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"Hobbies History."
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Amateur craft : history and theory
\"Amateur Craft presents a historical and theoretical framework for understanding amateur craft in the modern era, from 19th century Sunday painters and amateur carpenters to present day railway modellers and IKEA hackers. Stephen Knott's fascinating study explores the curious and unexpected attributes of things made outside standardised models of mass production, arguing that amateur craft practice is 'differential' - a temporary moment of control over work that both departs from and informs our productive engagement with the world. Knott's discussion of the theoretical aspects of amateur craft practice is substantiated by historical case studies that cluster around the period 1850 - 1950. Looking back to the emergence of the modern amateur, he makes reference to contemporary art and design practice that harnesses or exploits amateur conditions of making. From Andy Warhol to Simon Starling, such artistic interest elucidates the mercurial qualities of amateur craft. Invaluable for students and researchers in art and design, contemporary craft, material culture and social history, Amateur Craft counters both the marginalisation and the glorification of amateur craft practice. It is richly illustrated with 55 images, 14 in colour, including 19th century ephemera and works of contemporary art\"-- Provided by publisher.
Hedonizing Technologies
2009
Rachel P. Maines's latest work examines the rise of hobbies and leisure activities in Western culture from antiquity to the present day. As technologies are \"hedonized,\" consumers find increasing pleasure in the hobbies' associated tools, methods, and instructional literature. Work once essential to survival and comfort—gardening, hunting, cooking, needlework, home mechanics, and brewing—have gradually evolved into hobbies and recreational activities. As a result, the technologies associated with these pursuits have become less efficient but more appealing to the new class of leisure artisans. Maines interprets the growth and economic significance of hobbies in terms of broad consumer demand for the technologies associated with them. Hedonizing Technologies uses bibliometric and retail census data to show the growth in world markets for hobby craft tools, books, periodicals, and materials from the late 18th century to today. The book addresses basic issues in the history of labor and industry and makes an original contribution to the discussion of how technology and people interact.
A noble madness : the dark side of collecting from antiquity to now
Collectors are often praised for their taste in art or contributions to science, but there can be a darker side - their passion is sometimes driven by dangerous obsession. Roman emperors who lusted after statues; Chinese scholars obsessed with rocks and flowers; fin de siècle dandies surrounded by bibelots. History is full of stories about those who love things more than people, presenting a danger either to themselves or others. In this sweeping history from antiquity to today, James Delbourgo tells the extraordinary story of the mad collector as a cultural figure from the tyrant and idolater to the sexually repressed 'psycho' of the Freudian imagination and the modern-day hoarder.
The point of the needle : why sewing matters
From the pleasures of mending to the problems of fast fashion, an intimate look at the creativity, community, and deep meaning sewed into every stitch. Tens of millions of people sew for necessity or pleasure every day, yet the craft is surprisingly under-appreciated. The Point of the Needle redresses the balance: this is a book that argues for sewing's place in our lives. It celebrates not only sewing's recent resurgence but sewists' creativity, well-being, and community. Barbara Burman chronicles new voices of people who sew today, by hand or machine, to explore what they sew, what motivates them, what they value, and why they mend things, revealing insights into sewing's more intimate stories. In our age of superfast fashion with its environmental and social injustices, this eloquent book makes a passionate case for identity, diversity, resilience, and memory--what people create for themselves as they stitch and make.
John Holdren: adviser on science, fish and wine
2009
Beginning in 1973, he built the University of California Berkeley's fledgling Energy and Resources Group, the first interdisciplinary graduate programme on the campus, into a major initiative that continues to produce leading research on everything from state and local air pollution regulations to international energy and climate policy.
Journal Article
The Tamil padam : a dance music genre of South India
by
Allen, Matthew Harp, author
in
Bharata natyam History.
,
Dance India, South History.
,
Composers India, South.
2023
A study of the Bharata Natyam dance genre 'padam' that focuses on its patrons and composers and its formal structure, texts, and music. It examines the 'rewriting' of South Indian dance and the decades-long debates over the classicization and ownership of South Indian music.
Starting from your own Past? The Serious Business of Leisure History
2001
Several books are reviewed, including \"Working at Play: A History of Vacations in the United States\" by Cindy S. Aron, \"The Springboard in the Pond: An Intimate History of the Swimming Pool\" by Thomas A.P. van Leeuwen and \"Hobbies: Leisure and the Culture of Work in Modern America\" by Steven M. Gelber.
Journal Article
Perspectives on contemporary printmaking
by
Pelzer-Montada, Ruth
in
Art & Art History
,
ART / Criticism & Theory
,
ART / History / Contemporary (1945-)
2020,2018,2024
This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.