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Almost all remnants of culture--past and present--degrade over time, whether sculpture or scrolls, painting or papyrus, books or clay tablets. Perhaps no major cultural record dissolves more rapidly than film, arguably the predominant medium of the twentieth century. Given the fragility of early nitrate film, much has already been lost. The fragments that remain--whether complete prints of theatrical releases or scraps of everyday life captured by Thomas Edison--only hint at what has disappeared. More recently, archives have been flooded with so much material that they lack the funds to properly preserve it all. Both situations raise questions about how film archives shape our understanding of history and culture. Janna Jones provides a stunning, tour-de-force analysis of the major assumptions and paradigmatic shifts about history, cinema, and the moving image archive, one that we ignore at our peril in the midst of the overwhelming rush toward digitization. No student of film, twentieth-century history, or archiving and preservation can afford to missThe Past Is a Moving Picture

In the last decades, there has been an intense debate on the relationship between literature and historiography, often linked to the debate between \"empiricists\" and \"postmodernists\". The aim of this collective work is to address this debate, and to search for new ways of thinking and encountering the past. The key note for the book comes from Hayden White, one of the leading academic figures, whose role in launching the contemporary history/literature debate has been crucial. It is followed by three critical readings of his work, all suggesting new ways to apply or challenge his views. In other chapters of the book, history / literature question is then addressed from three points of view: narrativity, history as literature, and literature as history. Tropes for the Past is an ideal introduction to the literature/historiography debate and Hayden White's role in it. It will be of use for all students and scholars in the philosophy of history and in historically oriented literary, cultural, and social studies.

Cold War history has emphasized the division of Europe into two warring camps with separate ideologies and little in common. This volume presents an alternative perspective by suggesting that there were transnational networks bridging the gap and connecting like-minded people on both sides of the divide. Long before the fall of the Berlin Wall, there were institutions, organizations, and individuals who brought people from the East and the West together, joined by shared professions, ideas, and sometimes even through marriage. The volume aims at proving that the post-WWII histories of Western and Eastern Europe were entangled by looking at cases involving France, Denmark, Poland, Romania, Switzerland, and others.

Matthew Rampley’s The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly enquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy. While Rampley also examines the formation of art history elsewhere in Austria-Hungary, the so-called Vienna School plays the central role in the study. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and the book pays particular attention to these areas of overlapping interest. The Vienna School was well known for its methodological innovations and this book analyzes its contributions in this area. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history, in particular the way in which art historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire.

With the stroke of a pen at the Potsdam Conference following the Allied victory in 1945, Breslau, the largest German city east of Berlin, became the Polish city of Wroclaw. Its more than six hundred thousand inhabitants--almost all of them ethnic Germans--were expelled and replaced by Polish settlers from all parts of prewar Poland.Uprootedexamines the long-term psychological and cultural consequences of forced migration in twentieth-century Europe through the experiences of Wroclaw's Polish inhabitants. In this pioneering work, Gregor Thum tells the story of how the city's new Polish settlers found themselves in a place that was not only unfamiliar to them but outright repellent given Wroclaw's Prussian-German appearance and the enormous scope of wartime destruction. The immediate consequences were an unstable society, an extremely high crime rate, rapid dilapidation of the building stock, and economic stagnation. This changed only after the city's authorities and a new intellectual elite provided Wroclaw with a Polish founding myth and reshaped the city's appearance to fit the postwar legend that it was an age-old Polish city. Thum also shows how the end of the Cold War and Poland's democratization triggered a public debate about Wroclaw's \"amputated memory.\" Rediscovering the German past, Wroclaw's Poles reinvented their city for the second time since World War II. Uprootedtraces the complex historical process by which Wroclaw's new inhabitants revitalized their city and made it their own.

Located within the forgotten half of Europe, historically trapped between Germany and Russia, Estonia has been profoundly shaped by the violent conflicts and shifting political fortunes of the last century. This innovative study traces the tangled interaction of Estonian historical memory and national identity in a sweeping analysis extending from the Great War to the present day. At its heart is the enduring anguish of World War Two and the subsequent half-century of Soviet rule. Shadowlands tells this story by foregrounding the experiences of the country's intellectuals, who were instrumental in sustaining Estonian historical memory, but who until fairly recently could not openly grapple with their nation's complex, difficult past.

By looking at state-sponsored memory projects, such as memorials, commemorations, and historical museums, this book reveals that the East German communist regime obsessively monitored and attempted to control public representations of the past to legitimize its rule. It demonstrates that the regime's approach to memory politics was not stagnant, but rather evolved over time to meet different demands and potential threats to its legitimacy. Ultimately the party found it increasingly difficult to control the public portrayal of the past, and some dissidents were able to turn the party's memory politics against the state to challenge its claims of moral authority.

During the interwar years France experienced severe political polarization. At the time many observers, particularly on the left, feared that the French right had embraced fascism, generating a fierce debate that has engaged scholars for decades, but has also obscured critical changes in French society and culture during the 1920s and 1930s. This collection of essays shifts the focus away from long-standing controversies in order to examine various elements of the French right, from writers to politicians, social workers to street fighters, in their broader social, cultural, and political contexts. It offers a wide-ranging reassessment of the structures, mentalities, and significance of various conservative and extremist organizations, deepening our understanding of French and European history in a troubled yet fascinating era.

Modern Germany in Transatlantic Perspective celebrates the extraordinary life and scholarly career of Konrad H. Jarausch, whose monumental work as a teacher, mentor, and builder of scholarly institutions, helped to inspire conversations about everything from the rise of Nazism to the history of the two Germanys.

Challenging the standard narrative of Interwar International History, this account establishes the causal relationship between the global political and economic crises of the period, and offers a radically new look at the role of ideology, racism and the leading liberal powers in the events between the First and Second World Wars.