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"Hinduism India, South Rituals."
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One God, Two Goddesses, Three Studies of South Indian Cosmology
One God, Two Goddesses studies through their deities three very different South Indian cosmic worlds whose existence depends on their incessant dynamism, which is deeply and intimately related to ongoing transformation and regeneration.
eBook
Of Gods and Books
India has been the homeland of diverse manuscript traditions that do not cease to impress scholars for their imposing size and complexity. Nevertheless, many topics concerning the study of Indian manuscript cultures still remain to receive systematic examination. Of Gods and Books pays attention to one of these topics - the use of manuscripts as ritualistic tools. Literary sources deal quite extensively with rituals principally focused on manuscripts, whose worship, donation and preservation are duly prescribed. Around these activities, a specific category of ritual gift is created, which finds attestations in pre-tantric, as well as in smārta and tantric, literature, and whose practice is also variously reflected in epigraphical documents. De Simini offers a first systematic study of the textual evidence on the topic of the worship and donation of knowledge. She gives account of possible implications for the relationships between religion and power. The book is indsipensible for a deeper understanding of the cultural aspects of manuscript transmission in medieval India, and beyond.
eBook
‘It’s Enough That the Goddess Knows’: About Vows and Spectacular Offerings in Popular South Indian Hinduism
Votive offerings are one of the most common devotional practices in Hindu temples of Kerala and are today resorted to by an ever-growing number of worshippers seeking divine help in times of need. As this article will show, these offerings are deeply embedded in the logics of the hyper-personalized and unmediated devotion that characterizes popular Hinduism in this part of India. They are also markers of the recent opening of religion to individual contribution and intervention, as well as active tools for the intimate worshipper–deity relationship. Ritual arts conducted as votive offerings allow us to dive even deeper into these considerations and open up new alleys of analysis, for they connect public and private worlds in specific ways and introduce unique aesthetic and transactional dimensions. This article draws on extensive ethnographic fieldwork conducted in the south Indian state of Kerala, with particular focus on the ritual performing art muṭiyēṯṯu’, which is mainly conducted as a votive offering in high-caste temples devoted to the goddess Bhadrakāḷi. It pulls together anthropology, performance, and religious studies to analyze the current grassroot-level realities of lived popular religion through the prism of votive offerings in general and of ritual performing arts conducted as votive offerings in particular.
Journal Article
Temples of modernity
Temples of Modernity uses ethnographic data to investigate the presence of religious ideas and practices in Indian science and engineering. Geraci shows 1) how the integration of religion, science and technology undergirds pre- and post-independence Indian nationalism, 2) that traditional icons and rituals remain relevant in elite scientific communities, and 3) that transhumanist ideas now percolate within Indian visions of science and technology. This work identifies the intersection of religion, science, and technology as a worldwide phenomenon and suggests that the study of such interactions should be enriched through attention to the real experiences of people across the globe.
eBook
A Patchwork of Hindu Ritual Practices and Technique Performances? A Re-Examination of the Citrakarmaśāstra, a Vajrayānic Sanskrit Śilpa Text Discovered in Sri Lanka
The Mañjuśrībhāṣita-Citrakarmaśāstra, a Sanskrit śilpa work discovered in Sri Lanka, deals exclusively with Buddhist image making. It provides technical instructions for the fabrication of Buddhist images as well as guidance for initial and final consecrations. This article offers a comparative intertextual study of the main body of the manuscript, including chapters concerning tree selection, the ratnanyāsa ritual, the techniques of clay modeling in the making of images, and the eye-opening ceremony. This study suggests that the Mañjuśrībhāṣita-Citrakarmaśāstra bears a remarkable resemblance to South Indian Hindu śilpa texts and does not perfectly correspond with actual practices and performances. The main part of the Mañjuśrībhāṣita-Citrakarmaśāstra is probably dated no earlier than the 11th century but no later than the 16th century.
Journal Article
Children of the earth goddess : society, marriage and sacrifice in the highlands of Odisha
The series Religion and Society (RS) contributes to the exploration of religions as social systems - both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.
eBook
Bringing the Gods to Mind
This elegantly written book introduces a new perspective on Indic religious history by rethinking the role of mantra in Vedic ritual. In Bringing the Gods to Mind, Laurie Patton takes a new look at mantra as \"performed poetry\" and in five case studies draws a portrait of early Indian sacrifice that moves beyond the well-worn categories of \"magic\" and \"magico-religious\" thought in Vedic sacrifice. Treating Vedic mantra as a sophisticated form of artistic composition, she develops the idea of metonymy, or associational thought, as a major motivator for the use of mantra in sacrificial performance. Filling a long-standing gap in our understanding, her book provides a history of the Indian interpretive imagination and a study of the mental creativity and hermeneutic sophistication of Vedic religion.
eBook
Hinduism as a Missionary Religion
Is Hinduism a missionary religion? Merely posing this question is a novel and provocative act. Popular and scholarly perception, both ancient and modern, puts Hinduism in the non-missionary category. In this intriguing book, Arvind Sharma re-opens the question. Examining the historical evidence from the major Hindu eras, the Vedic, classical, medieval, and modern periods, Sharma's investigation challenges the categories used in current scholarly discourse and finds them inadequate, emphasizing the need to distinguish between a missionary religion and a proselytizing one. A distinction rarely made, it is nevertheless an illuminating and fruitful one that resonates with insights from the comparative study of religion. Ultimately concluding that Hinduism is a missionary religion, but not a proselytizing one, Sharma's work provides us with new insights both on Hinduism and the consideration of religion itself.
eBook
Climate Change and the Art of Devotion
In the enchanted world of Braj, the primary pilgrimage center in north India for worshippers of Krishna, each stone, river, and tree is considered sacred. InClimate Change and the Art of Devotion, Sugata Ray shows how this place-centered theology emerged in the wake of the Little Ice Age (ca. 1550-1850), an epoch marked by climatic catastrophes across the globe. Using the frame of geoaesthetics, he compares early modern conceptions of the environment and current assumptions about nature and culture.
A groundbreaking contribution to the emerging field of eco-art history, the book examines architecture, paintings, photography, and prints created in Braj alongside theological treatises and devotional poetry to foreground seepages between the natural ecosystem and cultural production. The paintings of deified rivers, temples that emulate fragrant groves, and talismanic bleeding rocks that Ray discusses will captivate readers interested in environmental humanities and South Asian art history.
eBook