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125 result(s) for "Groupes rock."
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The suburbs
\"The Suburbs is an incredibly sentimental and nostalgic album, which generally moved critics but was jarring to others. But it also made a heavy impact on fans and--to the surprise of many--won Album of the Year at the 2011 Grammy Awards. This immensely visceral album triggers a sincere celebration of not formative years spent in a cookie-cutter development, but of feeling self-important, immortal, and desperate to escape. It examines youth and amplifies an innate sense of longing and remembrance. Eric Eidelstein's The Suburbs explores this weird, utopic recollection of youth by comparing the album to suburban scenes in film and television, such as Blue Velvet, Mad Men, The Americans, and Spike Jonze's Scenes from the Suburbs. Through the close examination of film and televised depictions of the suburbs, both past and present, Eidelstein delves into the societal factors and artistic depictions that make the suburbs such a fascinating cultural construct, and uncovers why the album creates such a relatable and universal sense of reminiscence\"--Provided by publisher.
Los Lobos
Los Lobos leaped into the national spotlight in 1987, when their cover of “La Bamba\" became a No. 1 hit. But what looked like an overnight achievement to the band’s new fans was actually a way station in a long musical journey that began in East Los Angeles in 1973 and is still going strong. Across four decades, Los Lobos (Cesar Rosas, Conrad Lozano, David Hidalgo, Louie Pérez, and Steve Berlin) have ranged through virtually the entire breadth of American vernacular music, from rockabilly to primal punk rock, R&B to country and folk, Mexican son jarocho to Tex-Mex conjunto and Latin American cumbia. Their sui generis sound has sold millions of albums and won acclaim from fans and critics alike, including three Grammy Awards. Los Lobos, the first book on this unique band, traces the entire arc of the band’s career. Music journalist Chris Morris draws on new interviews with Los Lobos members and their principal collaborators, as well as his own reporting since the early 1980s, to recount the evolution of Los Lobos’s music. He describes the creation of every album, lingering over highlights such as How Will the Wolf Survive?, La Pistola y El Corazon, and Kiko, while following the band’s trajectory from playing Mexican folk music at weddings and dances in East L.A. to international stardom and major-label success, as well as their independent work in the new millennium. Giving one of the longest-lived and most-honored American rock bands its due, Los Lobos celebrates the expansive reach and creative experimentalism that few other bands can match.
Brothers
In this intimate and open account--nothing like any rock-and-roll memoir you've ever read--Alex Van Halen shares his personal story of family, friendship, music and brotherly love in a remarkable tribute to his beloved brother and band mate. Told with acclaimed New Yorker writer Ariel Levy, Brothers is seventy-year-old drummer Alex Van Halen's love letter to his younger brother, Edward, (Maybe \"Ed,\" but never \"Eddie\"), written while still mourning his untimely death. In his rough yet sweet voice, Alex recounts the brothers' childhood, first in the Netherlands and then in working class Pasadena, California, with an itinerant musician father and a very proper Indonesian-born mother--the kind of mom who admonished her boys to \"always wear a suit\" no matter how famous they became--a woman who was both proud and practical, nonchalant about taking a doggie bag from a star-studded dinner. He also shares tales of musical politics, infighting, and plenty of bad-boy behavior. But mostly his is a story of brotherhood, music, and enduring love. \"I was with him from day one,\" Alex writes. \"We shared the experience of coming to this country and figuring out how to fit in. We shared a record player, an 800 square foot house, a mom and dad, and a work ethic. Later, we shared the back of a tour bus, alcoholism, the experience of becoming famous, of becoming fathers and uncles, and of spending more hours in the studio than I've spent doing anything else in this life. We shared a depth of understanding that most people can only hope to achieve in a lifetime.\" There has never been an accurate account of them or the band, and Alex wants to set the record straight on Edward's life and death. Brothers includes never-before-seen photos from the author's private archives. -- Provided by publisher.
Canción que quema
After several years, the cult Mexican rock band San Pascualito Rey returns to the studio to record their fourth album \"Todo nos trajo hasta hoy\", it's an ambitious bet, the group is convinced that they are making the best album in their history. Song by song, the musicians expose their dreams and fears, falling into creative frictions and stretching their ties to the limit. San Pascualito Rey, the creators of the \"dark Guapachoso\" sound, have literally left their skin on the asphalt, clinging to achieve something that seems impossible, to survive doing their music.
