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5,201 result(s) for "Ginsberg, Allen (1926-1997)"
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American Scream
Written as a cultural weapon and a call to arms,Howltouched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study ofHowlbrilliantly elucidates the nexus of politics and literature in which it was written and gives striking new portraits of Allen Ginsberg, Jack Kerouac, and William Burroughs. Drawing from newly released psychiatric reports on Ginsberg, from interviews with his psychiatrist, Dr. Philip Hicks, and from the poet's journals,American Screamshows howHowlbrought Ginsberg and the world out of the closet of a repressive society. It also gives the first full accounting of the literary figures-Eliot, Rimbaud, and Whitman-who influencedHowl,definitively placing it in the tradition of twentieth-century American poetry for the first time. As he follows the genesis and the evolution ofHowl,Jonah Raskin constructs a vivid picture of a poet and an era. He illuminates the development of Beat poetry in New York and San Francisco in the 1950s--focusing on historic occasions such as the first reading ofHowlat Six Gallery in San Francisco in 1955 and the obscenity trial over the poem's publication. He looks closely at Ginsberg's life, including his relationships with his parents, friends, and mentors, while he was writing the poem and uses this material to illuminate the themes of madness, nakedness, and secrecy that pervadeHowl.A captivating look at the cultural climate of the Cold War and at a great American poet,American Screamfinally tells the full story ofHowl-a rousing manifesto for a generation and a classic of twentieth-century literature.
Howl : a graphic novel
The famous poem that began a major censorship trial. Illustrated with stills from the computer animation that was included in the 2010 movie by the same name.
Adapting the beat poets
In the post-World War II era, authors of the beat generation produced some of the most enduring literature of the day. More than six decades since, work of the Beat Poets conjures images of unconventionality, defiance, and a changing consciousness that permeated the 1950s and 60s. In recent years, the key texts of Beat authors such as Allen Ginsberg, William S. Burroughs, and Jack Kerouac have been appropriated for a new generation in feature-length films, graphic novels, and other media. In Adapting the Beat Poets: Burroughs, Ginsberg, and Kerouc on Screen, Michael J.Prince examines how works by these authors have been translated to film. Looking primarily at three key works—Burroughs' Naked Lunch, Ginsberg's Howl, and Kerouac's On the Road—Prince considers how Beat literature has been significantly altered by the unintended intrusion of irony or other inflections. Prince also explores how these screen adaptations offer evidence of a growing cultural thirst for authenticity, even as mediated in postmodern works. Additional works discussed in this volume include The Subterraneans, Towers Open Fire, The Junky's Christmas,and Big Sur. By examining the screen versions of the Beat triumvirate's creations, this volume questions the ways in which their original works serve as artistic anchors and whether these films honor the authentic intent of the authors. Adapting the Beat Poets is a valuable resource for anyone studying the beat generation, including scholars of literature, film, and American history.
The letters of Allen Ginsberg
The best of poet Allen Ginsberg's correspondence with friends like Jack Kerouac and William S. Burroughs, edited by the author's longtime literary archivist.
Kerouac ascending : memorabilia of the decade of On the road
Kerouac Ascending: Memorabilia of the Decade of ON THE ROAD is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in NewYork when Jack was emerging as a writer and with Allen Ginsberg, both of whom Lenrow befriended and encouraged. Lenrow writes with sympathy and charm about both writers and their “beat” friends, revealing Kerouac’s seriously academic side by sharing papers he wrote in his course and giving insight about both writers t.
I greet you at the beginning of a great career : the selected correspondence of Lawrence Ferlinghetti and Allen Ginsberg, 1955-1997
\"In 1969, Allen Ginsberg wrote to his friend, fellow poet, and publisher Lawrence Ferlinghetti, \"Alas, telephone destroys letters!\" Fortunately, however, by then the two had already exchanged a treasure trove of personal correspondence, and more than any other documents, their letters- intimate, opinionated, and action-packed- reveal the true nature of their lifelong friendship and creative relationship. Collected here for the first time, they offer an intimate view into the range of artistic vision and complementary sensibilities that fueled the genius of their literary collaborations.\" -- Provided by publisher.
First Thought
\"The way to point to the existence of the universe is to see one thing directly and clearly and describe it. . . . If you see something as a symbol of something else, then you don't experience the object itself, but you're always referring it to something else in your mind. It's like making out with one person and thinking about another.\" -Ginsberg speaking to his writing class at Naropa Institute, 1985 With \"Howl\" Allen Ginsberg became the voice of the Beat Generation. It was a voice heard in some of the best-known poetry of our time-but also in Ginsberg's eloquent and extensive commentary on literature, consciousness, and politics, as well as his own work. Much of what he had to say, he said in interviews, and many of the best of these are collected for the first time in this book. Here we encounter Ginsberg elaborating on how speech, as much as writing and reading, and even poetry, is an act of art. Testifying before a Senate subcommittee on LSD in 1966; gently pressing an emotionally broken Ezra Pound in a Venicepensionein 1967; taking questions in a U.C. Davis dormitory lobby after a visit to Vacaville State Prison in 1974; speaking at length on poetics, and in detail about his \"Blake Visions,\" with his father Louis (also a poet); engaging William Burroughs and Norman Mailer during a writing class: Ginsberg speaks with remarkable candor, insight, and erudition about reading and writing, music and fame, literary friendships and influences, and, of course, the culture (or counterculture) and politics of his generation. Revealing, enlightening, and often just plain entertaining, Allen Ginsberg in conversation is the quintessential twentieth-century American poet as we have never before encountered him: fully present, in pitch-perfect detail.