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30 result(s) for "Histoires pour enfants anglaises"
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Twenty-First-Century Children’s Gothic
Academics, researchers and postgraduate students in Contemporary English Literature; Gothic Literature; Children's Literature; Youth and Childhood Studies; Contemporary Popular Culture; Critical Theory.
Freud in Oz
Children’s literature has spent decades on the psychiatrist’s couch, submitting to psychoanalysis by scores of scholars and popular writers. Freud in Oz suggests that psychoanalysts owe a significant and largely unacknowledged debt to books ostensibly written for children. Kenneth B. Kidd argues that children’s literature and psychoanalysis have influenced and interacted with each other since Freud published his first case studies.
Ten tremendous tales
A laugh-out-loud, fully illustrated collection of stories starring Tom Gates and his friends, family and foes! Featuring: a delicious chicken pie; getting stuck in a lift with Delia; a teacher swap at school; some tiny ants in tiny pants and the adventures of Wafer Boy.
Transforming Harry : the adaptation of Harry Potter in the transmedia age
Transforming Harry: The Adaptation of Harry Potter in the Transmedia Ageis an edited volume of eight essays that look at how the cinematic versions of the seven Harry Potter novels represent an unprecedented cultural event in the history of cinematic adaptation. The movie version of the first Harry Potter book, Harry Potter and the Sorcerer's Stone, premiered in 2001, in between publication of the fourth and fifth books of this global literary phenomenon. As a result, the production and reception of both novel and movie series became intertwined with one another, creating a fanbase who accessed the series first through the books, first through the movies, and in various other combinations. John Alberti and P. Andrew Miller have gathered scholars to explore and examine the cultural, political, aesthetic, and pedagogical dimensions of this pop culture phenomenon and how it has changed the reception of both the films and books. Divided into two sections, the volume addresses both the fidelity of adaptation and the transmedia adaptations that have evolved around the creation of the books and movies. In her essay, Vera Cuntz-Leng draws on feminist film theory to explore the gaze politics and male objectification operating in the Harry Potter movies. Cassandra Bausman contends that screenwriter Steve Klove's revision of the end of the film version of Deathly Hallows, Part II offers a more politically and ethically satisfying conclusion to the Harry Potter saga than the ending of the Rowling novel. Michelle Markey Butler's \"Harry Potter and the Surprising Venue of Literary Critiques\" argues that the fan-generated memes work as a kind of popular literary analysis in three particular areas: the roles of female characters, the comparative analysis of books and films, and the comparative analysis of the Harry Potter series with other works of fantasy. While the primary focus of the collection is an academic audience, it will appeal to a broad range of readers. Within the academic community, Transforming Harry will be of interest to scholars and teachers in a number of disciplines, including film and media studies and English. Beyond the classroom, the Harry Potter series clearly enjoys a large and devoted global fan community, and this collection will be of interest to serious fans.
The Place of Lewis Carroll in Children's Literature
This study examines the literary impact of Lewis Carroll's children's books on the history of English children's literature. Susina elucidates the cultural content of Carroll's work and situates the Alice books in relation to Carroll's juvenilia, his letters, photographs of children and his attempt to combine children's and adult literatures.
Juvenile Literature and British Society, 1850-1950
In this study, Charles Ferrall and Anna Jackson argue that the Victorians created a concept of adolescence that lasted into the twentieth century and yet is strikingly at odds with post-Second World War notions of adolescence as a period of \"storm and stress.\" In the enormously popular \"juvenile\" literature of the period, primarily boys’ and girls’ own adventure and school stories, adolescence is acknowledged as a time of sexual awareness and yet also of a romantic idealism that is lost with marriage, a time when boys and girls acquire adult duties and responsibilities and yet have not had to assume the roles of breadwinner or household manager. The book reveals a concept of adolescence as significant as the Romantic cult of childhood that preceded it, which will be of interest to scholars of both children’s literature and Victorian culture. Anna Jackson is Senior Lecturer in English at Victoria University of Wellington whose publications include Floating Worlds: Essays on Contemporary New Zealand Fiction, co-edited with Jane Stafford (Victoria University Press, 2009), and The Gothic in Children’s Literature: Haunting the Borders, co-edited with Karen Coats and Rod McGillis (Routledge, 2007). Charles Ferrall is Senior Lecturer in English at Victoria University of Wellington whose publications include Modernist Writing and Reactionary Politics (Cambridge University Press, 2001), The Trials of Eric Mareo, co-authored with Rebecca Ellis (Victoria University Press, 2002), Katherine Mansfield’s Men, co-edited with Jane Stafford (Steele Roberts, 2004) and East by South: China in the Australasian Imagination, co-edited with Paul Millar and Keren Smith (Victoria University Press, 2005). List of Figures Series Editor’s Foreword Acknowledgments Introduction 1: Sexuality and Sacrifice in the Boys’ Stories before the War 2: Romance and the Boys’ Story 3: Sexuality and Romance in the Girls’ Stories 4: Sacrifice and Independence in the Girls’ Stories 5: Boys’ Stories between the Wars 6: Girls’ Stories between the Wars Conclusion Notes Bibliography Index