Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
8,453
result(s) for
"Hockney, David."
Sort by:
82 portraits and 1 still-life
\"Following his sweeping exploration of landscape in 2012 at the Royal Academy of Arts, London, published in the phenomenally successful David Hockney: A Bigger Picture, this new volume looks exclusively at a new series of portraits that David Hockney, one of the most famous artists in the world, has been painting recently. In 2012, Hockney returned to California, where he had lived and worked for long periods. There followed a series of painted portraits, the subjects of which ranged from studio assistants and office staff to family, friends, and long-term acquaintances. Also included are a number of fellow artists, curators, and gallerists, including John Baldessari and Larry Gagosian. Reproduced in stunning colorplates the paintings are shown alongside revealing images of the works in various stages of development, which provide an exciting insight into Hockneys painterly process. The book is introduced with two important new texts. This vivid series of portraits, executed in bold acrylics, observant and full of life, marks Hockneys vibrant return to Technicolor form.\" -- Amazon.com
BOOK
A bigger message : conversations with David Hockney
\"A record of private conversations with art critic Martin Gayford, this title reveals via reflection, anecdote, passion and humour the fruits of his lifelong meditations on the problems and paradoxes of representing a three-dimensional world on a flat surface\"--Publisher's description.
BOOK
Hockney's pictures
A \"volume charting almost fifty years of ... creativity across a range of media, [this is a] retrospective of one of the most popular artists of the twentieth century. The pieces are selected and organized thematically by David Hockney himself, tracking his lifelong experiments in ways of looking and depicting. Including more than 300 illustrations, accompanied by quotes from the artist that illuminate the passionate thinking behind the work, [it] shows the evolution and diversity of Hockney's paintings, drawings, watercolors, prints, and photography\"--Amazon.com.
BOOK
A new renaissance for creativity in technology and the arts in the context of virtual worlds
Where do new ideas come from and how are they generated? Which of these ideas will be potentially useful immediately, and which will be more ‘blue sky’? For the latter, their significance may not be known for a number of years, perhaps even generations. The progress of computing and digital media is a relevant and useful case study in this respect. Which visions of the future in the early days of computing have stood the test of time, and which have vanished without trace? Can this be used as guide for current and future areas of research and development? If one Internet year is equivalent to seven calendar years, are virtual worlds being utilized as an effective accelerator for these new ideas and their implementation and evaluation? The nature of digital media and its constituent parts such as electronic devices, sensors, images, audio, games, web pages, social media, e-books, and Internet of Things, provides a diverse environment which can be viewed as a testbed for current and future ideas. Individual disciplines utilise virtual worlds in different ways. As collaboration is often involved in such research environments, does the technology make these collaborations effective? Have the limits of disciplinary approaches been reached? The importance of interdisciplinary collaborations for the future is proposed and evaluated. The current enablers for progressing interdisciplinary collaborations are presented. The possibility for a new Renaissance between technology and the arts is discussed.
Journal Article
Artworks as dichotomous objects: implications for the scientific study of aesthetic experience
This paper addresses an issue that has been studied from both scientific and art theoretical perspectives, namely the dichotomous nature of representational artworks. Representational artworks are dichotomous in that they present us with two distinct aspects at once. In one aspect we are aware of what is represented while in the other we are aware of the material from which the representation is composed. The dichotomy arises due the incompatibility, indeed contradiction, between these aspects of awareness, both of which must be present if we are to fully appreciate the artwork. Examples from art history are given to show how artists have exploited this dichotomy in a way that conditions our response to their work. I hypothesize that the degree of manifest dichotomy in a work determines the strength of its aesthetic effect, and propose this could be experimentally tested. I conclude that scientific studies of aesthetic experience should take the dichotomous nature of artworks into account.
Journal Article