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The soul of hand-painted design is creative. Wonderful hand-painted design attracts people's attention to the product and its content, impresses people deeply, improves the publicity effect of the product and enhances the attraction of the product. Creative thinking in hand-painted design is to create new ideas through imagination and association. This paper summarizes the development process of information application in hand-painted design, compares electronic digital technology and hand-painted design with examples, and analyzes and studies the production of product design from the application level of hand-painted art. On how to cultivate creative thinking and use information-based equipment to inspire creativity, this paper proposes to cultivate rich imagination and avant-garde creativity, control the picture rhythm, add characteristic elements in the hand-painted design, and make excellent hand-painted design works. At the same time, it is proposed that electronic digital drawing and manual drawing can not be used to make hand-painted design works to a certain extent It will not completely replace each other's artistic status. If we can combine the two effectively, we can achieve eye-catching publicity effect. It shows that the performance of information technology in the design of hand-painted technology can improve the performance of the design of information technology the conclusion of strength and technique.

Nowadays, with the increasing of aesthetic products, it becomes more and more important and quite difficult for consumers to choose their preferred products, especially the ones whose artistic and aesthetic aspects play a crucial role in consumer purchase decisions. Taking Kansei as one quality aspect of products, consumer-oriented Kansei evaluation focuses on evaluation of existing commercial products based on consumers’ Kansei preferences. This paper proposes a stochastic dominance based approach to consumer-oriented Kansei evaluation with multiple priorities. Particularly, given a consumer’s preferences, the concept of stochastic dominance is used to build an evaluation function for each Kansei attribute. Then, the importance weights captured by a priority hierarchy of Kansei attributes, together with the fuzzy majority, are incorporated into the aggregation of individual stochastic dominance degrees into an overall one. An application to the hand-painted Kutani cups in Ishikawa, Japan, is conducted to illustrate the effectiveness and efficiency of the proposed approach. It is seen that the proposed approach outperforms the existing research in terms of easy of use and better decision-support to the consumers.

The aesthetic aspects of products have become critical factors in achieving higher consumer satisfaction. This study deals with evaluation of commercial products according to the Kansei, which is an individual subjective impression reflecting the aesthetic appeal of products. To do so, we have proposed a three-phase group nonadditive multiattribute Kansei evaluation model. Particularly, a novel approach is first proposed to generate Kansei profiles involving fuzzy uncertainty as well as semantic overlapping of Kansei data. Second, a target-oriented Kansei evaluation function is proposed to induce Kansei satisfaction utility according to a consumer’s personal Kansei preference, which provides a good description of the consumer’s preference. Third, after formulating a general multiattribute target-oriented (MATO) Kansei evaluation function, a nonadditive MATO Kansei evaluation function is proposed based on an analogy between the general MATO Kansei evaluation function and the Choquet integral, in which an entropy-based method is utilized to estimate the fuzzy measure on a subset of Kansei attributes. The main advantages of our model are its abilities to deal with semantic overlapping of Kansei data, different types of personalized Kansei preferences, as well as mutual dependence among multiple Kansei preferences. An application to Kansei evaluation for hand-painted Kutani cups, one of the traditional craft items in Japan, is conducted to illustrate how our model works as well as its effectiveness and advantages.

This paper presented a novel computational approach to simulating hand-painted printing patterns on cloth, according to the real process of this ancient folk handicraft. A contour grid based method was specially designed so as to generate the contours of the printing patterns by inputting a contour image or a color image. Considering both the anisotropic structure of cloth and the influence from user’s strokes, we proposed the main direction guided anisotropic diffusion model (MDGADM) to compute the diffusion of dyes on cloth. Other interactions between dyes and cloth including the adsorption and evaporation were also incorporated to improve the accuracy and the realism. The algorithms of the boundary restriction and the contour enhancement were further developed to optimize the method. Various experiment results showed that our method can produce vivid hand-painted printing patterns on cloth of different woven structures. Our method provides users with a flexible artistic designing tool, and has great potential to protect and inherit this traditional handicraft.

Hand painted of product design is not a pure creation of art painting. It is a technique method to organize and visual the product design which meets with consumer’s needs with guidance of design thinking and methods. It can rapid expresses design ideas, and examine design project and convey the true effect of the product design. As a designer the basic language of expression, hand painted run through the design process. It plays an important role to enhance the designer thinking. The using of hand painted in product design include enrich the accumulation of design, Inspire design, communication design, depiction of real emotion. It plays an important role to enhance the designer thinking.

Archaeologists have recently made tremendous advances in understanding the early ceramic traditions of the prehistoric Near East. Over the past decade there has been a huge increase in research focusing on various aspects of ceramic production, its origins and evolution, distribution and consumption in the Late Neolithic (ca. 7000–5000 cal. BC). Fieldwork brings new and exciting finds every year while laboratory studies change our perspectives regarding ceramic technology. Near Eastern ceramic specialists actively engage with, and contribute to, current trends in theoretical archaeology. The first time, the 19 papers presented here bring together specialists discussing Neolithic ceramics from the Near East in the broadest sense. There is a general focus on decorated pottery traditions. What raw materials and ceramic technologies did Late Neolithic peoples employ? How did they paint their designs? How may we analyze decorated ceramics to explore social networks and identities? What did these decorated pottery traditions mean socially? Essential reading to Near Eastern prehistorians, these collected papers provide new insights for anyone interested in the development of early pottery traditions and the social significance of ceramics in Neolithic societies.

Design Expression course is a very important basic course of Industrial Design to the students who learn this major, as it involves the expression and scheme of design idea. It will help students to develop design thinking and improve the professional quality that instruct students in understanding the importance of design expression correctly in the process of personnel training.

This paper proposes a method of drawing natural and full of vitality printed original, adopting Sketchpad online painting software to simulate artificial hand-painted, and combines traditional plate-making technique to reappear the decoraton pictures of food packaging.The optimized process parameters are obtained through experiments, in order to provide technicalreference for designing and making new decoration printing products of food packaging based on the digital hand-painted plate-making in quantity. The results show that the optimized process parameters when printing pressure is 2.5kgf/cm2,the angel of scraper is 70° , screen distance is 9mm, mesh count is 200mesh/cm, are more suitable to present decoration effect required by food packaging, and the color error of printing products on the substrate of paper material is minimum. Contrasting the picture decoration effect presented by printing products shows that, the art hand-painted expression of food color, shape and taste based on sketchpad software possesses the advantage in enriching aesthetics of food packaging design and restoring reality of the sale food, The purpose is to help consumers know the food clearly, furthermore improve quality and market competitiveness of food packaging.

If things go as planned, the latest bag craze will rid the world of the tired debate: paper or plastic?

For the past decade, Vera Wang has made getting hitched a fashionable business. With the publication of her book, every bride can learn Wang's secrets to a chic wedding. The designer talks with Vicki Woods about big days and bigger dresses.