Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Content Type
      Content Type
      Clear All
      Content Type
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Item Type
    • Is Full-Text Available
    • Subject
    • Publisher
    • Source
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
101 result(s) for "Ghost plays."
Sort by:
The Mezzotint
1923. Edward Williams, gentleman and amateur golfer, lives an untroubled life as the curator of a small university museum. His speciality is the topography of the British Isles. So when an art dealer sends him details of an interesting engraving - a mezzotint - of an old country house, he's intrigued. When the picture arrives, however, it seems perfectly ordinary - until Williams notices a figure in the picture where there was none before. A cloaked figure, with a skull-like head and legs that are horribly thin. Soon, within the mezzotint, the figure seems to be on the move across the moonlit lawn towards the house with murderous intent. Long-forgotten secrets rise to the surface as Williams and his friends summon all the rational forces at their command to confront the impossible.
Farsa sacramental
Farsa sacramental de López de Yanguas, escrita en 1521, es una adaptación del drama litúrgico de Navidad con fines eucarísticos. Se representó durante la fiesta del Corpus de aquel año.La producción dramática conservada de López de Yanguas se inscribe en la práctica escénica cortesana y consta de seis obras: la Égloga y la Farsa de la Natividad, la Farsa sacramental, la Farsa del mundo y moral, la Farsa Turquesana y finalmente la Farsa de la concordia donde celebra la Paz de Cambray entre España y Francia.López de Yanguas es considerado también el padre del auto sacramental en tanto género.
Farsa sacramental
Lopez de Yanguas es considerado el padre del auto sacramental en tanto genero por su Farsa sacramental (1520).
The Canterville ghost. Episode 3
No longer the haunter but the haunted, Sir Simon is reduced to creeping around the house. And after Hiram receives devastating news, Lucy is determined not to wallow in the loss and resolves to host a Christmas ball.
The Canterville ghost. Episode 1
Ghost Sir Simon has been haunting the empty Canterville castle for twenty years when a family of newly rich Americans, the Otises, moves in. At first elated to have new victims, Sir Simon quickly discovers the Otises might be too tough for his tricks. On their part, the Otises may not be fazed by a ghost, but the frosty reception they receive from their new neighbors has potential to chill them to their souls.
The Canterville ghost. Episode 2
Sir Simon steps up his efforts to terrorize the Americans, but the Otis family refuses to be frightened. And when the Otises are challenged by Lady Deborah to host a local cricket match, everyone braces for a royal embarrassment.
The Canterville ghost. Episode 4
Virginia must summon all her courage to defend Sir Simon in the court of the dead. Meanwhile the twins search for buried treasure, but things go terribly wrong. If there’s to be hope for the haunted, the Otises much come closer together than they ever have before — closer than they think they can. Past and present collide in this stirring conclusion to the miniseries.
A SPECIFICALLY THEATRICAL KIND OF HORROR: THE WOMAN IN BLACK
The article focuses on Stephen Mallatratt’s play The Woman in Black (1987) and confronts it with the homonymous novel by Susan Hill (1983), that is its source. The goal of the article is to emphasize the originality of the play in comparison with the literary work, and to demonstrate how it employs specifically theatrical devices to achieve its horror effects. In particular, the article underlines the continuity between theatrical performance and rite, that opens the stage door to the irruption of the supernatural.  L’articolo esamina il dramma The Woman in Black di Stephen Mallatratt (1987), mettendolo a confronto con il romanzo omonimo di Susan Hill (1983) da cui deriva. L’articolo analizza i procedimenti specificamente teatrali di realizzazione dell’orrore, che fanno del dramma un’opera più originale della tradizionale ghost story che ne è all’origine. In particolare viene sottolineata la ritrovata continuità tra performance teatrale e azione rituale, che espone la scena all’irruzione del soprannaturale.
Now hear this. Beethoven's ghost
Go inside the mind of a genius as host Scott Yoo and fellow musicians undertake a recording of Beethoven's most personal music at a historic Berkshires manor to explore the composer’s brilliant career — where they are visited by some unexpected guests.