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H.G. Wells and All Things Russian
‘H. G. Wells and All Things Russian' is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells's attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.
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Building Cosmopolis
Alongside his reputation as an author, H.G. Wells is also remembered as a leading political commentator of the late nineteenth and early twentieth centuries. Building Cosmopolis presents the worldview of Wells as developed between his student days at the Normal School of Science (1884-1887) and his death in 1946. During this time, Wells developed a unique political philosophy, grounded on the one hand in the theory of 'Ethical Evolution' as propounded by his professor, T.H. Huxley, and on the other in late Victorian socialism. From this basis Wells developed a worldview which rejected class struggle and nationalism and embraced global co-operation for the maintenance of peace and the advancement of the human species in a world society. Although committed to the idea of a world state, Wells became more antagonistic towards the nation state as a political unit during the carnage of the First World War. He began moving away from the position of an internationalist to one of a cosmopolitan in 1916, and throughout the inter-war period he advanced the notion of regional and, ultimately, functional world government to a greater and greater extent. Wells first demonstrated a functionalist society in Men Like Gods (1923) and further elaborated this system of government in most of his works, both fictional and non-fictional, throughout the rest of his life. Following an examination of the development of his political thought from inception to fruition, this study argues that Wells's political thoughts rank him alongside David Mitrany as one of the two founders of the functionalist school of international relations, an acknowledgement hitherto denied to Wells by scholars of world-government theory.
Contents: Introduction; Liberal internationalism, 'ethical evolution' and cosmopolitan socialism; The death of the static: H.G. Wells and the kinetic Utopia; From 'the larger synthesis' to the League of Free Nations; Educational reform from The Outline of History to the 'permanent world encyclopaedia'; From the League of Nations to the functional world state; Human rights and public accountability in the functional world state; The forgotten cosmopolitan: H.G. Wells and postwar transnationalism; Postscript: Mind at the end of its tether?; Bibliography; Index.
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Maps of Utopia
H. G. Wells is one of the most widely read writers of the twentieth century, but until now the aesthetics of his work have not been investigated in detail. Maps of Utopia tells the story of Wells’s writing career over six decades, during which he produced popular science, educational theory, history, politics, prophecy, and utopia as well as realist, experimental, and science fiction. This book asks what Wells thought literature was, and what he thought it was for. H. G. Wells formulated a literary aesthetics based on scientific principles, designed to improve the world both in the present and for future generations. Unlike Henry James, with whom he famously argued, Wells was not content simply to let literary art be, for its own sake: he wanted to make art instrumental in improving the lives of its readers, by bringing about the founding the World State that he predicted was man’s only alternative to self‐destruction. Such a
project differed radically from the aims of Wells’s late‐Victorian and his Modernist contemporaries—with consequences for the nature both of Wells’s writing and for his subsequent critical reception. Maps of Utopia begins with the late‐Victorian debate about the uses of effect of reading, especially reading fiction, that followed the mass literacy of the 1870–1 Education Acts. It considers Wells’s best‐known scientific romances, such as The Time Machine and The War of the Worlds, and important social novels such as Tono‐Bungay. It also examines less well‐known texts such as The Sea Lady, Boon, and Wells’s journalism and political writings. This study closes with his cinematic collaboration The Shape of Things to Come, and The Outline of History, Wells’s best‐selling book in
his own lifetime.
eBook
The invisible man
A graphic novel adaptation of the tale in which a quiet English country village is disturbed by the arrival of a mysterious stranger who keeps his face hidden and his back to everyone.
Reception of H.G. Wells in Europe
H.G. Wells was described by one of his European critics as a 'seismograph of his age'. He is one of the founding fathers of modern science fiction, and as a novelist, essayist, educationalist and political propagandist his influence has been felt in every European country. This collection of essays by scholarly experts shows the varied and dramatic nature of Wells's reception, including translations, critical appraisals, novels and films on Wellsian themes, and responses to his own well-publicized visits to Russia and elsewhere. The authors chart the intense ideological debate that his writings occasioned, particularly in the inter-war years, and the censorship of his books in Nazi Germany and Francoist Spain. This book offers pioneering insights into Wells's contribution to 20th century European literature and to modern political ideas, including the idea of European union. Reception of H.G. Wells in Europe Review
eBook
H. G. Wells and All Things Russian
'H. G. Wells and All Things Russian' is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells's views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia's evolving Communist experiment, even after it fell into Stalin's hands. While Wells's attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.
eBook