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Eagle in exile
\"In the two years since losing his legion on the banks of the mighty Mizipi River, Gaius has integrated himself into Cahokian society, made friends among his former adversaries, and thwarted two invasions by their longtime foe, the Iroqua. But with a Roman invasion looming on the horizon and a coup brewing in Cahokia, Gaius and company find themselves fighting one battle after another, all while trying to unite the peoples of North America to stand against Roma. Can one man sway the fate of a continent?\"-- Provided by publisher.
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London and the Making of Provincial Literature
In the early nineteenth century, London publishers dominated the transatlantic book trade. No one felt this more keenly than authors from Ireland, Scotland, and the United States who struggled to establish their own national literary traditions while publishing in the English metropolis. Authors such as Maria Edgeworth, Sydney Owenson, Walter Scott, Washington Irving, and James Fenimore Cooper devised a range of strategies to transcend the national rivalries of the literary field. By writing prefaces and footnotes addressed to a foreign audience, revising texts specifically for London markets, and celebrating national particularity, provincial authors appealed to English readers with idealistic stories of cross-cultural communion. From within the messy and uneven marketplace for books, Joseph Rezek argues, provincial authors sought to exalt and purify literary exchange. In so doing, they helped shape the Romantic-era belief that literature inhabits an autonomous sphere in society.
London and the Making of Provincial Literaturetells an ambitious story about the mutual entanglement of the history of books and the history of aesthetics in the first three decades of the nineteenth century. Situated between local literary scenes and a distant cultural capital, enterprising provincial authors and publishers worked to maximize success in London and to burnish their reputations and build their industry at home. Examining the production of books and the circulation of material texts between London and the provincial centers of Dublin, Edinburgh, and Philadelphia, Rezek claims that the publishing vortex of London inspired a dynamic array of economic and aesthetic practices that shaped an era in literary history.
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The Brooklyn nine : a novel in nine innings
Follows the fortunes of a German immigrant family through nine generations, beginning in 1845, as they experience American life and play baseball.
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1637: the Volga rules
\"NEW ENTRY IN THE NEW YORK TIMES BEST-SELLING, GENRE-DEFINING ALTERNATE HISTORY SERIES. It's been five years since a cosmic incident known as The Ring of Fire transported the modern day town of Grantville, West Virginia, through time and space to 17th century Europe. The course of world history has been forever altered. And Mother Russia is no exception. Inspired by the American up-timers' radical notion that all people are created equal, Russian serfs are rebelling. The entire village of Poltz, led by blacksmith Stefan Andreevich, pulls up stakes to make a run for freedom. Meanwhile, Czar Mikhail has escaped house arrest, with the aid of up-time car mechanic Bernie Zeppi, his Russian associates--and a zeppelin. The czar makes his way to the village of Ufa. There he intends to set up a government-in-exile. It is to Ufa that the serfs of Poltz are heading, as well. The path is dangerous--for the serfs as well as the czar. They face great distances and highwaymen. But the worst threat are those in the aristocracy who seek to crush the serfs and execute the czar in a bid to drive any hope for Russian freedom under their Parisian-crafted boot heels. But the Russians of 1637 have taken inspiration from their up-timer counterparts. And it could be that a new wind of liberty is about to blow three centuries early--and change Mother Russia forever. About 1636: The Kremlin Games: \"
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Bodies of Tomorrow
Anxieties about embodiment and posthumanism have always found an outlet in the science fiction of the day. In Bodies of Tomorrow , Sherryl Vint argues for a new model of an ethical and embodied posthuman subject through close readings of the works of Gwyneth Jones, Octavia Butler, Iain M. Banks, William Gibson, and other science fiction authors. Vint’s discussion is firmly contextualized by discussions of contemporary technoscience, specifically genetics and information technology, and the implications of this technology for the way we consider human subjectivity.
