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Medieval Studies and the Ghost Stories of M. R. James
Montague Rhodes James authored some of the most highly regarded ghost stories of all time—classics such as \"Oh, Whistle, and I'll Come to You, My Lad\" that have been adapted many times over for radio and television and have never gone out of print. But while James is best known as a fiction writer and storyteller, he was also a provost of King's College, Cambridge, and Eton College, and a legendary and influential scholar whose pioneering work in the study of biblical texts and medieval manuscripts, art, and architecture is still relevant today.
In Medieval Studies and the Ghost Stories of M. R. James, Patrick J. Murphy argues that these twin careers are inextricably linked. James's research not only informed his fiction but also reflected his anxieties about the nature of academic life and explored the delicate divide between professional, university men and erratic hobbyists or antiquaries. Murphy shows how detailed attention to the scholarly inspirations behind James's fiction provides considerable insight into a formative moment in medieval studies, as well as into James's methods as a master stylist of understated horror.
During his life, James often claimed that his stories were mere entertainments—pleasing distractions from a life largely defined by academic discipline and restraint—and readers over the years have been content to take him at his word. This intriguing volume, however, convincingly proves otherwise.
eBook
The Ghost Story, 1840-1920
The ghost story 1840-1920: A cultural history examines the British ghost story within the political contexts of the long nineteenth century. By relating the ghost story to economic, national, colonial and gendered contexts' it provides a critical re-evaluation of the period. The conjuring of a political discourse of spectrality during the nineteenth century enables a culturally sensitive reconsideration of the work of writers including Dickens, Collins, Charlotte Riddell, Vernon Lee, May Sinclair, Kipling, Le Fanu, Henry James and M.R. James. Additionally, a chapter on the interpretation of spirit messages reveals how issues relating to textual analysis were implicated within a language of the spectral. This book is the first full-length study of the British ghost story in over 30 years and it will be of interest to academics, graduate students and advanced undergraduates working on the Gothic, literary studies, historical studies, critical theory and cultural studies.
eBook
Collected ghost stories
I was conscious of a most horrible smell of mould, and of a cold kind of face pressed against my own ... ' Considered by many to be the most terrifying writer in English, M.R. James was an eminent scholar who spent his entire adult life in the academic surroundings of Eton and Cambridge. His classic supernatural tales draw on the terrors of the everyday, in which documents and objects unleash terrible forces, often in closed rooms and night-time settings where imagination runs riot. Lonely country houses, remote inns, ancient churches or the manuscript collections of great libraries provide settings for unbearable menace, from creatures seeking retribution and harm. These stories have lost none of their power to unsettle and disturb. This edition presents all of James's published ghost stories, including the unforgettable 'Oh, Whistle and I'll Come to You, My Lad' and 'Casting the Runes', and an appendix of James's writings on the ghost story. Darryl Jones's introduction and notes provide a fascinating insight into James's background and his mastery of the genre he made his own.
Book
Ghost Stories by British and American Women
Originally published in 1998 and covering a tradition ignored by most critics, this bibliography assembles and documents a large body of supernatural fiction written by women in English from the end of the 18th century to the present. These stories, the work of women whose literary reputations, personal histories, and bodies of work vary widely, challenge the narrow way in which supernatural literature has traditionally been regarded: they indicate a much richer and more complex set of literary responses to the supernatural than has been hitherto acknowledged.
The writers included range from Ann Radcliffe and the Gothic novelists to Louisa May Alcott, Charlotte Gilman, and Edith Wharton to such modern writers as Elizabeth Bowen, Jean Rhys, Muriel Spark, and A.S. Byatt. The volume will be of interest to literary and cultural historians and of particular importance to women's studies scholars.
eBook
Mother Leakey and the Bishop
Halloween 1636: sightings of the ghost of an old woman begin to be reported in the small English coastal town of Minehead, and a royal commission is sent to investigate. December 1640: a disgraced Protestant bishop is hanged in the Irish capital, Dublin, after being convicted of an 'unspeakable' crime. In this remarkable piece of historical detective work, Peter Marshall sets out to uncover the intriguing links between these two seemingly unconnected events. The result is a compelling tale of dark family secrets, of efforts to suppress them, and of the ways in which they finally come to light. It is also the story of a shocking seventeenth-century Church scandal which cast its shadow over religion and politics in Britain and Ireland for the best part of three centuries, drawing in a host of well known and not-so-well-known characters along the way, including Jonathan Swift, Samuel Taylor Coleridge, and Walter Scott. A fascinating story in its own right, Mother Leakey and the Bishop is also a sparkling demonstration of how the telling of stories is central to the way we remember the past, and can become part of the fabric of history itself.
eBook
Medieval Studies and the Ghost Stories of M. R. James
Montague Rhodes James authored some of the most highly regarded
ghost stories of all time-classics such as \"Oh, Whistle, and I'll
Come to You, My Lad\" that have been adapted many times over for
radio and television and have never gone out of print. But while
James is best known as a fiction writer and storyteller, he was
also a provost of King's College, Cambridge, and Eton College, and
a legendary and influential scholar whose pioneering work in the
study of biblical texts and medieval manuscripts, art, and
architecture is still relevant today.
In Medieval Studies and the Ghost Stories of M. R.
James , Patrick J. Murphy argues that these twin careers are
inextricably linked. James's research not only informed his fiction
but also reflected his anxieties about the nature of academic life
and explored the delicate divide between professional, university
men and erratic hobbyists or antiquaries. Murphy shows how detailed
attention to the scholarly inspirations behind James's fiction
provides considerable insight into a formative moment in medieval
studies, as well as into James's methods as a master stylist of
understated horror.
During his life, James often claimed that his stories were mere
entertainments-pleasing distractions from a life largely defined by
academic discipline and restraint-and readers over the years have
been content to take him at his word. This intriguing volume,
however, convincingly proves otherwise.
eBook