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"Home in art."
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Varumānaṃ ini vīṭṭilirunnuṃ
Various methods of flower making, bouquet & pot making for women to increase income.
“Living Room” and “Family Gaze” in Contemporary Israeli Art: Comparative Perspectives on Cultural-Identity Representations
2019
How do representations of living rooms, domestic artifacts, and family gaze articulate “local home images” in contemporary Israeli art? The article examines comparatively the way artists from different ethnic backgrounds assume the “inside agent” role toward their own cultural identity or the “outside agent” role in the home of the “Other”. Both inside and outside have adopted ethnographic or pseudo-ethnographic strategies in the wake of the “ethnographic turn” of contemporary art and visual culture. These comparative perspectives do not converge into one new type of Israeliness. Images of various and different domestic environments offer a conflicted view of what “feeling at home” means, questioning the role of one who produces the “family gaze”, the homely image itself, and where and to whom these images are exhibited.
Journal Article
Van Gogh's Bedrooms
\"Over the course of his life, Van Gogh lived in thirty-seven different homes. In 1888 the artist moved into the only place he considered his own: his beloved \"Yellow House\" in Arles, France. His second-floor bedroom became a sanctuary, and it inspired him to record it in paint. Van Gogh so prized The Bedroom, which he deemed one of his best canvases, that he created two similar but distinct versions of it almost a year later, after being forced to leave his Yellow House following a nervous breakdown. In this reunion at the Art Institute of Chicago, the public has the extraordinary opportunity to see these three paintings hanging together as they did in Van Gogh's asylum studio. Presented only in Chicago, Van Gogh's Bedrooms is a momentous occasion that, along with this accompanying catalogue, sheds new light on these iconic compositions and the circumstances of their making. The exhibition is groundbreaking also because it is the first to consider the theme of home in the artist's work\"-- Provided by publisher.
Art and The Home
Our homes contain us, but they are also within us. They can represent places to be ourselves, to recollect childhood memories, or to withdraw into adult spaces of intimacy; they can be sites for developing rituals, family relationships, and acting out cultural expectations. Like the personal, social, and cultural elements out of which they are constructed, homes can be not only comforting, but threatening too. The home is a rich theme running through post-war western art, and it continues to engage contemporary artists today - yet it has been the subject of relatively little critical writing. Art and the Home: Comfort, Alienation and the Everyday is the first single-authored, up-to-date book on the subject. Imogen Racz provides a theme-led discussion about how the physical experience of the dwelling space and the psychological complexities of the domestic are manifested in art, focusing mainly on sculpture, installation and object-based practice; discussing the work and ideas of artists as diverse as Louise Bourgeois, Gordon Matta-Clark, George Segal and Cornelia Parker within their artistic and cultural contexts.
Living with pattern : color, texture, and print at home
\"A home is meant to be a reflection of the owner's story--it's the one place where we get to create the environment. Pattern is a key element in the process of communicating personality, aspirations, and experiences, adding authenticity and interest. In Living with Pattern, Rebecca Atwood travels room by room throughout the house--the expected main rooms as well as smaller, not-to-be-forgotten spaces like reading nooks and foyers--showing how to use pattern to shape interiors\"-- Provided by publisher.
Playing at home
2014,2013
Art Since the '80s, a new series from Reaktion Books, seeks to offer compelling surveys of popular themes in contemporary art. In the first book in the series, Gill Perry reveals how the house and the idea of home have inspired a range of imaginative and playful works by artists across the globe. Exploring how artists have engaged with this theme in different contexts-from mobile homes and beach houses to haunted houses and broken homes-Playing at Home shows that our relationship with houses involves complex responses in which gender, race, class, and status overlap, and that through these relationships we turn a house into a home. Perry looks at the works of numerous artists, including Tracey Emin, Rachel Whiteread, Michael Landy, Mike Kelley, and Peter Garfield, as well as the work of artists who travel across continents and see home as a shifting notion, such as Do-Ho-Suh and Song Dong. She also engages with the work of philosophers and cultural theorists from Walter Benjamin and Gaston Bachelard to Johan Huizinga and Henri Lefebvre, who inform our understanding of living and dwelling. Ultimately, she argues that irony, parody, and play are equally important in our interpretations of these works on the home. With over one hundred images, Playing at Home covers a wide range of art and media in a fascinating look at why there's no place like home.
Deconstructing the meaning of home
2017
“Home — So Different, So Appealing” explores the universal concept of home through the works of Latino artists. The exhibition moves to the Museum of Fine Arts, Houston on Nov. 17.
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