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146 result(s) for "Hollywood (Los Angeles, Calif.)"
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City of nets : a portrait of hollywood in the 1940s
City of Nets: A Portrait of Hollywood in the 1940s opens with the movie industry at the pinnacle of its success, the banner year of 1939, which gave us Gone with the Wind, The Wizard of Oz, and Ninotchka, and ends 10 years later with the chaos of the HUAC hearings, the rise of television, and the Supreme Court's antitrust decision definitively ending the golden age of Hollywood as a vertically integrated monopoly.
Popular culture in the age of white flight
Los Angeles pulsed with economic vitality and demographic growth in the decades following World War II. This vividly detailed cultural history of L.A. from 1940 to 1970 traces the rise of a new suburban consciousness adopted by a generation of migrants who abandoned older American cities for Southern California's booming urban region. Eric Avila explores expressions of this new \"white identity\" in popular culture with provocative discussions of Hollywood and film noir, Dodger Stadium, Disneyland, and L.A.'s renowned freeways. These institutions not only mirrored this new culture of suburban whiteness and helped shape it, but also, as Avila argues, reveal the profound relationship between the increasingly fragmented urban landscape of Los Angeles and the rise of a new political outlook that rejected the tenets of New Deal liberalism and anticipated the emergence of the New Right. Avila examines disparate manifestations of popular culture in architecture, art, music, and more to illustrate the unfolding urban dynamics of postwar Los Angeles. He also synthesizes important currents of new research in urban history, cultural studies, and critical race theory, weaving a textured narrative about the interplay of space, cultural representation, and identity amid the westward shift of capital and culture in postwar America.
Land of Smoke and Mirrors
Unlike the more forthrightly mythic origins of other urban centers-think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli-Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles's checkered history and reflect on Hollywood's own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors. Part I is a review of the city's history through the early 1900s, focusing on the seminal 1884 novelRamonaand its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annualRamonapageant, and analysis of its feature film adaptations. Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood's emergence as the world's movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films asSunset Blvd., Singin' in the Rain, andThe Truman Show. Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city's status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films asDouble Indemnity,Chinatown, andCrash. In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city's major ethno-racial and other minority groups, looking at such films asMi Familia(Latinos),Boyz N the Hood(African Americans),Charlotte Sometimes(Asians),Falling Down(Whites), andThe Kids Are All Right(LGBT).
Hollywood cinema and the real Los Angeles
i For many people the epithet 'City of Angels' evokes sunshine and golden beaches, glamorous movie stars and the promise of fame - the reality is of course very different. And, paradoxically, the city's reality is as much the record of Los Angeles on film as it is the Los Angeles of highways and suburban neighbourhoods, of people and shops, police and parking lots. This is because Los Angeles is first and foremost a city of cinema - it is where so many major movies are made, and where its locations and studio re-creations are recorded and re-presented on film.This book explores Los Angeles from the invention of motion pictures in the 1890s to the decline of the studio system in the 1950s, describing the ever-changing cinematic image of the city, and the ways in which its representations reflected and manipulated its physical geography. It shows how the construction of big studios helped to change the shape of Los Angeles, and how Hollywood not only contributed to, but also complicated, the city's economic, political, social and cultural life. The incredibly popular films that were produced during this time, from the early slapstick comedies to film noir, and the histories of Los Angeles and its film industry cannot be understood in isolation from each other. Shiel provides a close analysis of narrative, mise en scene, cinematography, editing and other elements of film-making and style, concentrating on the ways in which directors and others engaged with the architecture of the city both within the studios and on location in California.Written by an expert in the history and theory of cinema and the city, this book is a must-read for anyone interested in Hollywood movies, or the history and architecture of Los Angeles. As well as being illustrated with many previously unpublished photographs, the book offers an in-depth view of a city that has never really been seen before.
Lost in Hollywood
When Ginger Carlson's aunt finds herself in financial trouble, Ginger's entire family and her best friend head to Hollywood to help find the missing money.
The archaeology of Hollywood
The Golden Age of Hollywood, dating to the hazy depths of the early 20th Century, was an era of movie stars worshipped by the masses and despotic studio moguls issuing decrees from poolside divans… but despite the world-wide reach of the movie industry, little more than memories of that era linger amidst the freeways and apartment complexes of today’s Los Angeles. Noted archaeologist Paul G. Bahn digs into the material traces of that Tinseltown in an effort to document and save the treasures that remain. Bahn leads readers on a tour of this singular culture, from the industrial zones of film studios to the landmarks where the glamorous lived, partied, and played, from where they died and were buried to how they’ve been memorialized for posterity. The result is part history, part archaeology—enlivened with pop culture, reminiscence, and whimsy—and throughout, it feeds and deepens our fascination with an iconic place and time, not to mention the personalities who brought it to life.
Where is Hollywood?
\"Readers take a journey from the Golden Age of Hollywood to the present-day film industry, learning all about what turned lush California farmland and a small housing development outside Los Angeles into Tinseltown\"--Provided by publisher.
Go west, young women
In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a \"New Woman.\" Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford's rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood's first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.