Engaging with theorists such as Michel Foucault, Judith Butler, Anne Balsamo, N. Katherine Hayles, and Douglas Kellner, Bodies of Tomorrow argues for the importance of challenging visions of humanity in the future that overlook our responsibility as embodied beings connected to a material world. If we are to understand the post-human subject, then we must acknowledge our embodied connection to the world around us and the value of our multiple subjective responses to it. Vint’s study thus encourages a move from the common liberal humanist approach to posthuman theory toward what she calls ‘embodied posthumanism.’ This timely work of science fiction criticism will prove fascinating to cultural theorists, philosophers, and literary scholars alike, as well as anyone concerned with the ethics of posthumanism.
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This strange eventful history : a novel
Inspired in part by long-ago stories from her own family's history, this masterful story follows the Cassars over seven decades (from 1940-2010), starting with patriarch Gaston and his wife Lucienne, whose myth of perfect love sustains them, and ending with Chloe, who believes telling her family's buried stories will bring them all peace.
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Alien Constructions
\"An incisive critical work\" that looks at Octavia Butler's writing, the movies of the Matrix and Alien series—and more—through a feminist lens ( Femspec ). Feminist thinkers and writers are increasingly recognizing science fiction's potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist thewories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series. Patricia Melzer analyzes how these authors and films represent debates and concepts in three areas of feminist thought: identity and difference, feminist critiques of science and technology, and the relationship among gender identity, body, and desire, including the new gender politics of queer desires, transgender, and intersexed bodies and identities. She demonstrates that key political elements shape these debates, including global capitalism and exploitative class relations within a growing international system; the impact of computer, industrial, and medical technologies on women's lives and reproductive rights; and posthuman embodiment as expressed through biotechnologies, the body/machine interface, and the commodification of desire. Melzer's investigation makes it clear that feminist writings and readings of science fiction are part of a feminist critique of existing power relations—and that the alien constructions (cyborgs, clones, androids, aliens, and hybrids) that populate postmodern science fiction are as potentially empowering as they are threatening.
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The Edinburgh Companion to Modern Jewish Fiction
WINNER of the Association of Jewish Libraries' Judaica Reference AwardProvides critical overviews of the main writers and key themes of Anglophone Jewish fiction
This collection of essays represents a new departure for, and a potentially (re)defining moment in, literary Jewish Studies. It is the first volume to bring together 28 chapters covering a wide range of American, British, South African, Canadian and Australian Jewish fiction.
The volume is divided into 3 parts - American Jewish Fiction; British Jewish Fiction; and International and Transnational Anglophone Jewish Fiction - but many of the essays cross over these boundaries and speak to each other implicitly, as well as, on occasion, explicitly. Extending and redefining the canon of modern Jewish fiction, the volume juxtaposes major authors with more marginal figures, revising and recuperating individual reputations, rediscovering forgotten and discovering new work, and in the process remapping the whole terrain. This volume opens windows onto vistas that previously had been obscured and opens doors for the next generation of studies that could not proceed without a wide-ranging, visionary empiricism grounding their work.
Key FeaturesHighlights the rich diversity of the field and identifies its key themes, including immigration, the Diaspora, the Holocaust, Judaism, assimilation, antisemitism and ZionismAnalyses the main trends in Anglophone Jewish fiction and situates them in historical contextDiscusses the place of Anglophone Jewish fiction in relation to critical debates concerning transatlanticism and transnationalism; ethnicity and identity politics; postcolonial studies, feminist studies and Jewish StudiesWith a preface by Mark Shechner, the volume's contributors include Vicki Aarons (Trinity University, Texas), Debra Shostak (Wooster College, Ohio), Ira Nadel (University of British Columbia), Efraim Sicher (Ben-Gurion University), Phyllis Lassner (Northwestern University), Sue Vice (University of Sheffield), Lori Harrison-Kahan (Boston College), Ruth Gilbert (University of Winchester), Beate Neumeier (University of Cologne) and Sandra Singer (University of Guelph)
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