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During the nineteenth century tens of thousands of Chinese men and women crossed the Pacific to work, trade, and settle in California. Drawn initially by the gold rush, they took with them skills and goods and a view of the world which, though still Chinese, was transformed by their long journeys back and forth. They in turn transformed Hong Kong, their main point of embarkation, from a struggling infant colony into a prosperous international port and the cultural center of a far-ranging Chinese diaspora. Making use of extensive research in archives around the world, Pacific Crossing charts the rise of Chinese Gold Mountain firms engaged in all kinds of transpacific trade, especially the lucrative export of prepared opium and other luxury goods. Challenging the traditional view that the migration was primarily a “coolie trade,” Elizabeth Sinn uncovers leadership and agency among the many Chinese who made the crossing. In presenting Hong Kong as an “in-between place” of repeated journeys and continuous movement, Sinn also offers a fresh view of the British colony and a new paradigm for migration studies.

During the California Gold Rush, many of the miners and merchants who hoped to strike it rich in California left behind letters and journals that provide valuable insights into one of the great migrations in American history.Of all the journals and diaries left behind, William B.Lorton's is perhaps the most informative and complete.

When brothers Ethan and Hosea Grosh left Pennsylvania in 1849, they joined throngs of men from all over the world intent on finding a fortune in the California Gold Rush. Their search for wealth took them from San Francisco into the gold country and then over the Sierra into Nevada's Gold Canyon, where they placer-mined for gold and discovered a deposit of silver. The letters they sent back to their family offer vivid commentaries on the turbulent western frontier, the diverse society of the Gold Rush camps, and the heartbreaking labor and frustration of mining. Their lively descriptions of Gold Canyon provide one of the earliest accounts of life in what would soon become the fabulously wealthy Comstock Mining District. The Groshes' letters are rich in color and important historical details. Generously annotated and with an introduction that provides a context for the brothers' career and the setting in which they tried to make their fortune, these documents powerfully depict the often harsh realities of Gold Rush life and society.

California during the gold rush was a place of disputed claims, shoot-outs, gambling halls, and prostitution; a place populated by that rough and rebellious figure, the forty-niner; in short, a place that seems utterly unconnected to middle-class culture. In American Alchemy , however, Brian Roberts offers a surprising challenge to this assumption. Roberts points to a long-neglected truth of the gold rush: many of the northeastern forty-niners who ventured westward were in fact middle-class in origin, status, and values. Tracing the experiences and adventures both of these men and of the \"\"unseen\"\" forty-niners--women who stayed back East while their husbands went out West--he shows that, whatever else the gold seekers abandoned on the road to California, they did not simply turn their backs on middle-class culture. Ultimately, Roberts argues, the story told here reveals an overlooked chapter in the history of the formation of the middle class. While the acquisition of respectability reflects one stage in this history, he says, the gold rush constitutes a second stage--a rebellion against standards of respectability. |A colorful investigation of the California Gold Rush that overturns the myth of the rebellious Forty-niner and reveals the middle-class values and origins of those who travelled west to seek adventure and fortune.

Gold discoveries in 1848 set off a large and extremely rapid migration to California. This article uses newly collected data from the 1850 and 1852 Censuses of Population together with the public use sample of the 1850 Census of Population to examine who went to California and how they did economically. We find that the propensity to migrate was affected by the individual's age and literacy, distance of the state from California, and average state latitude. Consistent with the historical literature, we find that economic outcomes were generally small or even zero for miners but were positive and large for nonminers.

The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl'sSunday Morning in the Mines(1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories-particularly the American belief in the rewards of hard work and enterprise-can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles,The Art of the Gold Rushbroadens our understanding of American culture during a memorable period in the nation's history.

The California Gold Rush captured the get-rich dreams of people around the world more completely than almost any event in American history. This catalog, published in celebration of the sesquicentennial of the 1848 discovery of gold at Sutter's Mill, shows the vitality of the arts in the Golden State during the latter nineteenth century and documents the dramatic impact of the Gold Rush on the American imagination. Among the throngs of gold-seekers in California were artists, many self-taught, others formally trained, and their arrival produced an outpouring of artistic works that provide insights into Gold Rush events, personages, and attitudes. The best-known painting of the Gold Rush era, C.C. Nahl's Sunday Morning in the Mines (1872), was created nearly two decades after gold fever had subsided. By then the Gold Rush's mythic qualities were well established, and new allegories—particularly the American belief in the rewards of hard work and enterprise—can be seen on Nahl's canvas. Other works added to the image of California as a destination for ambitious dreamers, an image that prevails to this day. In bringing together a range of art and archival material such as artists' diaries and contemporary newspaper articles, The Art of the Gold Rush broadens our understanding of American culture during a memorable period in the nation's history.