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The Yuanjue Grottos are representative of the sandstone grottos in southwest China. The structural stability of their wallrocks has suffered a certain degree of damage, resulting from weathering cavities, which seriously threatens the long-term preservation of these cultural relics. This study utilizes 3D numerical simulation to assess the impact of weathering cavity depth on the structural stability of the grottos. The results reveal that the presence of cavities has led to significant wallrock deformation and settlement, particularly in the front side of the entrance and baseplate area. As the cavity depth increases, the deformation effect intensifies. This study also characterizes the relationship between stress deformation and the distribution of weathered fissures, indicating that joint areas are more susceptible to spalling. Displacement monitoring indicates that the baseplate has experienced uplift, followed by settlement as the cavity depth increases, suggesting an initial phase of elastic deformation followed by plastic and brittle deformation stages, which is consistent with the numerical simulation results. Notably, the baseplate’s settlement trend was found to accelerate when the cavity depth exceeded 4 m, with significant changes being observed when the depth exceeded 5 m. Therefore, the depth of the weathering cavity beneath the entrance of the Yuanjue Grottos should be controlled within 5 m, in order to ensure their long-term stability. This research contributes to the understanding of the mechanisms affecting the structural stability of grottos and provides valuable insights for conservation efforts.

News of the discoveries of natural grottos filled the pages of newspapers and journals throughout the nineteenth century. Additionally, artificial grottos opened regularly for the entertainment of the public and were commonplace in the cultural and literary products of the period. In this article, I analyse neo-Victorian appropriations of nineteenth-century grottos as Foucauldian heterotopias through two case studies: Sonia Overall’s The Realm of Shells (2006) and Essie Fox’s Elijah’s Mermaid (2012). Overall’s and Fox’s novels illustrate how the heterotopic features of the Victorian grotto are expanded in neo-Victorian fiction as counter-spaces of emplacement that enable heterochronic forms of resistance.

Temperature accelerates the deterioration processes affecting grotto temples. As such, studies of the temperature distribution characteristics of grotto temples can provide an important basis for their protection. In this paper, the hourly surface temperatures of 123 grotto temples in China were studied using ERA5-Land hourly data from 1981 to 2020, obtained through the AI Earth platform. Using the local Python development environment, the daily surface temperature difference and highest and lowest temperatures of grotto temples were linearly fitted for each year, after which the monthly average temperature difference distribution was statistically analyzed to determine trends in temperature change. Then, the GIS Spatially Constrained Multivariate Clustering method was used to cluster the surface temperature characteristics. The results showed that the grotto temples in China can be mainly divided into seven regions, namely Xinjiang, Qinghai-Xizang Plateau, Hexi, Longdong, Shaanxi and North China, Southwest, and East and Southeast. The highest average surface temperature, greater than 15 °C, occurred in South China, and the lowest, close to 0 °C, occurred in the Qinghai-Xizang Plateau. The average surface temperature of the seven regions identified showed an increasing trend. The Qinghai-Xizang Plateau was affected by severe temperature differences throughout the year, with annual average daily temperature differences approaching 30 °C, followed by Xinjiang and Hexi region, with a perennial temperature difference of approximately 25 °C. The Longdong, Shaanxi, and North China regions had annual average daily temperature differences of 15–20 °C, whereas values for the South China region were less than 15 °C. The daily surface temperature differences of grotto temples reached their maximum values in April to May and their minimum values in December to January. All studied regions are subject to temperature-induced challenges: Xinjiang region faces particularly severe high-temperature influences, with a mean daily surface temperature of almost 45 °C in summer, followed by Hexi region with 35 °C or above, and the other regions with approximately 30 °C. The Qinghai-Xizang Plateau exhibits perennially low temperatures, with a mean daily minimum temperature below − 25 °C in winter; less than − 10 °C in the Xinjiang, Hexi, Longdong, Shaanxi, and North China regions; and approximately 0 °C in southern China. The relative impacts of temperature on grotto temples in each region are as follows: Xinjiang and Hexi > Qinghai-Xizang Plateau > Longdong, Shaanxi, and North China > Southwest China > East and Southeast China. This study has revealed the characteristics of surface temperature distribution in grotto temples in China and proposes appropriate protection measures, which will help improve national-scale practical mitigation of the threats facing these important cultural heritage sites.

This study explored the effect of compounding artificial hydraulic lime and silica fume for use as a sandstone grotto patching material. Different proportions of silica fume were added to hydraulic lime in lab tests, and their effects on the mortar’s physical and mechanical properties were studied. The results show that adding silica fume significantly increased the flexural and compressive strengths of the mortar and the shrinkage rate. A comparative analysis revealed that the comprehensive performance of the mortar reached the optimal state when the silica fume content was 10%. This met the strength requirements of repair materials for sandstone grottoes, as well as the control requirements regarding the shrinkage rate. Additionally, it demonstrated excellent weather resistance. This study’s results provide a scientific basis for the restoration of sandstone grottoes and the screening of an appropriate ratio of repair materials, which holds significant practical application value for the protection and reinforcement of stone relics.

