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The Worlds of Langston Hughes
Shortlisted for the Phi Beta Kappa Society’s Christian Gauss Award. The poet Langston Hughes was a tireless world traveler and a prolific writer, translator, and editor. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. This study contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. “Kutzinski has given us one of the very best analyses and evaluations of Hughes's seminal texts. We observe him at work translating, but we also see his works being translated. Kutzinski, a preeminent polylingual comparativist who knows the literatures of the African diaspora as well as anyone, brings a keen understanding of both race and ethnicity to her overarching discussion. She has written an exemplary work, which will be widely influential.\"—John Lowe, Louisiana State University
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My Dear Boy
My Dear Boybrings a largely unexplored dimension of Langston Hughes to light. Carmaletta Williams and John Edgar Tidwell explain that scholars have neglected the vital role that correspondence between Carrie Hughes and her son Langston-Harlem Renaissance icon, renowned poet, playwright, fiction writer, autobiographer, and essayist-played in his work.The more than 120 heretofore unexamined letters presented here are a veritable treasure trove of insights into the relationship between mother Carrie and her renowned son Langston. Until now, a scholarly consensus had begun to emerge, accepting the idea of their lives and his art as simple and transparent. But as Williams and Tidwell argue, this correspondence is precisely where scholars should start in order to understand the underlying complexity in Carrie and Langston's relationship. By employing Family Systems Theory for the first time in Hughes scholarship, they demonstrate that it is an essential heuristic for analyzing the Hughes family and its influence on his work. The study takes the critical truism about Langston's reticence to reveal his inner self and shows how his responses to Carrie were usually not in return letters but, instead, in his created art. ThusMy Dear Boyreveals the difficult negotiations between family and art that Langston engaged in as he attempted to sustain an elusive but enduring artistic reputation.
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Coming home : from the life of Langston Hughes
A short biography of African American poet Langston Hughes.
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Origins of the Dream
Since Martin Luther King Jr.'s \"I Have a Dream\" speech, some scholars have privately suspected that King's \"dream\" was connected to Langston Hughes's poetry. Drawing on archival materials, including notes, correspondence, and marginalia, W. Jason Miller provides a completely original and compelling argument that Hughes's influence on King's rhetoric was, in fact, evident in more than just the one famous speech.
King's staff had been wiretapped by J. Edgar Hoover and suffered accusations of communist influence, so quoting or naming the leader of the Harlem Renaissance-who had his own reputation as a communist-would only have intensified the threats against the civil rights activist. Thus, the link was purposefully veiled through careful allusions in King's orations. InOrigins of the Dream, Miller lifts that veil and shows how Hughes's revolutionary poetry became a measurable inflection in King's voice. He contends that by employing Hughes's metaphors in his speeches, King negotiated a political climate that sought to silence the poet's subversive voice. By separating Hughes's identity from his poems, King helped the nation unconsciously embrace the incendiary ideas behind his poetry.
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There was a party for Langston
A celebration of Langston Hughes and African American authors he inspired, told through the lens of the party held at the New York Public Library's Schomburg Center for Research in Black Culture in 1991.
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“Asiatic Black Man”: W. E. B. Du Bois and Langston Hughes in Soviet Asia
This essay seeks to revisit the curious case of the “Asiatic Black Man” by demonstrating how this identity, inherent in the collective unconsciousness and shared by Muhammad Ali, W. E. B. Du Bois, Langston Hughes, and Paul Robeson, could be consolidated as an “imagined community” through the microhistory of African Americans experiencing Soviet Asia. The essay proposes Afro-American Eurasianism as a transcontinental approach to converge the transnational, transatlantic, and transpacific perspectives in the Eurasian landmass, wherein the consilience of the Soviet overarching ambition of becoming the only world power as well as various themes that connected the micro-narrative of African Americans with the big history of Asia rendered Eurasianism as a shared political ideology, to be exploited by each side as a grand strategy in ending global racial politics. By positioning the twin cases of Du Bois and Hughes, this paper aims to show how the Soviet Union’s divergent endeavors of the “world revolution”—with Hungary and China as their primary targets for exporting revolutions in order to control the Eurasian “heartland”—and “socialism in one country”—with Uzbekistan and Turkmenistan as the in-the-making products of the Soviet nation-building experiments so as to convey the raceless image of Potemkin villages through Central Asia’s window to the world—could draw them away from their initial embrace of Black nationalism and shape their radical thoughts toward the Soviet cause. Moreover, this study posits that Soviet Asia functioned as a psychogeographical and geopolitical conduit that facilitated the elaboration of the Afro-American “Asiatic Black Man” fantasy and imagination of the communistic utopia as an alternative international order, while it unexpectedly resulted in a new “double-consciousness,” compelling Du Bois and Hughes to oscillate between Moscow and Beijing/Tashkent.
Journal Article
Letters from Langston : from the Harlem Renaissance to the Red Scare and beyond
\"One of the greatest American writers, Langston Hughes was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes's poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This invaluable collection of newly published letters between Hughes and four confidantes sheds light on his life and politics. Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume of correspondence patches together stories of friends and family living in an era of uncertainty and their visions of an idealized world--one without hunger, war, racism, and class oppression\"--Provided by publisher.
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Arise Africa, Roar China
This book explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War-journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies.
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