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Endowed with natural resources, majestic bodies of fresh water, and a relatively mild climate, the Great Lakes region of Central Africa has also been the site of some of the world's bloodiest atrocities. In Rwanda, Burundi, and the Congo-Kinshasa, decades of colonial subjugation-most infamously under Belgium's Leopold II-were followed by decades of civil warfare that spilled into neighboring countries. When these conflicts lead to horrors such as the 1994 Rwandan genocide, ethnic difference and postcolonial legacies are commonly blamed, but, with so much at stake, such simple explanations cannot take the place of detailed, dispassionate analysis.The Dynamics of Violence in Central Africaprovides a thorough exploration of the contemporary crises in the region. By focusing on the historical and social forces behind the cycles of bloodshed in Rwanda, Burundi, and the Congo-Kinshasa, René Lemarchand challenges much of the conventional wisdom about the roots of civil strife in former Belgian Africa. He offers telling insights into the appalling cycle of genocidal violence, ethnic strife, and civil war that has made the Great Lakes region of Central Africa the most violent on the continent, and he sheds new light on the dynamics of conflict in the region. Building on a full career of scholarship and fieldwork, Lemarchand's analysis breaks new ground in our understanding of the complex historical forces that continue to shape the destinies of one of Africa's most important regions.

North America's Great Lakes country has experienced centuries of upheaval. Its landscapes are utterly changed from what they were five hundred years ago. The region's superabundant fish and wildlife and its magnificent forests and prairies astonished European newcomers who called it an earthly paradise but then ushered in an era of disease, warfare, resource depletion, and land development that transformed it forever. The Once and Future Great Lakes Country is a history of environmental change in the Great Lakes region, looking as far back as the last ice age, and also reflecting on modern trajectories of change, many of them positive. John Riley chronicles how the region serves as a continental crossroads, one that experienced massive declines in its wildlife and native plants in the centuries after European contact, and has begun to see increased nature protection and re-wilding in recent decades. Yet climate change, globalization, invasive species, and urban sprawl are today exerting new pressures on the region’s ecology. Covering a vast geography encompassing two Canadian provinces and nine American states, The Once and Future Great Lakes Country provides both a detailed ecological history and a broad panorama of this vast region. It blends the voices of early visitors with the hopes of citizens now.

Driven by genocide, civil war, political instabilities, ethnic and pastoral hostilities, the African Great Lakes Region, primarily Uganda, Rwanda, Democratic Republic of the Congo, and Burundi, has been overwhelmingly defined by conflict. Kenneth Omeje, Tricia Redeker Hepner, and an international group of scholars, many from the Great Lakes region, focus on the interlocking conflicts and efforts toward peace in this multidisciplinary volume. These essays present a range of debates and perspectives on the history and politics of conflict, highlighting the complex internal and external sources of both persistent tension and creative peacebuilding. Taken together, the essays illustrate that no single perspective or approach can adequately capture the dynamics of conflict or offer successful strategies for sustainable peace in the region.

What are the stakes of performance in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? From the standpoint of empire, Laura Edmondson explores cultural production that responds to the 1994 genocide in Rwanda, the twenty-year civil war in northern Uganda, and regional conflict in the eastern part of the Democratic Republic of the Congo. She examines memorial ceremonies, plays, indigenous performance, NGO media campaigns, and contemporary dance to reveal how artists and cultural workers challenge state and humanitarian narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities. Carefully contextualizing these narratives within the charged political terrain of the Great Lakes Region, Edmondson deepens our understanding of the role of creative expression and cultural agency in conflict and postconflict zones.

A remarkable multifaceted history,Contested Territoriesexamines a region that played an essential role in America's post-revolutionary expansion-the Lower Great Lakes region, once known as the Northwest Territory. As French, English, and finally American settlers moved westward and intersected with Native American communities, the ethnogeography of the region changed drastically, necessitating interactions that were not always peaceful. Using ethnohistorical methodologies, the seven essays presented here explore rapidly changing cultural dynamics in the region and reconstruct in engaging detail the political organization, economy, diplomacy, subsistence methods, religion, and kinship practices in play. With a focus on resistance, changing worldviews, and early forms of self-determination among Native Americans,Contested Territoriesdemonstrates the continuous interplay between actor and agency during an important era in American history.

