Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
1,745
result(s) for
"Homosexuality on television."
Sort by:
Homosexuality on the Small Screen
Television provides a unique account of the development of a homosexual identity across the western world, emerging as it did when ideas around sex and sexuality were themselves only just beginning to be publicly discussed. From the very earliest surviving drama featuring homosexuality in 1959, Homosexuality on the Small Screen explores each decade's programming in turn, looking at homosexual themes, storylines, and characters, situating them historically, and relating them to the broader events in British history. By doing so it examines the interactions between the medium and the reality of gay lives, showing how television mirrored the changes taking place in British society. For those with a homosexual - or emerging homosexual - sexual orientation, they were seminal in early personal and social development. For heterosexual viewers, these images were equally important in exploring a sexual other which otherwise remained hidden from them. They included positive storylines which helped improve public ideas about homosexuality, but also stereotypical images which propagated negative attitudes in the public consciousness. Homosexuality on the Small Screen charts this fascinating journey and television's role in the construction of a gay identity.
eBook
Gay TV and Straight America
After decades of silence on the subject of homosexuality, television in the 1990s saw a striking increase in programming that incorporated and, in many cases, centered on gay material. In shows including Friends, Seinfeld, Party of Five, Homicide, Suddenly Susan, The Commish, Ellen, Will & Grace, and others, gay characters were introduced, references to homosexuality became commonplace, and issues of gay and lesbian relationships were explored, often in explicit detail.
In Gay TV and Straight America, Ron Becker draws on a wide range of political and cultural indicators to explain this sudden upsurge of gay material on prime-time network television. Bringing together analysis of relevant Supreme Court rulings, media coverage of gay rights battles, debates about multiculturalism, concerns over political correctness, and much more, Becker's assessment helps us understand how and why televised gayness was constructed by a specific culture of tastemakers during the decade.
On one hand the evidence points to network business strategies that embraced gay material as a valuable tool for targeting a quality audience of well-educated, upscale adults looking for something \"edgy\" to watch. But, Becker also argues that the increase of gay material in the public eye creates growing mainstream anxiety in reaction to the seemingly civil public conversation about equal rights.
In today's cultural climate where controversies rage over issues of gay marriage yet millions of viewers tune in weekly to programs like Queer Eye for the Straight Guy, this book offers valuable insight to the complex condition of America's sexual politics.
eBook
Homosexuality on the small screen: television and LGBT identity in Britain
Television provides a unique account of the development of a homosexual identity across the western world, emerging as it did when ideas around sex and sexuality were themselves only just beginning to be publicly discussed. From the very earliest surviving drama featuring homosexuality in 1959, Homosexuality on the Small Screen explores each decade's programming in turn, looking at homosexual themes, storylines, and characters, situating them historically, and relating them to the broader events in British history. By doing so it examines the interactions between the medium and the reality of gay lives, showing how television mirrored the changes taking place in British society. For those with a homosexual - or emerging homosexual - sexual orientation, they were seminal in early personal and social development. For heterosexual viewers, these images were equally important in exploring a sexual other which otherwise remained hidden from them. They included positive storylines which helped improve public ideas about homosexuality, but also stereotypical images which propagated negative attitudes in the public consciousness.Homosexuality on the Small Screen charts this fascinating journey and television's role in the construction of a gay identity.
eBook
Queer Horror Film and Television
More than three decades have passed since the establishment of the Islamic Republic of Iran in 1979. In that time, theories of modern revolution would suggest a retreat from ideological goals, heralding a phase of institutional development. However, Hamad Albloshi argues that Iran is unique: the current rhetoric of conservative Iranian leaders implies the regime has not left its revolutionary stage. Through an examination of the hardline conservative ideology in Iran-personified by the former president, Mahmoud Ahmadinejad-this book explores how the usual development seen in revolutions from radical discourse to pragmatic rhetoric has not been the case in Iran. Albloshi explores the evolution of the hardline conservatives and their main ideas about the nature of the Iranian regime, their position toward other groups within the system, and their approach to the international community. By doing so, he sheds new light on the group's position in the country and the ideological roots of major shifts that occurred in Iran's internal and external policies in the period between 2005 and 2013.
