Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Publisher
    • Source
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
141 result(s) for "Histoire universelle."
Sort by:
A history of Big History
\"Big History is a seemingly novel approach that seeks to situate human history within a grand cosmic story of life. It claims to do so by uniting the historical sciences in order to construct a linear and accurate timeline of 'threshold moments' beginning with the Big Bang and ending with the present and future development of humanity itself. As well as examining the theory and practice of Big History, this Element considers Big History alongside previous large-scale attempts to unite human and natural history, and includes comparative discussions of the practices of chronology, universal history, and the evolutionary epic\"-- Page 4 of cover.
Global Crisis
Revolutions, droughts, famines, invasions, wars, regicides, government collapses-the calamities of the mid-seventeenth century were unprecedented in both frequency and extent. The effects of what historians call the \"General Crisis\" extended from England to Japan, from the Russian Empire to sub-Saharan Africa. The Americas, too, did not escape the turbulence of the time. In this meticulously researched volume, master historian Geoffrey Parker presents the firsthand testimony of men and women who saw and suffered from the sequence of political, economic, and social crises between 1618 to the late 1680s. Parker also deploys the scientific evidence of climate change during this period. His discoveries revise entirely our understanding of the General Crisis: changes in prevailing weather patterns, especially longer winters and cooler and wetter summers, disrupted growing seasons and destroyed harvests. This in turn brought hunger, malnutrition, and disease; and as material conditions worsened, wars, rebellions, and revolutions rocked the world. Parker's demonstration of the link between climate change, war, and catastrophe 350 years ago stands as an extraordinary historical achievement. And the implications of his study are equally important: are we adequately prepared-or even preparing-for the catastrophes that climate change brings?
Global History, Globally
In recent years historians in many different parts of the world have sought to transnationalize and globalize their perspectives on the past. Despite all these efforts to gain new global historical visions, however, the debates surrounding this movement have remained rather provincial in scope. Global History, Globally addresses this lacuna by surveying the state of global history in different world regions. Divided into three distinct but tightly interweaved sections, the book’s chapters provide regional surveys of the practice of global history on all continents, review some of the research in four core fields of global history and consider a number of problems that global historians have contended with in their work. The authors hail from various world regions and are themselves leading global historians. Collectively, they provide an unprecedented survey of what today is the most dynamic field in the discipline of history. As one of the first books to systematically discuss the international dimensions of global historical scholarship and address a wealth of questions emanating from them, Global History, Globally is a must-read book for all students and scholars of global history.
Eclipse of Empires
Eclipse of Empires analyzes the nineteenth-century American fascination with what Patricia Jane Roylance calls “narratives of imperial eclipse,” texts that depict the surpassing of one great civilization by another. Patricia Jane Roylance’s central claim in Eclipse of Empires is that historical episodes of imperial eclipse, for example Incan Peru yielding to Spain or the Ojibway to the French, heightened the concerns of many American writers about specific intranational social problems plaguing the nation at the time—race, class, gender, religion, economics. Given the eventual dissolution of great civilizations previously plagued by these very same problems, many writers, unlike those who confidently emphasized U.S. exceptionalism, exhibited both an anxiety about the stability of American society and a consistent practice of self-scrutiny in identifying the national defects that they felt could precipitate America’s decline. Roylance studies, among other texts, James Fenimore Cooper’s The Water-Witch (1830) and The Bravo (1831), which address the eclipse of Venice by New York City as a maritime power in the eighteenth century; William Hickling Prescott’s Conquest of Peru (1847), which responds to widespread anxiety about communist and abolitionist threats to the U.S. system of personal property by depicting Incan culture as a protocommunist society doomed to failure; and Henry Wadsworth Longfellow’s The Song of Hiawatha (1855), which resists the total eclipse of Ojibwa culture by incorporating Ojibway terms and stories into his poem and by depicting the land as permanently marked by their occupation.
Combined and uneven development
The ambition of this book is to resituate the problem of ‘world literature’, considered as a revived category of theoretical enquiry, by pursuing the literary-cultural implications of the theory of combined and uneven development. This theory has a long pedigree in the social sciences, where it continues to stimulate debate. But its implications for cultural analysis have received less attention, even though the theory might be said to draw attention to a central – perhaps the central – arc or trajectory of modern(ist) production in literature and the other arts worldwide. It is in the conjuncture of combined and uneven development, on the one hand, and the recently interrogated and expanded categories of ‘world literature’ and ‘modernism’, on the other, that this book looks for its specific contours. In the two theoretical chapters that frame the book, the authors argue for a single, but radically uneven world-system; a singular modernity, combined and uneven; and a literature that variously registers this combined unevenness in both its form and content to reveal itself as, properly speaking, world-literature. In the four substantive chapters that then follow, the authors explore a selection of modern-era fictions in which the potential of their method of comparativism seems to be most dramatically highlighted. They treat the novel paradigmatically, not exemplarily, as a literary form in which combined and uneven development is manifested with particular salience, due in no small part to its fundamental association with the rise of capitalism and its status in peripheral and semi-peripheral societies as a ‘modernising’ import. The peculiar plasticity and hybridity of the novel form enables it to incorporate not only multiple literary levels, genres and modes, but also other non-literary and archaic cultural forms – so that, for example, realist elements might be mixed with more experimental modes of narration, or older literary devices might be reactivated in juxtaposition with more contemporary frames.