Everybody Dance
With their era-defining music and instantly recognisable look, Chic's reputation as pioneers of disco has endured long after the movement itself.After their initial success in the 1970s with classics such as Good Times, Le Freak and I Want Your Love, Chic disbanded in 1983, with founding members Nile Rodgers and Bernard Edwards becoming in-demand producers. After Edwards tragic early passing in 1996, Nile Rodgers involvement in Daft Punk's 2013 smash hit Get Lucky catapulted Chic back to international acclaim. And now, from curating Meltdown in 2019 to headlining festivals all over the world, Nile Rodgers and Chic have arguably never been more popular.Covering the sweet successes and fallings out of favour, the creative process and encounters with Jimi Hendrix, David Bowie, Diana Ross, Madonna and others, the acclaimed Everybody Dance explores the highs and the lows of Chic's journey in fascinating detail. With a new foreword by Duran Duran founding member John Taylor and a host of new interviews with Nile Rodgers, Johnny Mathis and many others, to add to those with Ahmet Ertegun, Bryan Ferry and David Bowie, this edition bring their enthralling journey up to date.
No time for quiet
Lucy, Zeiro, Phoebe, Mika and Dakota take part in the Girls Rock! Melbourne summer camp, aiming at empowering teenage girls through music. During one week, they are coached to form a rock band, learn instruments, singing, write an original song to perform it on stage. Will they take up the challenge, overcome their fears and give the best performance in front of families and friends? How will this week affect their path in their quest for identity, belonging and self-confidence?
Rock star : the making of musical icons from Elvis to Springsteen
The nature and meaning of rock stardom—celebrities who embody the most important social and cultural conflicts of their era. \"All stars are celebrities, but not all celebrities are stars, \" states David Shumway in the introduction to Rock Star, an informal history of rock stardom. This deceptively simple statement belies the complex definition and meaning of stardom and more specifically of rock icons. Shumway looks at the careers and cultural legacies of seven rock stars in the context of popular music and culture—Elvis Presley, James Brown, Bob Dylan, the Rolling Stones, the Grateful Dead, Joni Mitchell, and Bruce Springsteen. Granted, there are many more names that fall into the rock icon category and that might rightfully appear on this list. Partly, that is the point: \"rock star\" is a familiar and desired category but also a contested one. Shumway investigates the rock star as a particular kind of cultural construction, different from mere celebrity. After the golden age of moviemaking, media exposure allowed rock stars more political sway than Hollywood's studio stars, and rock stars gradually replaced movie stars as key cultural heroes. Because of changes in American society and the media industries, rock stars have become much more explicitly political figures than were the stars of Hollywood's studio era. Rock stars, moreover, are icons of change, though not always progressive, whose public personas read like texts produced collaboratively by the performers themselves, their managers, and record companies. These stars thrive in a variety of media, including recorded music, concert performance, dress, staging, cover art, films, television, video, print, and others. Filled with memorable photographs, Rock Star will appeal to anyone interested in modern American popular culture or music history.
U2 : rockumentary
A cliche start: 4 teenage boys form a rock band in the drummer's kitchen: 45 years, 14 albums, 24 concert tours, 22 Grammies. U2 raises millions to fight hunger, disease and poverty. Music transcends melody. It means mission.
Sound and chaos : the story of BC Studio
For over 30 years, Martin Bisi has recorded music from his studio in Brooklyn's Gowanus neighborhood. After a chance New York encounter, the studio was founded with money from Brian Eno, who subsequently worked on the album On Land there. Working with Bill Laswell and the band Material, Bisi recorded Herbie Hancock's hit Rockit in this underground space. This was the first mainstream, popular song to feature a DJ and a turntable, utilizing 'scratching'. Following that success, Bisi worked with many other influential musicians there, including Sonic Youth, Swans, Angels of Light, John Zorn, Foetus and the Dresden Dolls. He has recorded across many genres, from experimental music, to hip hop and indie rock in the old factory building by the contaminated Gowanus Canal. However, the future of the recording studio is in question as it is squeezed in by the encroaching gentrification of the neighborhood. A new, massive Whole Foods supermarket across the street is the latest addition to this once out-of-the-way area, that Bisi fears will increase property values to the point of pushing out long-time renters and artists like himself.
The past is a grotesque animal
Of Montreal is the brainchild of Athens, GA based singer/guitarist Kevin Barnes. This film documents a band's life, from festivals (Bonnaroo, Lollapalooza), on the tour bus, backstage, in the studio ... nowhere was off limits.