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"History of design"
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Practice based design research
\"Practice-Based Design Research provides a companion to masters and PhD programs in design research through practice. The contributors address a range of models and approaches to practice-based research, consider relationships between industry and academia, researchers and designers, discuss initiatives to support students and faculty during the research process, and explore how students' experiences of undertaking practice-based research has impacted their future design and research practice. The text is illustrated throughout with case study examples by authors who have set up, taught or undertaken practice-based design research, in a range of national and institutional contexts\"-- Provided by publisher.
Book
Marie-Antoinette's Legacy
Challenging the established historiography that frames the French picturesque garden movement as an international style, this book contends that the French picturesque gardens from 1775 until 1867 functioned as liminal zones at the epicenter of court patronage systems.
eBook
Illustration : a concise history
This is a dynamic visual journey through the landscape of illustration that maps the evolution of the discipline from the industrial revolution to the post-digital age and showcases over 180 of its most iconic practitioners, including Laura Knight, Antonio Lopez, Käthe Kollwitz and Hayao Miyazaki. By contextualizing the subject within a framework of key political events, cultural innovations and technological advances, Andrew Hall redefines how we might think about illustration and the place that it has in our ever-evolving global network. The second half of this introductory volume follows on from the ten chapters charting the chronology of illustration to provide a more in-depth look at its specific commercial genres across eleven feature sections, each including mini-histories, practical career advice and biographies of inspirational practitioners who operated within the field.
BOOK
Floral Culture and the Tudor and Stuart Courts
At court, flowers coloured, scented, adorned, sustained, nourished, and enthralled. These interdisciplinary essays engage with flowers as real, artificial, and represented objects across the Tudor and Stuart courts in gardens, literature, painting, interior furnishing, garments, and as jewels, medicine, and food. Situating this burgeoning floral culture within a European floral revolution of science, natural history, global trade, and colonial expansion, they reveal the court's distinctive floral identity and history. If the rose operated as a particularly English lingua franca of royal power across two dynasties, this volume sheds light on an array of wild and garden flowers to offer an immersive picture of how the Tudor and Stuart courts lived and functioned, styled and displayed themselves through flowers. It contributes to a revival of interest in the early modern green world and provides a focused view of a court and court culture that used and revelled in blooms.
eBook
The Great Wall of China
The Great Wall of China is the longest structure made by man. This stone dragon, which it is often called, is more than just one wall. Many different segments make up about 13,000 miles of defenses. These fortresses were built by many different groups of people over 2,000 years, using rammed earth, quarried stone, and kiln-fired bricks. The most recent wall, built during the Ming dynasty, has many interesting architectural features, including guard towers, elaborate fortress passes, and protective barriers. This wall is truly one of the great engineering wonders of the world.
Book
Reconsidering the History of Design Survey
In art and design programmes across the USA, the ‘history of design survey’ remains the first, and sometimes the only, formal exposure most design students will have to design history, especially that of the premodern period. In contrast to the model of the art history survey, in which painting and sculpture dominate, history of design surveys consider a range of disciplines from textile and furniture design to landscape, graphics and new media. Moreover, the history of design survey is an opportunity to introduce students not only to design history but also to the culture of these various disciplines within design practice. This greatly expands the scope of what is already a broad chronological study. The continuing debate within the field of design history over the very nature of what constitutes design further complicates teaching a survey. This paper presents a case study of ‘History of Design, 1850–2000’, the introductory-level design history survey course taught to design students at Parsons The New School for Design, New York. It is based on an overview of history of design courses currently being taught in the USA and on discussions with instructors in the field. It examines the challenges as well as the opportunities of teaching design history surveys and sets the Parsons course within continuing debates by exploring the ways history of design surveys might address more closely the needs and goals of future design practitioners. The article is intended to elucidate methodological and pedagogical perspectives that will help history of design surveys remain relevant to design students and useful in framing the field and propelling it forward. It invites disciplinary discussions of new strategies and approaches for teaching and learning the history of design.
Journal Article
Marie-Antoinette's Legacy
Marie-Antoinette's Legacy: The Politics of French Garden Patronage and Picturesque Design, 1775‒1867 unites four French consorts-queen Marie- Antoinette and empresses Joséphine, Marie-Louise, and Eugénie-to examine how each patron turned to garden patronage to demonstrate her empowerment, celebrity, and agency. The gardens at the Petit Trianon and Malmaison emerge as arenas of exceptional taste and emotivity at the epicenter of court societies. These gardens were liminal zones that profoundly influenced the evolution of French picturesque garden design. This reappraisal of royal and imperial patronage debunks one of the central tenets of garden historiography that casts each consort's gardens as sites of excessive ostentation and frivolity. Instead, consort-patrons privileged garden design precisely because they inscribed their agency onto the French territory and, in so doing, ensured the perennity of their actions. At the crossroads of Enlightenment discourses about corporeality and the senses, French colonial ambitions and plantation slavery, botanical acclimation and naturalism, these women materialized hotly contested issues of sovereignty, gender, and identity politics in their gardens.
eBook
Design and the Creation of Value
John Heskett was a leading design historian with a particular interest in design and economics. This book publishes for the first time his writings on design and economic value, and design’s role in creating value in organisations and products. The first part of Heskett’s text introduces the main traditions of economic thought as they explain the relationship between producers, markets, products and consumers; he then goes on to consider the importance of design and design thinking in innovating and creating value in business practice and product development. Heskett refers to examples of businesses such as Dyson and Apple that have successfully responded to the value of design in their practice, and others such as the Ford Motor Company that were faced with the threat of bankruptcy because they failed to encourage innovation and creativity or to respond adequately to the challenges and opportunities presented by new technology. Heskett’s text is accompanied by critical and contextualising overviews by leading design scholars, which place Heskett's writings within the framework of contemporary design and business thought and practice.
eBook