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Dangerous bodies
Through an investigation of the body and its oppression by the church, the medical profession and the state, this book reveals the actual horrors lying beneath fictional horror in settings as diverse as the monastic community, slave plantation, operating theatre, Jewish ghetto and battlefield trench. The book provides original readings of canonical Gothic literary and film texts including The Castle of Otranto, The Monk, Frankenstein, Dracula and Nosferatu. This collection of fictionalised dangerous bodies is traced back to the effects of the English Reformation, Spanish Inquisition, French Revolution, Caribbean slavery, Victorian medical malpractice, European anti-Semitism and finally warfare, ranging from the Crimean up to the Vietnam War. The endangered or dangerous body lies at the centre of the clash between victim and persecutor and has generated tales of terror and narratives of horror, which function to either salve, purge or dangerously perpetuate such oppositions. This ground-breaking book will be of interest to academics and students of Gothic studies, gender and film studies and especially to readers interested in the relationship between history and literature.
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The encyclopedia of the Gothic
Comprehensive and wide-ranging, this book brings together over 200 newly-commissioned essays by leading scholars writing on all aspects of the Gothic as it is currently taught and researched, along with challenging insights into the development of the genre and its impact on contemporary culture. The A-Z entries provide comprehensive coverage of relevant authors, national traditions, critical developments, and notable texts that continue to define, shape, and inform the genre. The volume's approach is truly interdisciplinary, with essays by specialist international contributors whose expertise extends beyond Gothic literature to film, music, drama, art, and architecture.
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Monstrous media/spectral subjects : imaging gothic from the nineteenth century to the present
Monstrous media/spectral subjects explores the intersection of monsters, ghosts, representation and technology in Gothic texts from the nineteenth century to the present. It argues that emerging media technologies from the phantasmagoria and magic lantern to the hand-held video camera and the personal computer both shape Gothic subjects and in turn become Gothicised.
In a collection of essays that ranges from the Victorian fiction of Wilkie Collins, Bram Stoker and Richard Marsh to the music of Tom Waits, world horror cinema and the TV series Doctor Who, this book finds fresh and innovative contexts for the study of Gothic. Combining essays by well-established and emerging scholars, it should appeal to academics and students researching both Gothic literature and culture and the cultural impact of new technologies.
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The gothic : a very short introduction
The Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home dâecor and contemporary fashion. This Very Short Introduction captures the history of the Gothic from ancient times to the present. It covers the sack of Rome by the barbarian tribes, mediaeval architecture, popular culture in the sixteenth century (including ballads and Revenge Tragedy), political theories of the seventeenth and eighteenth centuries, the rise of the Gothic novel, the Victorian Gothic Revival, and the influence of Gothic culture on film, music, and fashion. It includes familiar Gothic novels such Frankenstein and Dracula, while also covering Gothic gardening, slasher movies, and the current Goth scene. It is the only account of the Gothic that describes the entire history of the term, presenting it in all its richly complex and perversely contradictory glory.
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The Gothic and death
The Gothic and death offers the first ever published study
devoted to the subject of the Gothic and death across the
centuries. It investigates how the multifarious strands of the
Gothic and the concepts of death, dying, mourning and
memorialisation ('the Death Question') - have intersected and been
configured cross-culturally to diverse ends from the mid-eighteenth
century to the present day. Drawing on recent scholarship in such
fields as Gothic Studies, film theory, Women's and Gender Studies
and Thanatology Studies, this interdisciplinary collection of
fifteen essays by international scholars combines an attention to
socio-historical and cultural contexts with a rigorous close
reading of works, both classic and lesser known. This area of
enquiry is considered by way of such popular and uncanny figures as
corpses, ghosts, zombies and vampires, and across various cultural
and literary forms such as Graveyard Poetry, Romantic poetry,
Victorian literature, nineteenth-century Italian and Russian
literature, Anglo-American film and television, contemporary Young
Adult fiction and Bollywood film noir.
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Women and the Gothic
This collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'.
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The Oxford Gothic grammar
This volume provides a comprehensive reference grammar of Gothic, the earliest attested language of the Germanic family (apart from runic inscriptions), dating to the fourth century. The bulk of the extant Gothic corpus is a translation of the Bible, of which only a portion remains, and which has been the focus of most previous works. This book is the first in English to also draw on the recently discovered Bologna fragment and Crimean graffiti, original Gothic texts that provide more insights into the language. Following an overview of the history of the Goths and the origin of the Gothic language, Gary Miller explores all the major topics in Gothic grammar, beginning with the alphabet and phonology, and proceeding through subjects such as case functions, prepositions and particles, compounding, derivation, and verbal and sentential syntax. He also presents a selection of Gothic texts with notes and vocabulary, and ends with a chapter on linearization, including an overview of Gothic in its Germanic context. The Oxford Gothic Grammar will be an invaluable reference for all Indo-Europeanists, Germanic scholars, and historical linguists, from advanced undergraduate level upwards.
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Industrial Gothic
This volume carves out a new area of study, the 'industrial
Gothic', placing the genre in dialogue with the literature of the
Industrial Revolution. The book explores a significant subset of
transatlantic nineteenth-century literature that employs the
tropes, themes and rhetoric of the Gothic to portray the real-life
horrors of factory life, framing the Industrial Revolution as a
site of Gothic excess and horror. Using archival materials from the
nineteenth century, localised incidences of Gothic
industrialisation (in specific cities like Lowell and Manchester)
are considered alongside transnational connections and comparisons.
The author argues that stories about the real horrors of factory
life frequently employed the mode of the Gothic, while nineteenth
century writing in the genre (stories, novels, poems and stage
adaptations) began to use new settings - factories, mills, and
industrial cities - as backdrops for the horrors that once
populated Gothic castles.
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