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This collection brings together themes in East Asian history, diplomacy, culture and politics written by J. E. Hoare since the early 1970s. His writings derive from his training as a historian, from his time as a Research Analyst in the British Foreign Office from 1969-2003, and from his experiences as a diplomat in the Republic of Korea (South Korea), the People's Republic of China, and the Democratic People's Republic of Korea (North Korea). The writings selected for this volume include academic papers, book reviews and some quasi-journalistic articles which reflect both historical research and analysis of current events and issues. The wide-ranging content speaks to the author's specialist fields of interest including diplomacy, biography, extraterritoriality and architecture on which he has published extensively.

William Elliot Griffis (1843 - 1928) graduated from Rutgers College in 1869 and taught four years in Fukui and Tokyo. After his return to the United States, he devoted himself to his research and writing on East Asia throughout his life. He authored 20 books about Japan and five books about Korea including, Corea: The Hermit Nation (1882), Corea, Without and Within: Chapters on Corean History, Manners and Religion (1885), The Unmannerly Tiger, and Other Korean Tales (1911), A Modern Pioneer in Korea: The Life Story of Henry G. Appenzeller (1912), and Korean Fairy Tales (1922). In particular, his bestseller, Corea: The Hermit Nation (1882) was reprinted numerous times through nine editions over thirty years. He was not only known as \"the foremost interpreter of Japan to the West before World War I but also the American expert on Korea. After his death, his collection of books, documents, photographs and ephemera was donated to Rutgers.The Korean materials in the Griffis Collection at Rutgers University consist of journals, correspondence, articles, maps, prints, photos, postcards, manuscripts, scrapbooks, and ephemera. These papers reflect Griffis's interests and activities in relation to Korea as a historian, scholar, and theologian. They provide a rare window into the turbulent period of late nineteenth- and twentieth-century Korea, witnessed and evaluated by Griffis and early American missionaries in East Asia. The Korea Letters in the William Elliot Griffis Collection are divided into two parts: letters from missionaries and letters from Japanese and Korean political figures. Newly available and accessible through this collection, these letters develop a multifaceted history of early American missionaries in Korea, the Korean independence movement, and Griffis's views on Korean culture.

Once the capital of the five-hundred-year Chos?n dynasty (1392–1897) and the Taehan Empire (1897–1910), the city of Seoul posed unique challenges to urban reform and modernization under Japanese colonial rule in the early twentieth century, constrained by the labyrinthian built environment of the old Korean capital. Colonial authorities attempted to employ a strategy of \"erasure\"—monumental Japanese architecture was, for instance, superimposed upon existing palace structures—to articulate to colonized Korean subjects the transition from the pre-modern to the modern, and the naturalization of colonial rule as inevitable historical change. Drawing from and analyzing a wide range of materials, from architecture and photography to print media and sound recordings, City of Sediments shows how Seoul became a site to articulate a new mode of time—modernity—that defined the place of the colonized in accordance with the progression of history, and how the underbelly of the city, latent places of darkness filled with chatters of the alleyway, challenged this visual language of power. To do so, Se-Mi Oh builds an inventive new model of history where discrete events do not unfold one after the other, but rather one in which histories layer atop each other like sediment, allowing a new map of colonial Seoul to emerge, a map where the material traces of the city are overlapping, with vibrant residues of earlier times defiantly visible among the superimposed signs of modernity and colonial domination.

Imperial tombs, Buddhist architecture, palaces, and art treasures in Korea and Japan have attracted scholars, collectors, and conservators and millions of tourists. As iconic markers of racial and cultural identity at home and abroad, they are embraced as tangible sources of immense national pride and popular must-see destinations. This book provides the first sustained account to highlight how the forces of modernity, nationalism, colonialism, and globalization have contributed to the birth of museums, field disciplines, tourist industry, and heritage management policies. Its chapters trace the history of explorations, preservations, and reconstructions of archaeological monuments from an interregional East Asian comparative perspective in the past century.