As one of the most significant economic innovations in prehistory, hunting architecture radically altered life and society for hunter-gatherers. The development of these structures indicates that foragers designed their environments, had a deep knowledge of animal behavior, and interacted with each other in complex ways that reach beyond previous assumptions. Combining underwater archaeology, terrestrial archaeology, and ethnographic and historical research, The Architecture of Hunting investigates the creation and use of hunting architecture by hunter-gatherers. Hunting architecture—including blinds, drive lanes, and fishing weirs—is a global phenomenon found across a broad spectrum of cultures, time, geography, and environments. Relying on similar behaviors in species such as caribou, bison, guanacos, antelope, and gazelles, cultures as diverse as Sami reindeer herders, the Inka, and ancient bison hunters on the North American plains have employed such structures, combined with strategically situated landforms, to ensure adequate food supplies while maintaining a nomadic way of life. Using examples of hunting architecture from across the globe and how they influence forager mobility, territoriality, property, leadership, and labor aggregation, Ashley Lemke explores this architecture as a form of human niche construction and considers the myriad ways such built structures affect hunter-gatherer lifeways. Bringing together diverse sources under the single category of “hunting architecture,” The Architecture of Hunting serves as the new standard guide for anyone interested in hunter-gatherers and their built environment.

Drawing on themes from John MacKenzie's Empires of Nature and the Nature of Empires (1997), this book explores, from Indigenous or Indigenous-influenced perspectives, the power of nature and the attempts by empires (United States, Canada, and Britain) to control it. It also examines contemporary threats to First Nations communities from ongoing political, environmental, and social issues, and the efforts to confront and eliminate these threats to peoples and the environment. It becomes apparent that empire, despite its manifestations of power, cannot control or discipline humans and nature. Essays suggest new ways of looking at the Great Lakes watershed and the peoples and empires contained within it.

During the American Revolution the British enjoyed a unified alliance with their Native allies in the Great Lakes region of North America. By the War of 1812, however, that “chain of friendship” had devolved into smaller, more local alliances. To understand how and why this pivotal shift occurred, Restoring the Chain of Friendship examines British and Native relations in the Great Lakes region between the end of the American Revolution and the end of the War of 1812.   Timothy D. Willig traces the developments in British-Native interaction and diplomacy in three regions: those served by the agencies of Fort St. Joseph, Fort Amherstburg, and Fort George. During the late eighteenth and early nineteenth centuries, the Native peoples in each area developed unique relationships with the British. Relations in these regions were affected by such factors as the local success of the fur trade, Native relations with the United States, geography, the influence of British-Indian agents, intertribal relations, Native acculturation or cultural revitalization, and constitutional issues of Native sovereignty and legal statuses. Assessing the wide variety of factors that influenced relations in each of these areas, Willig determines that it was nearly impossible for Britain to establish a single Indian policy for its North American borderlands, and it was thus forced to adapt to conditions and circumstances particular to each region.

In the past thirty years, the study of French-Indian relations in the center of North America has emerged as an important field for examining the complex relationships that defined a vast geographical area, including the Great Lakes region, the Illinois Country, the Missouri River Valley, and Upper and Lower Louisiana. For years, no one better represented this emerging area of study than Jacqueline Peterson and Richard White, scholars who identified a world defined by miscegenation between French colonists and the native population, or métissage, and the unique process of cultural accommodation that led to a \"middle ground\" between French and Algonquians. Building on the research of Peterson, White, and Jay Gitlin, this collection of essays brings together new and established scholars from the United States, Canada, and France, to move beyond the paradigms of the middle ground and métissage. At the same time it seeks to demonstrate the rich variety of encounters that defined French and Indians in the heart of North America from 1630 to 1815. Capturing the complexity and nuance of these relations, the authors examine a number of thematic areas that provide a broader assessment of the historical bridge-building process, including ritual interactions, transatlantic connections, diplomatic relations, and post-New France French-Indian relations.

The sea and Great Lakes have inspired American authors from colonial times to the present to produce enduring literary works. This reference is a comprehensive survey of American sea literature. The scope of the encyclopedia ranges from the earliest printed matter produced in the colonies to contemporary experiments in published prose, poetry, and drama. The book also acknowledges how literature gives rise to adaptations and resonances in music and film and includes coverage of nonliterary topics that have nonetheless shaped American literature of the sea and Great Lakes. The alphabetical arrangement of the reference facilitates access to facts about major literary works, characters, authors, themes, vessels, places, and ideas that are central to American sea literature. Each of the several hundred entries is written by an expert contributor and many provide bibliographical information. While the encyclopedia includes entries for white male canonical writers such as Herman Melville and Jack London, it also gives considerable attention to women at sea and to ethnically diverse authors, works, and themes. The volume concludes with a chronology and a list of works for further reading.