Explore the vast range of titles available.

\"In every movie, every television show, every novel of wartime intrigue, one phrase stands out as typically German: 'Show me your papers.' The German Wehrmacht ran on paperwork, evidenced by the complicated maze of interrelated forms necessary for troops to move either on leave or for official business from one end of the Third Reich to another. This work, a unique and thorough compendium of original paperwork carried by the soldiers themselves, documents the forms required for German soldiers to travel, go home on leave, or visit the spoils of occupation. A methodically detailed collection that parallels the meticulous nature of the era that produced it, this work is the most thorough collection of original travel ephemera from Nazi Germany assembled to date, one that any collector would be proud to add to his or her collection\"--Publisher description.

The encirclement of the German 6th Army at Stalingrad in mid-November 1942 and its final collapse in February 1943 was a signature defeat for Hitler, as more than 100,000 of his soldiers were marched off into captivity. Frank Ellis tackles this oft-told tale from the unique perspective of the German officers and men trapped inside the Red Army's ever-closing ring of forces. This approach makes palpable the growing desperation of an army that began its campaign confident of victory but that long before the end could see how hopeless their situation had become. Highlighting these pages are three previously unpublished German army division accounts, translated here for the first time by Ellis. Each of these translations follows the combat experiences of a specific division-the 76th Infantry, the 94th Infantry, and the 16th Panzer-and take readers into the cauldron (or Kessel) that was Stalingrad. Together they provide a ground-level view of the horrific fighting and yield insights into everything from tactics and weapons to internal disputes, the debilitating effects of extreme cold and hunger, and the Germans' astonishing sense of duty and the abilities of their junior leaders. Along with these first-hand accounts, Ellis himself takes a new and closer look at a number of fascinating but somewhat neglected or misunderstood aspects of the Stalingrad cauldron including sniping, desertion, spying, and the fate of German prisoners. His coverage of sniping is especially notable for new insights concerning the duel that allegedly took place between Soviet sniper Vasilii Zaitsev and a German sniper, Major Konings, a story told in the film Enemy at the Gates (2001). Ellis also includes an incisive reading of Oberst Arthur Boje's published account of his capture, interrogation, and conviction for war crimes, and explores the theme of reconciliation in the works of two Stalingrad veterans, Kurt Reuber and Vasilii Grossman. Rich in anecdotal detail and revealing moments, Ellis's historical mosaic showcases an army that managed to display a vital resilience and professionalism in the face of inevitable defeat brought on by its leaders. It makes for compelling reading for anyone interested in one of the Eastern Front's monumental battles.

Author ofNazi Paris, a Choice Academic Book of the Year, Allan Mitchell has researched a companion volume concerning the acclaimed and controversial German author Ernst Junger who, if not the greatest German writer of the twentieth century, certainly was the most controversial. His service as a military officer during the occupation of Paris, where his principal duty was to mingle with French intellectuals such as Jean Cocteau and with visiting German celebrities like Martin Heidegger, was at the center of disputes concerning his career. Spending more than three years in the French capital, he regularly recorded in a journal revealing impressions of Parisian life and also managed to establish various meaningful social contacts, with the intriguing Sophie Ravoux for one. By focusing on this episode, the most important of Junger's adult life, the author brings to bear a wide reading of journals and correspondence to reveal Junger's professional and personal experience in wartime and thereafter. This new perspective on the war years adds significantly to our understanding of France's darkest hour.