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50 result(s) for "Griffith, Wyn"
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A plaster master is home dry
Founder of Pinnacle Property and Pinnacle Letting Agents, [Wyn Griffiths] and business partner Glyn Trott started their company in 1997 when Wyn was 22 and it was run by students for students. Wyn and wife Sarah, who presented ITV Wales' The Ferret, bought their first property in Pencoed in 1997 and have lived in their current four-bedroom Cardiff home for three years. They have a two- year-old son, Harry. Wyn appears on Cymru am Byth: Cymru Llwyddiannus on S4C on Friday, June 23 at 9.30pm. English subtitles are available.
Footballer Griffiths is mourned
A respected vet who played professional football for Arsenal and Cardiff is being mourned by his friends and family today. Wyn Griffiths, 86, who died on Sunday after a fall at his home, was also a racing tipster on BBC Radio Cymru.
Fairclough to quit role with Wrexham
Club chairman Geoff Moss paid tribute to [Anthony Fairclough], saying: \"Anthony has been hard working and enthusiastic throughout his time here and we are very sorry to lose him. \"Anthony will though oversee the move into our new shop and administrative offices on Mold Road, before he leaves.\" \"I will be looking at getting the IT up to date at the club with online facilities such as ticketing and running the shop,\" saidMr [Wyn Griffiths], of Green Park, Wrexham.
Jobs: How to be a carpenter
They begin by studying drawings, and calculating angles and dimensions. It is important to choose the right wood for the job. They then measure, cut and shape it using hand tools, power tools and cutting machines. There are four different types of joiner/ carpenter. Bench joiners are based in workshops making doors, window frames etc. Fixers work on site, fitting floorboards, staircases, window frames. Shop fitters specialise in producing and fitting shop fronts and interiors in hotels, restaurants, banks offices and public buildings. Formwork jointers make shuttering for concrete structures. What skills and personal qualities are needed?
Entrepreneurship Wales: Students who rose above the rising damp ; ACCOMMODATION: Providing a better service for young tenants
After experiencing a little of this, two Cardiff University graduates - Wyn Griffiths and Glyn Trott - decided they could make a business out of doing something about it. Both Mr Griffiths and Mr Trott say they always wanted to set up their own company, and after more than four years, they have no regrets. PINNACLE: Glyn Trott, left, and Wyn Griffiths ready for more business
WALES: Club won't replace boss ... for now
Instead, the day-to-day running of the Racecourse club will be shared by owner GeoffMoss and director Paul Atkinson, together with newly-appointed office and IT manager Wyn Griffiths. [Anthony Fairclough], who joined Wrexham in 2006 from Burnley and is returning to Turf Moor as director of commercial operations, will remain at the Racecourse until the new ticket office and superstore is up and running. Wrexham's Racecourse ground. Right, departing chief executive Anthony Fairclough
Night of the stars
Chair winner [Catrin Jones], Ceredigion YFC Hymn winner Huw Ynyr Evans, of Meirionnydd YFC, and Anna Thomas, of Godre\"r Eifl YFC, Eryri, won the cerdd dant solo class Enlli and Alaw Pugh, of Y Rhiw YFC, Eryri, won the U27 duet class U17 solo winner Elen Lloyd Roberts, of Godre\"r Eifl YFC, Eryri Winners of the Mansel Charles Shield were Eryri YFC with (l-r) Eleri Roberts, Eryri YFC organiser; Elen Williams, Eryri YFC chairman; Nia Wyn Griffith, Eisteddfod committee chairman; and Gwenno Griffith, Eryri YFC vice chairman WINNERS: Teleri Mair Williams, [Luke McCall] and Awen Wyn Griffith Photos: DEWI WYN, PWLLHELI
And now for the easy part
\"As well as booking judges and arranging stage technicians, one of the first tasks was finding a suitable venue,\" she said. \"In recent years the YFC Eisteddfod has grown considerably, so we needed somewhere large enough to accommodate everyone.\" Sin, who lives in Eglwysbach and is a joinery student at Llandrillo College, Colwyn Bay, said: \"I'd just competed in a Skill Build competition in which two students from colleges in North Wales submit work demonstrating different joints. \"I came second, and I think that prompted someone to put my name forward.\" \"I wanted to do something a little more modern, so incorporated a few curves,\" he said. The Wales YFC Eisteddfod gets underway at 11am on Saturday, November 21. BBC Radio Cymru will be broadcasting live from 8pm onwards.
The New Review: Critics: Theatre: The dangers of going over the top: An updating of The Beggar's Opera and the first world war reimagined are undone by dramatic form: Dead Dog in a Suitcase (and Other Love Songs) Everyman, Liverpool; until 12 July Mametz Great Llancayo Upper Wood near Usk, Monmouthshire; until 5 July
One of the glories of this World Cup has been BBC1's commentary and analysis under Gary Lineker. Where I see men in different coloured shirts running round a pitch with a ball, they see pattern and structure. Thanks to them, where I used to see hazard, now I see choices. When John Gay wrote his Beggar's Opera in 1728, he wasn't just thumbing his nose at the convention of his day, where operatic characters were of elevated social status and noble in sentiment. Gay made specific choices in order to highlight the vicious cronyism of those in power and their cynical exploitation of their network of interlocking self-interests to personal advantage and profit. What makes the play such a great, enduring satire (one also adapted by Bertolt Brecht for his Threepenny Opera in 1928) is that the characters and relationships still ring true today (Cameron, Coulson, anybody?). If you update it, as Kneehigh with Liverpool Everyman and Playhouse do with their Dead Dog in a Suitcase, you need to make careful choices so as not to dull the resonances. What choices did writer Carl Grose, along with Kneehigh's founding artistic director Mike Shepherd, make? The programme does not say. As far as artistic intention goes, the audience can go figure (composer Charles Hazlewood, though, offers insights into his music's \"tangy urgency\"). What we see is a production that gloriously revels in Kneehigh's strength: strong commitment to theatrical presentation, expressed here, as so often, by clever manipulation of puppets and an energetic (if technically limited) physicality. The weakness is an underdeveloped drama that compensates for weak plotting by over-explicative dialogue.