\"\"If war can be reduced to a competition over money--and control over the land, people, and the resources that produce it--then it should be possible to pay in advance to prevent it.\" Author Shepherd Iverson uses this underlying premise to provide an alternative to every book written about the North Korean nuclear threat and growing East Asia militarism. Far less permeable to economic sanctions than Iran has been, North Korea requires a different sort of economic approach to peace. Taking a cultural as well as a geoeconomic approach, Stop North Korea: A Radical New Approach to Solving the North Korea Standoff proposes that reunification is the best, possibly only, way to denuclearize North Korea, end its government's oppressive regime and create a fruitful, sustainable peace. The book further proposes that the way to achieve reunification is, essentially, to buy it while there is still a chance to prevent war and repair the damage already done. It is business-as-peace-crafting in a way that has never been imagined before. It all begins with this basic scenario: \"Imagine that you control a multi-billion dollar capital fund and North Korea is a large underperforming corporation. You see it is undervalued and want to take it over, but it is controlled by an old-fashioned board of directors--the Kim family and a small number of ultra-elites--lwho will not negotiate a deal. In this regressive situation it is logical to offer shareholders--the larger number of political and military elites, government managers and bureaucrats, and the general population--a higher price for their shares to convince them to overrule their board of directors.\"\"--

The Imjin War (1592–1598) was a grueling conflict that wreaked havoc on the towns and villages of the Korean Peninsula. The involvement of Chinese, Japanese, and Korean forces, not to mention the regional scope of the war, was the largest the world had seen, and the memory dominated East Asian memory until World War II. Despite massive regional realignments, Korea's Chosôn Dynasty endured, but within its polity a new, national discourse began to emerge. Meant to inspire civilians to rise up against the Japanese army, this potent rhetoric conjured a unified Korea and intensified after the Manchu invasions of 1627 and 1636. By documenting this phenomenon, JaHyun Kim Haboush offers a compelling counternarrative to Western historiography, which ties Korea's idea of nation to the imported ideologies of modern colonialism. She instead elevates the formative role of the conflicts that defined the second half of the Chosôn Dynasty, which had transfigured the geopolitics of East Asia and introduced a national narrative key to Korea's survival. Re-creating the cultural and political passions that bound Chosôn society together during this period, Haboush reclaims the root story of solidarity that helped Korea thrive well into the modern era.

In recent years, discussion of the colonial period in Korea has centered mostly on the degree of exploitation or development that took place domestically, while international aspects have been relatively neglected. Colonial discourse, such as characterization of Korea as a \"hermit nation,\" was promulgated around the world by Japan and haunts us today. The colonization of Korea also transformed Japan and has had long-term consequences for post-World War II Northeast Asia as a whole.Through sections that explore Japan's images of Korea, colonial Koreans' perceptions of foreign societies and foreign relations, and international perceptions of colonial Korea, the essays in this volume show the broad influence of Japanese colonialism not simply on the Korean peninsula, but on how the world understood Japan and how Japan understood itself. When initially incorporated into the Japanese empire, Korea seemed lost to Japan's designs, yet Korean resistance to colonial rule, along with later international fear of Japanese expansion, led the world to rethink the importance of Korea as a future sovereign nation.

The Choson state (1392-1910) is typically portrayed as a rigid society because of its hereditary status system, slavery, and Confucian gender norms. However,The Emotions of Justicereveals a surprisingly complex picture of a judicial system that operated in a contradictory fashion by discriminating against subjects while simultaneously minimizing such discrimination. Jisoo Kim contends that the state's recognition ofwon, or the sense of being wronged, permitted subjects of different genders or statuses to interact in the legal realm and in doing so illuminates the intersection of law, emotions, and gender in premodern Korea.

Conservation as a tool of colonialism in early twentieth-century KoreaJapanese colonial rule in Korea (1905-1945) ushered in natural resource management programs that profoundly altered access to and ownership of the peninsula's extensive mountains and forests. Under the banner of \"forest love,\" the colonial government set out to restructure the rhythms and routines of agrarian life, targeting everything from home heating to food preparation. Timber industrialists, meanwhile, channeled Korea's forest resources into supply chains that grew in tandem with Japan's imperial sphere. These mechanisms of resource control were only fortified after 1937, when the peninsula and its forests were mobilized for total war.In this wide-ranging study David Fedman explores Japanese imperialism through the lens of forest conservation in colonial Korea-a project of environmental rule that outlived the empire itself. Holding up for scrutiny the notion of conservation, Seeds of Control examines the roots of Japanese ideas about the Korean landscape, as well as the consequences and aftermath of Japanese approaches to Korea's \"greenification.\" Drawing from sources in Japanese and Korean, Fedman writes colonized lands into Japanese environmental history, revealing a largely untold story of green imperialism in Asia.