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"Hispanic American art 21st century."
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Portable Borders
After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez \"ERRE.\" Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region.
eBook
Mexico, nation in transit : contemporary representations of Mexican migration to the United States
\"This book argues for a deterritorialized notion of Mexican national, regional, and local identities by analyzing the representations of migration within Mexican and Mexican American literature, film, and music from the last twenty years\"--Provided by publisher.
Book
Razabilly
Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these Razabillies partaking in a visibly un-Latino subculture that's thought of as a white person's fixation everywhere else?As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
eBook
Nuevo New York
Nuevo New York is a collection of portraits and interviews with influential Latin Americans who came to New York City to pursue their ambitions. The portraits are born out of a collaboration between two authors who made the journey from Latin America to New York themselves, photographer Hans Neumann (born in Peru), and fashion publicist Gabriel Rivera-Barraza (born in Mexico). Each figure included in Nuevo New York is an important player in the fields of fashion and the arts, having lived in New York City for at least five years and having gained recognition for their work. Neumann and Rivera-Barraza trace how their subjects came to be who they are today, and what role the city of New York has played in their trajectories. Interviewees include Andres Serrano, Candy Pratts Price, Carolina Herrera, Enrique Norten, Estrellita Brodsky, Francisco Costa, Josâe Parlâa, Lazaro Hernandez, Marâia Cornejo, Proenza Schouler, Isabel & Ruben Toledeo, Narciso Rodriguez, Victor Alfaro, Carlos Campos,Edmundo Castillo, Miguel Enamorado, and Nina Garcia.
Book
Corazón de Dixie : Mexicanos in the U.S. South since 1910
When Latino migration to the U.S. South became increasingly visible in the 1990s, observers and advocates grasped for ways to analyze \"new\" racial dramas in the absence of historical reference points. However, as this book is the first to comprehensively document, Mexicans and Mexican Americans have a long history of migration to the U.S. South. Corazon de Dixie recounts the untold histories of Mexicanos' migrations to New Orleans, Mississippi, Arkansas, Georgia, and North Carolina as far back as 1910. It follows Mexicanos into the heart of Dixie, where they navigated the Jim Crow system, cultivated community in the cotton fields, purposefully appealed for help to the Mexican government, shaped the southern conservative imagination in the wake of the civil rights movement, and embraced their own version of suburban living at the turn of the twenty-first century. Rooted in U.S. and Mexican archival research, oral history interviews, and family photographs, Corazon de Dixie unearths not just the facts of Mexicanos' long-standing presence in the U.S. South but also their own expectations, strategies, and dreams.
eBook
Digital Encounters
To understand the creative fabric of digital networks, scholars of literary and cultural studies must turn their attention to crowdsourced forms of production, discussion, and distribution. Digital Encounters explores the influence of an increasingly networked world on contemporary Latin American cultural production.
Drawing on a spectrum of case studies, the contributors to this volume examine literature, art, and political activism as they dialogue with programming languages, social media platforms, online publishing, and geospatial metadata. Implicit within these connections are questions of power, privilege, and stratification. The book critically examines issues of inequitable access and data privacy, technology’s capacity to divide people from one another, and the digital space as a site of racialized and gendered violence.
Through an expansive approach to the study of connectivity, Digital Encounters illustrates how new connections – between analog and digital, human and machine, print text and pixel – alter representations of self, Other, and world.
eBook
Chicanx Utopias
Amid the rise of neoliberalism, globalization, and movements for
civil rights and global justice in the post-World War II era,
Chicanxs in film, music, television, and art weaponized culture to
combat often oppressive economic and political conditions. They
envisioned utopias that, even if never fully realized, reimagined
the world and linked seemingly disparate people and places. In the
latter half of the twentieth century, Chicanx popular culture
forged a politics of the possible and gave rise to utopian dreams
that sprang from everyday experiences.
In Chicanx Utopias , Luis Alvarez offers a broad study
of these utopian visions from the 1950s to the 2000s. Probing the
film Salt of the Earth , brown-eyed soul music, sitcoms,
poster art, and borderlands reggae music, he examines how Chicanx
pop culture, capable of both liberation and exploitation, fostered
interracial and transnational identities, engaged social movements,
and produced varied utopian visions with divergent possibilities
and limits. Grounded in the theoretical frameworks of Walter
Benjamin, Stuart Hall, and the Zapatista movement, this book
reveals how Chicanxs articulated pop cultural utopias to make sense
of, challenge, and improve the worlds they inhabited.
eBook
The Future of Christianity
This book offers a mature assessment of themes preoccupying David Martin over some fifty years, complementing his book On Secularization. Deploying secularisation as an omnibus word bringing many dimensions into play, Martin argues that the boundaries of the concept of secularisation must not be redefined simply to cover aberrant cases, as when the focus was more on America as an exception rather than on Europe as an exception to the 'furiously religious' character of the rest of the world. Particular themes of focus include the dialectic of Christianity and secularization, the relation of Christianity to multiple enlightenments and modes of modernity, the enigmas of East Germany and Eastern Europe, and the rise of the transnational religious voluntary association, including Pentecostalism, as that feeds into vast religious changes in the developing world. Doubts are cast on the idea that religion has ever been privatised and has lately reentered the public realm. The rest of the book deals with the relation of the Christian repertoire to the nexus of religion and politics, including democracy and violence and sharply criticises polemical assertions of a special relation of religion to violence, and explores the contributions of 'cognitive science' to the debate
eBook
Latinidad at the Crossroads
Latinidad at the Crossroad: Insights into Latinx identity in the Twenty-First Century encompasses an interdisciplinary perspective on the complex range of latinidades and simultaneously advocates a more flexible (re)definition of the term that may overcome static collective representations of identity, ethnicity and belonging.
eBook