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32 result(s) for "Horror stories Authorship."
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Women's Authorship and the Early Gothic
This collection examines Gothic fiction written by female authors in the late eighteenth and early nineteenth centuries. Analysing works by lesser known authors within a historical context, the collection offers a fresh perspective on women writers and their contributions to Gothic literature.
Alvin Schwartz
This biography introduces readers to Alvin Schwartz, the successful author of three volumes of Scary Stories books, I Can Read series, and Witcracks. Readers will learn about Schwartz's childhood in New York, his love of folklore, his switch to young adult fiction, and the success and controversy that have accompanied the publication of his books.
Gay and Lesbian Historical Fiction
The first extensive study of gay and lesbian historical fiction, this book demonstrates how the highly popular sub-genre helps us understand gay and lesbian history. It shows not only why the sub-genre should be taken more seriously by historians but also how it implicitly works to ameliorate divisions between Christianity and homosexuality.
A bad night for bullies
Twelve-year-old Harold is wheelchair-bound, but has been relatively happy living in his seaside town, reading, enjoying the nice weather-- except for when Alix Hewitt and his gang come around and start bullying him. When a strange family moves in next door, things begin happening that make Harold wonder if the horror-author father is making up ghost stories, or if he has supernatural powers.
Peter Straub and Transcendental Horror
Traditionally regarded as a literature of affect, horror has been employed in the work of Peter Straub and other contemporary writers to generate an effect which they have called transcendence. Straub and others have talked in interviews about the difficulty in elucidating this idea and have developed specific narrative strategies to approach it. This paper attempts to identify and describe these strategies in such Straub novels as lost boy lost girl (2003) and In the Night Room (2004) as well as several short stories. Such works comment thematically on storytelling through manipulation of point of view, metatextual techniques, and layered or embedded narrative worlds, all serving to create a feeling of revelatory horror through which may be achieved a more complex understanding of the world. Other writers who have employed similar techniques include Kelly Link, M. Rickert, and Jeffrey Ford.
Shadows of the silver screen
At the dawn of the age of silent films, a mysterious filmmaker proposes turning Montgomery Flinch's sinister stories into motion pictures and, with Monty as the star, filming begins but is plagued by a series of strange and frightening events of which only Penny can uncover the cause.