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Why exactly did the Nazis burn the Hebrew Bible everywhere in Germany on November 9, 1938? The perplexing event has not been adequately accounted for by historians in their large-scale assessments of how and why the Holocaust occurred. In this gripping new analysis, Alon Confino draws on an array of archives across three continents to propose a penetrating new assessment of one of the central moral problems of the twentieth century. To a surprising extent, Confino demonstrates, the mass murder of Jews during the war years was powerfully anticipated in the culture of the prewar years.The author shifts his focus away from the debates over what the Germans did or did not know about the Holocaust and explores instead how Germans came to conceive of the idea of a Germany without Jews. He traces the stories the Nazis told themselves-where they came from and where they were heading-and how those stories led to the conclusion that Jews must be eradicated in order for the new Nazi civilization to arise. The creation of this new empire required that Jews and Judaism be erased from Christian history, and this was the inspiration-and justification-for Kristallnacht. As Germans imagined a future world without Jews, persecution and extermination became imaginable, and even justifiable.

In Murder in Manchuria , Scott D. Seligman explores an unsolved murder set amid the chaos that reigned in China in the run-up to World War II. The story unfolds against the backdrop of a three-country struggle for control of Manchuria-an area some called China's \"Wild East\"-and an explosive mixture of nationalities, religions, and ideologies. Semyon Kaspé, a young Jewish musician, is kidnapped, tortured, and ultimately murdered by disaffected, antisemitic White Russians, secretly acting on the orders of Japanese military overlords who covet his father's wealth. When local authorities deliberately slow-walk the search for the kidnappers, a young French diplomat takes over and launches his own investigation. Part cold-case thriller and part social history, the true, tragic saga of Kaspé is told in the context of the larger, improbable story of the lives of the twenty thousand Jews who called Harbin home at the beginning of the twentieth century. Scott D. Seligman recounts the events that led to their arrival and their hasty exodus-and solves a crime that has puzzled historians for decades.

The Memory Factory introduces an eng-speaking public to the significant women artists of Vienna at the turn of the twentieth century, each chosen for her aesthetic innovations and participation in public exhibitions. These women played important public roles as exhibiting artists, both individually and in collectives, but this history has been silenced over time. Their stories show that the city of Vienna was contradictory and cosmopolitan: despite men-only policies in its main art institutions, it offered a myriad of unexpected ways for women artists to forge successful public careers. Women artists came from the provinces, Russia, and Germany to participate in its vibrant art scene. However, and especially because so many of the artists were Jewish, their contributions were actively obscured beginning in the late 1930s. Many had to flee Austria, losing their studios and lifework in the process. Some were killed in concentration camps. Along with the stories of individual women artists, the author reconstructs the history of separate women artists’ associations and their exhibitions. Chapters covering the careers of Tina Blau, Elena Luksch-Makowsky, Helene Funke, and Teresa Ries (among others) point to a more integrated and cosmopolitan art world than previously thought; one where women became part of the avant-garde, accepted and even highlighted in major exhibitions at the Secession and with the Klimt group. “This is an excellent addition to the literature on fin-de-siècle Vienna, well-researched and well-argued. It highlights little-known artists and situates them in a novel interpretation of women’s roles in the art world. The author challenges dominant tropes of feminist historiography and thus sheds new light on twentieth-century art history and historiography,” Michael Gubser, James Madison University.

The Holocaust is the defining event of the twentieth century – and perhaps all of modern history. Yet for too long, we have ignored the vital question of how and why such a monstrous event could have happened at all. Now, in How Could This Happen, historian Dan McMillan distills the existing Holocaust research into a cogent explanation of the genocide's causes, revealing how a once progressive society like Germany could commit murder on such a massive scale. Countless barriers stand between stable societies and genocide, McMillan explains, but in Germany these buffers began to topple well before World War II. From Hitler's meteoric rise to deep-rooted European anti-Semitism to the dehumanizing effects of World War I, McMillan uncovers the many factors that made the Holocaust possible. Persuasive and compelling, How Could This Happen illustrates how a perfect storm of bleak circumstances, malevolent ideas, and societal upheaval unleashed history's most terrifying atrocity.

Frances Guerin asks how the documentary films and photographs of amateurs, soldiers, and bystanders shape our memories of World War II and the Holocaust. Guerin shows how modern uses of these images often reinforce well-rehearsed narratives of cultural memory, offering a critical perspective on how we can incorporate such images into processes of witnessing the traumas of the past in the present.

The issue of religious authority has long fascinated and ignited scholars across a range of disciplines: history, anthropology, the sociology of religion, and political science. Religious Knowledge, Authority, and Charisma juxtaposes religious leadership in premodern and modern Islam with examples from the Judaic tradition. By illustrating various iterations of authority in numerous historical and cultural contexts, this volume offers fresh insights into the nature of institutions of learning and other systems of establishing and disseminating authority, the mechanisms for cultivating committed adherents, and the processes by which religious leadership is polarized and fragmented. Contributors tease out the sources and types of authority that emerged out of the Sunni and Shi?i milieu and the evolution of Muslim elites who served as formulators and disseminators of knowledge and practice. Comparative insights are provided by the examination of ideological and historical developments among Jewish sages who inculcated similar modes of authority from within their traditions. The rigorous exploration of the dynamic interface of knowledge and power in Islam and Judaism serves to highlight a number of present tensions common to both religions. By intertwining a historical span that traces trajectories of continuity and change, integrative discussion of cross-sectional themes, and comparative perspectives, this volume makes a distinct contribution.

A forgotten historical figure and his influence on the writing of James Joyce In this book, Neil Davison argues that Albert Altman (1853 ‒ 1903), a Dublin-based businessman and Irish nationalist, influenced James Joyce's creation of the character of Leopold Bloom, as well as Ulysses 's broader themes surrounding race, nationalism, and empire. Using extensive archival research, Davison reveals parallels between the lives of Altman and Bloom, including how the experience of double marginalization-which Altman felt as both a Jew in Ireland and an Irishman in the British Empire-is a major idea explored in Joyce's work. Altman, a successful salt and coal merchant, was involved in municipal politics over issues of Home Rule and labor, and frequently appeared in the press over the two decades of Joyce's youth. His prominence, Davison shows, made him a familiar name in the Home Rule circles with which Joyce and his father most identified. The book concludes by tracing the influence of Altman's career on the Dubliners story \"Ivy Day in the Committee Room,\" as well as throughout the whole of Ulysses . Through Altman's biography, Davison recovers a forgotten life story that illuminates Irish and Jewish identity and culture in Joyce's Dublin. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

From pre-war years in Paris to the end of the 1920s in Kyiv, Ukrainians or artists from Ukraine produced some of the world's greatest avant-garde art and made major contributions to painting, sculpture, theatre, and film-making. This book tells their story and explores the roots of their inspiration.

Class of '31 is a beautifully written memoir from a German Jew determined to learn the fate of his former classmates during the Third Reich. Jessel returned to Germany in 1945 as an American soldier hoping to understand how his friends survived World War II.