the opportunity to find \"what holds the world together in its essence\" and to end his quest happily, but he fails. He forgets the future because he cannot remember what epic teaches. His course ends tragically, bringing him back to the origin of epic, as he replicates the Trojans' mistake of presuming to cheat the gods. Arnd Bohm is associate professor of English at Carleton University, Ottawa.

Joachim Nettelbeck (1738–1824) was a Prussian sailor who worked as a first mate on Dutch slavers, lobbied with three Prussian kings for the acquisition of overseas colonies, and became famous when his hometown Kolberg was under siege by Napoleonic troops in 1807. This article traces the heroization of Nettelbeck during the past two centuries and analyzes how this representation faced eventual crisis. After providing an account of Nettelbeck's biography, it examines how Nettelbeck was made a national hero and how his participation in the transatlantic slave trade was repressed in this process. Finally, it describes how decolonial civil society initiatives have shifted the public perception of Nettelbeck since 2008.

Eberhard Happel, German Baroque author of an extensive body of work of fiction and nonfiction, has for many years been categorized as a \"courtly-gallant\" novelist. InMediating Culture in the Seventeenth-Century German Novel, author Gerhild Scholz Williams argues that categorizing him thus is to seriously misread him and to miss out on a fascinating perspective on this dynamic period in German history. Happel primarily lived and worked in the vigorous port city of Hamburg, which was a \"media center\" in terms of the access it offered to a wide library of books in public and private collections. Hamburg's port status meant it buzzed with news and information, and Happel drew on this flow of data in his novels. His books deal with many topics of current interest-national identity formation, gender and sexualities, Western European encounters with neighbors to the East, confrontations with non-European and non-Western powers and cultures-and they feature multiple media, including news reports, news collections, and travel writings. As a result, Happel's use of contemporary source material in his novels feeds our current interest in the impact of the production of knowledge on seventeenth-century narrative.Mediating Culture in the Seventeenth-Century German Novelexplores the narrative wealth and multiversity of Happel's work, examines Happel's novels as illustrative of seventeenth-century novel writing in Germany, and investigates the synergistic relationship in Happel's writings between the booming print media industry and the evolution of the German novel.

With its jagged, stylised sets, menacing shadows and themes of murder, madness and delirium, Das Cabinet des Dr. Caligari (1920) remains the source and essence of German Expressionist cinema. Fusing carnival spectacle with the paranoia of the psychological thriller, it centres on the haunting, sexually ambivalent presence of Conrad Veidt as Cesare the somnambulist exploited asan instrument by the sinister Dr. Caligari. David Robinson challenges long accepted versions of the history and reception of Caligari and redefines its relationship to the larger phenomenon of Expressionist art. His reassessment of the relative contributions of director, designers and writers becomes a fascinating detective story, as he investigates the status and significance of the single surviving copy of the original script, which came to light only in the late 1980s when almost all those involved in the production were dead. This second edition features a new introduction that considers the place of German Expressionist cinema within the European revival of Gothic at the turn of the twentieth century, and original cover artwork by Ben Goodman.

Based on examples of socialist heroes from East German schoolbooks and teaching guides designed for elementary school, this essay examines the role of state ideology in primary education. It assesses the German curriculum of the now-defunct German Democratic Republic (GDR) and illuminates distinctions between civic education and political propaganda. It also shows how the curricular emphasis on socialist virtue helped to form “the socialist personality.”

The author, in defining the genre of \"lyrical fiction,\" separates a type of .fiction that can be legitimately viewed as \"poetry\" from other narrative types. The lyrical novelist uses fictional devices to find an aesthetic expression for experience, achieving an effect most frequently seen in dreams, picaresques, and allegories. Analyzing representative novels by Hermann Hesse, Andre Gide, and Virginia Woolf, Ralph Freedman focuses on the problem of self-consciousness. His findings are directly applicable to much twentieth-century fiction. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In The Giant Hero in Medieval Literature Tina Boyer counters the monstrous status of giants by arguing that they are more broadly legible than traditionally believed. Building on an initial analysis of St. Augustine's City of God, Bernard of Clairvaux's deliberations on monsters and marvels, and readings in Tomasin von Zerclaere's Welsche Gast provide insights into the spectrum of antagonistic and heroic roles that giants play in the courtly realm. This approach places the figure of the giant within the cultural and religious confines of the twelfth and thirteenth centuries and allows an in-depth analysis of epics and romances through political, social, religious, and gender identities tied to the figure of the giant. Sources range from German to French, English, and Iberian works.