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result(s) for
"Good and evil Fiction"
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Shazam! : the junior novel
by
Glass, Calliope, author
,
Gayden, Henry, screenwriter
,
Lemke, Darren, writer
in
Superheroes Juvenile fiction.
,
Good and evil Juvenile fiction.
,
Superheroes Fiction.
2019
\"By shouting just one word--SHAZAM!--Billy Batson, the street-wise fourteen-year-old foster kid from Philadelphia, can magically transform into the adult super hero Shazam, courtesy of an ancient wizard. Will Billy and his new foster brother, Freddy, learn to harness Billy's newfound superpowers like flight and bullet immunity in time to fight the dangerous forces of evil controlled by Dr. Thaddeus Sivana?\"-- From publisher's website.
Imaginary Crimes
2013
4 CITIES, 4 LIVES, 1 CRIME - In Madrid, an Argentinian bookseller gets caught up in the scheme of an American professor to prevent an appalling crime. Her sidekicks soon include a Gambian migrant in Paris and a Spanish waitress in London. Seeking some sort of companionship in their exiles, the four characters join forces in a quest that becomes a dangerous obsession. All four lives seem to be fatefully connected. But how to get people to take the crime seriously if it does not yet exist? In Buenos Aires, the criminals are remorselessly pursued. They cross paths with a Nigerian judge, the wife of one of General Franco's thugs, a caretaker to the wealthy, and Peter Halbtsen, an expert in Chinese culture. It is early March 2004. Halbtsen has spent years deciphering a book which may hold the key to the mystery. But where is the crime? Who is the criminal? And can anything be done to prevent humanity from reaping the whirlwind?
The management style of the Supreme Beings
When the Supreme Being and his son decide that being supreme isn't for them any more, it's inevitable that things get a bit of a shake-up. It soon becomes apparent that our new owners, the Venturi brothers, have a very different perspective on all sorts of things. Take Good and Evil, for example. For them, it's an outdated concept that never worked particularly well in the first place. Unfortunately, the sudden disappearance of right and wrong, while welcomed by some, raises certain concerns amongst those still attached to the previous team's management style. In particular, there's one of the old gods who didn't move out with the others. A reclusive chap, he lives somewhere up north, and only a handful even believe in him. But he's watching. And he really does need to know if you've been naughty or nice.
The Liberty to Bind Oneself
2025
This paper does two things. First, it reads the oath of Fëanor in The Silmarillion through the lens of Chesterton’s philosophy of oaths, and suggests that Tolkien was speculatively influenced by Chesterton on this topic. It accomplishes this by an exposition of Chesterton’s philosophy of vows followed by an indepth exposition of the oath of Fëanor throughout The Silmarillion. Its thesis is that the oath of Fëanor works according to the mode of Chesterton’s philosophy of oaths, that is, the oath compels the oath-taker to act. Viewing the oath of Fëanor through the framework of Chesterton’s philosophy of oath helps to make it explicit to the reader how the oath drives the sons of Fëanor to commit many evil acts. Secondly, this paper responds to a claim regarding the oath of Fëanor made by Alexander Bruce. This shows one practical benefit of reading the oath of Fëanor through the lens of Chesterton’s philosophy of oaths by highlighting the diminished freedom of the sons of Fëanor.
Journal Article
A Shazam showdown
by
West, Alexandra, author
,
Zolotiâc, Aleksandar, illustrator
,
Beck, C.C. (Charles Clarence), 1910-1989, creator
in
Good and evil Juvenile fiction.
,
Superheroes Juvenile fiction.
,
Good and evil Fiction.
2019
Shazam battles the evil Dr. Thaddeus Sivana, his greatest foe yet.
Do religious fictionalists face a problem of evil?
2024
Much of the literature on religious fictionalism has emphasized that religious fictionalists employing a theistic fiction cannot just leave evil out of the fiction, and that on the contrary, they face worries that very closely parallel the worries raised by the problem of evil. This article argues that when religious fictionalism is construed most charitably, these worries do not arise. It explores three fictionalist approaches to evil (Excision, Completeness, and Inconsistency), shows that each can serve religious fictionalist ends, and recommends a pluralist stance towards them.
Journal Article
Half lost
by
Green, Sally (Novelist), author
,
Green, Sally (Novelist). Half bad trilogy ;
in
Witches Juvenile fiction.
,
Good and evil Juvenile fiction.
,
Witches Fiction.
2016
Nathan Byrn is running again. The Alliance of Free Witches has been all but destroyed. Scattered and demoralized, constantly pursued by the Council's Hunters, only a bold new strategy can save the rebels from total defeat. They need the missing half of Gabriel's amulet - an ancient artifact with the power to render its bearer invincible in battle. But the amulet's guardian - the reclusive and awesomely powerful witch Ledger - has her own agenda. To win her trust, Nathan must travel to America and persuade her to give him the amulet. Combined with his own Gifts, the amulet might just be enough turn the tide for the Alliance and end the bloody civil war between Black and White witches once and for all ...
The Middle-(Un)man of Desire
2025
The French polymath René Girard presents a compelling argument that all desire is mimetic. According to Girard, we don’t actually know what we want; instead, we imitate the desires of others. These models of desire act as mediators, indicating what objects or ways of being are worth pursuing. For Girard, desire exists in this middle place between a subject, a model, and an object. He famously argues that all great literature leverages an awareness of mimetic dynamics; the greater the work, the more mimetically perspicacious the author.
Given Girard’s theory, we would expect the greatest fantasy authors to erect their sub-creative world with an intimate awareness of mimetic desire. When we turn to Lewis, this is exactly what we find. Lewis repeatedly explores this middle place of desire with mimetic characters like Edmund Pevensie, Orual, and the inner-circle-hungry Studdocks. But perhaps Lewis’s most insightful exploration of this middle place of desire comes in the middle book of his Ransom trilogy. Perelandra presents a supposal of what might have happened in the garden of Eden when Satan tempted Eve, and Lewis envisions this event as inexorably mimetic. On unfallen Perelandra, the Unman takes up the mantle of the pander or go-between (the most powerful kind of mimetic model) to entice the green woman to break God’s one command. I argue that the Unman’s entire strategy rests on leveraging the power of mimetic desire and explore how Girard’s insights reveal Lewis’s take on Satanic deception. Therefore, a Girardian reading of Perelandra offers fruitful insight into Lewis’s take on Satanic deception.
Journal Article
Death goddess dance
\"Charlie Tristan Moore became the unwilling acolyte of The Man In Black, a treacherous elder god also known as Nyarlathotep, the Crawling Chaos. Charlie fought her way past bloodthirsty gods and demons to rescue her lover's stolen soul, only to put all of Creation at risk. Now she must stop the Man In Black from achieving his ultimate goal: freeing his dread father, Azathoth, from endless confinement to feast upon humanity for all eternity. But before she can confront her inhuman mentor for the final time, Charlie must make her way to the heart of a hellish, otherworldly prison--and call upon the darkest powers at her command.\"--Publisher.