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Crown of thunder
\"Taj has escaped Kos, but Queen Karima will go to any means necessary--including using the most deadly magic--to track him down\"-- Provided by publisher.
BOOK
Mathilda
Mathilda is narrated from the title character's death bed. She recounts her relationship with her father, who had an incestuous love for her, and his suicide by drowning. Her relationship with a gifted young poet was unable to prevent her emotional withdrawal after her father's death, or the lonely fact of her own dying.Shelley wrote Mathilda in an attempt to deal with the loss of her two infant children.
eBook
Sad girls
Schoolgirl Audrey starts suffering from panic attacks after a lie she told left one of her classmates dead, but she finds hope in the form of Rad, a boy who could turn her life around, but their romance may be ill-timed and push her closer to the edge.
Book
Blood relations
In Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown. In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
eBook
Video Games as Self-Involving Interactive Fictions
This article explores the nature and theoretical import of a hitherto neglected class of fictions which we term 'self-involving interactive fictions' (SIIFs). SIIFs are interactive fictions, but they differ from standard examples of interactive fictions by being, in some important sense, about those who consume them. In order to better understand the nature of SIIFs, and the ways in which they differ from other fictions, we focus primarily on the most prominent example of the category: video-game fictions. We argue that appreciating the self-involving nature of video-game fictions is key to understanding various otherwise puzzling phenomena concerning the ways in which consumers respond to them. Video-game fictions are, however, far from being the only extant example of this class; and we suggest that the recent philosophical interest in video games would be better focused on the wider class of self-involving interactive fictions.
Journal Article
In the garden of fugitives
\"Almost twenty years after forbidding him to contact her, Vita receives a letter from a man who has long stalked her from a distance. Once, Royce was her benefactor and she was one of his brightest protégées. Now Royce is ailing and Vitas career as a filmmaker has stalled, and both have reasons for wanting to settle accounts. They enter into an intimate game of words, played according to shifting rules of engagement. Beyond their murky shared history, they are both aware they can use each other to free themselves from deeper pasts. Vita is processing the shameful inheritance of her birthplace, and making sense of the disappearance of her beloved. Royce is haunted by memories of the untimely death of his first love, an archaeologist who worked in the Garden of the Fugitives in Pompeii. Between whats been repressed and what has been disguised are disturbances that reach back through decades, even centuries. But not everything from the past is precious: each gorgeous age is built around a core of rottenness\"--Amazon.com.
Book
The Marble Faun
From the author of The Scarlet Letter: The thrilling tale of three American artists whose search for artistic inspiration leads to romance and murder.
The sculpture galleries and classical architecture of nineteenth-century Rome set the stage for Nathaniel Hawthorne's gothic romance The Marble Faun. While touring the Eternal City in search of inspiration and authentic beauty, American artists Miriam, Hilda, and Kenyon soon discover that their Italian companion, Donatello—charming and in love with Miriam—bears a striking resemblance to the marble Faun of Praxiteles. But for Miriam, their carefree pursuit is also an escape from a dark past. And when a mysterious man appears, trailing the friends' path and tormenting Miriam, the group's travels take a sinister turn.
The first novel to explore the effects of European sensibilities on American values, The Marble Faun anticipated the genre of travel novels later exemplified by The Portrait of a Lady by Henry James and The Innocents Abroad by Mark Twain. Vividly evoking the great works of art and architecture in Rome, it also found favor as an unlikely guidebook for many Victorian tourists. James Russell Lowell said: \"The nineteenth century has produced no more purely original writer than Mr. Hawthorne.\" Here, the author of The House of the Seven Gables offers an unforgettable and suspenseful tale.
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eBook