eBook
Reading the bromance : homosocial relationships in film and television
In the middle of this century's first decade, \"bromance\" emerged as a term denoting an emotionally intense bond between straight men. Yet bromance requires an expression of intimacy that always toys with being coded as something other than \"straight\" male behavior, even as it insists that such intimacy must never be misinterpreted. In Reading the Bromance: Homosocial Relationships in Film and Television, editor Michael DeAngelis has compiled a diverse group of essays that address the rise of this tricky phenomenon and explore the social and cultural functions it serves. Contributors consider selected contemporary film and television texts, as well as the genres that historically inspired them, in order to explore what needs bromance attempts to fulfill in relationships between men—straight or otherwise. Essays analyze films ranging from I Love You, Man to Superbad, Humpday, I Now Pronounce You Chuck and Larry, The Hangover, and the Jackass films, and include studies of representative examples in international cinema such as Y tu mama tambien and classic and contemporary films of the Bollywood genre. The volume also examines the increasingly prevalent appearance of the bromance phenomenon in television narratives, from the \"male bonding\" rituals of Friends and Seinfeld to more recent manifestations in House, The Wire, and the MTV reality series Bromance. From historical analysis to discourse analysis, sociological analysis, and queer theory, this volume provides a broad range of methodological and theoretical approaches to the phenomenon in the first booklength study of the bromance genre. Film and television scholars as well as readers interested in pop culture and queer studies will enjoy the insights of Reading the Bromance.
eBook
Straight Girls and Queer Guys
Exploring the archetypal representation of the straight girl with the queer guy in film and television culture from 1948 to the present day, Straight Girls and Queer Guys considers the process of the 'hetero media gaze' and the way it contextualizes sexual diversity and gender identity. Offering both an historical foundation and a rigorous conceptual framework, Christopher Pullen draws on a range of case studies, including the films of Doris Day and Rock Hudson, the performances of Kenneth Williams, televisions shows such as Glee, Sex and the City and Will and Grace, the work of Derek Jarman, and the role of the gay best friend in Hollywood film. Critiquing the representation of the straight girl and the queer guy for its relation to both power and otherness, this is a provocative study that frames a theoretical model which can be applied across diverse media forms.
eBook
The L Word
In January 2004, Showtime debuted The L Word, the first prime-time commercial drama to center around lesbian characters. Over the course of six seasons, the show depicted the lives and loves of an evolving circle of friends in West Hollywood, California, and was widely read as evidence of changing social attitudes toward gay people. Building on immediate critical attention, the show reigned as Showtime's most popular for its first three seasons and earned a large and enthusiastic audience. In The L Word, author Margaret T. McFadden argues that the show is important for its subject matter, its extended and deeply literate commentary on the history of representation of lesbians in popular media, and the formal innovations it deployed to rewrite that history. McFadden shows that the program's creators, led by executive producer Ilene Chaiken, were well aware of the assumptions and expectations that viewers would bring to it after a history of stereotypical depictions of lesbians on television. They sought to satisfy a diverse group of viewers who wanted honest and appealing portrayals of their lives while still attracting a large enough mainstream audience to make The L Word commercially viable. In five chapters, McFadden explores how the show tackled these problems of representation by using reflexivity as a strategy to make meaning, undertaking a complicitous critique of Hollywood, skillfully using a soap-drama format to draw in its audience, and ultimately creating its own complex representation of a lesbian community. While deconstructing the history of misrepresentation of lesbians, The L Word 's new modes of storytelling and new perspectives made many aspects of lesbian experience, history, and culture visible to a large audience. Fans of the show as well as readers interested in cultural studies and gay and lesbian pop cultural history will enjoy this astute volume.
eBook
The Generic Closet
Even after a rise in gay and Black representation and production
on TV in the 1990s, the sitcom became a \"generic closet,\"
restricting Black gay characters with narrative tropes.
Drawing from 20 interviews with credited episode writers, key
show-runners, and Black gay men, The Generic Closet
situates Black-cast sitcoms as a unique genre that uses Black gay
characters in service of the series' heterosexual main cast. Alfred
L. Martin, Jr., argues that the Black community is considered to be
antigay due to misrepresentation by shows that aired during the
family viewing hour and that were written for the imagined,
\"traditional\" Black family. Martin considers audience reception,
industrial production practices, and authorship to unpack the claim
that Black gay characters are written into Black-cast sitcoms such
as Moesha , Good News , and Let's Stay
Together in order to closet Black gayness.
By exploring how systems of power produce ideologies about Black
gayness, The Generic Closet deconstructs the concept of a
monolithic Black audience and investigates whether this generic
closet still exists.
eBook
A Queer Eye for Capitalism
This study uses critical discourse analysis to conduct an examination of the reality television program Queer Eye. The goal is to help understand the manner in which the representations of queer culture in the show reinforce the binaries of sex, gender an.
eBook