A polio outbreak in Israel has had researchers scratching their heads. Twenty-five years after it was dispatched, wild poliovirus is back and circulating widely in Israel but, surprisingly, there have been no cases. Like many other wealthy countries, Israel relies on the inactivated polio vaccine, or IPV, to protect against this crippling disease. Paradoxically, Israel's very high vaccination rate is what has allowed the virus to circulate silently for months.

Grottoes are a comprehensive art treasure trove that integrate architecture, sculpture, and murals. They showcase the historical spiritual civilization of humanity and provide a solid foundation for studying the dissemination and development of Buddhist culture. Gansu Province is an important node on the transmission route of Buddhist culture, constituting a relatively complete and rich history of Buddhist art and cultural history. This article uses GIS technology to systematically analyse the spatial distribution characteristics and spatiotemporal evolution patterns of grottoes in Gansu Province from the Wei Jin to the Ming and Qing dynasties and explores the main factors affecting their distribution. The results indicate the following: (1) the grottoes in Gansu Province exhibit clustering and uneven distribution characteristics, which form the core aggregation area of Qingyang Tianshui City and the secondary aggregation area of Wuwei and Zhangye City. (2) Spatiotemporal characteristics show significant changes in the number and focus of excavation and repair of grottoes in Gansu Province over the years. The Northern and Southern Dynasties, Sui and Tang Dynasties, and Ming and Qing Dynasties had more grottoes than the Wei, Jin, and Yuan Dynasties. The overall centre of gravity shifted from northwest to southeast. Natural factors such as topography, stratigraphy, and hydrology and cultural factors such as politics and transportation significantly impacted the spatial pattern of grotto heritage in Gansu Province. Exploring and studying the spatial layout of grotto heritage from the perspective of historical geography is beneficial for understanding the cultural development and historical changes in Buddhism and is of great significance for the development of landscape environmental protection and utilization of grotto heritage.

As non-renewable cultural heritages, murals have important implications in historical customs, religions, and philosophy as well as their aesthetic values. Recently, many murals are threatened by natural factors and human activities. During the past decades, there are increasing interest in the investigation of murals. Here we review the current status of murals and provide an up-to-date summary of achievements related to murals. The murals that draw the most attention are distributed in Mexico, Ireland, China, and Spain. The aesthetics, history, cultural, educational, and economic values of murals are comprehensively analyzed. The main research technologies used to detect the chemical compositions and physical structures of murals are also summarized. The restoration of murals includes several procedures such as stabilization, repair, surface cleaning, and pigment reconversion. Emerging technologies such as computer science benefit the research and conservation of murals. We also propose that tourism management and climate change should be incorporated into the conservation of murals in the future.

This article explores Schipper’s scholarly contributions to the study of dongtian fudi (grotto heavens and blessed lands) and specifically situates this project in its broader intellectual context and Schipper’s own research. While Schipper was not the first to open discussions on this topic, his research in this direction still offers profound insights, such as the coinage of the concept of “Daoist Ecology” and his views on mountain politics. This article argues that Schipper’s work on dongtian fudi is a response to the school of Deep Ecology and its critics, and also a result of critical reflection on the modern dichotomy between nature and culture. In Schipper’s enquiry of dongtian fudi, the “mountain” stands as the central concept: it is not only the essential component of Daoist sacred geography, but a holistic site in which nature and society are interwoven, endowed with both material and sacred significance. Through his analysis of the Daoist practice of abstinence from grain (duangu), Schipper reveals how mountains serve as spaces for retreat from agrarian society and state control, and how they embody “shatter zones” where the reach of centralized power is relatively attenuated. The article also further links Schipper’s project of Beijing as a Holy City to his study of dongtian fudi. For Schipper, the former affirms the universality of the locality (i.e., the unofficial China, the country of people), while the latter envisages the vision of rewriting China from plural localities. Taken together, these efforts point toward a theoretical framework that moves beyond conventional sociological paradigms, one that embraces a total worldly perspective, in which the livelihoods of local societies and their daily lives are truly appreciated as a totality that encompasses both nature and culture. Schipper’s works related to dongtian fudi, though they are rather concise, still significantly broaden the scope of Daoist studies and, moreover, provide novel insights into the complexity of Chinese religion and society.

Seventeen marble samples drawn from the Scylla, Polyphemos, and Pasquino Groups, the Theft of the Palladium statue group, and the Ganymede statue discovered at Sperlonga in 1957 were investigated scientifically and proved to be all Docimium marble from the quarries of İscehisar near Afyon. New quarry data now available for the lithos lartios of Rhodes and for the white marble of the island of Kos and the quarries of Göktepe near Aphrodisias allow us to rule out old hypotheses as well as newly discovered sources of marble. These results as well as technical details about the manufacture of the sculptures seem to fully cohere with Andreae’s hypothesis that the Sperlonga groups were made on-site during the Tiberian age. They also tend to exclude alternative chronologies. The same arguments, however, make it difficult to believe that the Sperlonga sculptures and the Laocoön, thought to be made by the same Rhodian sculptors (Plin., HN 36.37) joining together several blocks of Parian Lychnites, are coeval. This apparent incongruity is briefly discussed, and the possibility of reconciling prosopographical and art historical considerations with technical marble data is examined. A free, downloadable appendix can be found under this article’s abstract on AJA Online.