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Danger is still everywhere : beware of the dog! : a new handbook for avoiding even bigger danger by Dr. Noel Zone \the greatest dangerologist in the world, ever\
\"Dr. Noel Zone is back to make YOU into a qualified Level 2 Dangerologist in this wacky handbook about how to avoid danger of even more kinds--from dinosaurs to volcanoes to the circus--plus the overwhelming danger of a real live puppy!\"--Amazon.com.
Book
Earth (the book) : a visitor's guide to the human race
Jon Stewart and the writers of The Daily Show embark on a mission to write a book that sums up the human race: what we looked like, what we accomplished, and our achievements in society, government, religion, science, and culture. Here is the definitive guide to our species--completely unburdened by objectivity, journalistic integrity, or even accuracy.
Book
Internet, Humor, and Nation in Latin America
How online humor influences politics and culture in Latin
America
This volume is the first to provide a comprehensive Latin
American perspective on the role of humor in the Spanish- and
Portuguese-language internet, highlighting how the production and
circulation of online humor influence the region's relation to
democracy and civil society and the production of meaning in
everyday life.
Several case studies consider memes, including discussions of
political cartoons in Mexico and imagery that portrays the
mismanagement of natural disasters in Puerto Rico. Essays on Brazil
examine how memes are shared on WhatsApp by Jair Bolsonaro
supporters and how the Instagram account Barbie Fascionista offers
memes as political commentary. Other case studies consider video
content, including the sketches of Argentinian comedian Guillermo
Aquino, the short-form material of Chilean vlogger Germán
Garmendia, and a satirical YouTube column created by journalists in
Colombia. Contributors also offer new methodologies for studying
the laughable on social media, including a model for analyzing fake
Twitter accounts.
Internet, Humor, and Nation in Latin America
demonstrates that internet humor can generate novel means of public
interaction with the political and cultural spheres and create
greater expectations of governmental accountability and democratic
participation. This volume shows the importance of paying serious
attention to humorous digital content as part of contemporary
culture.
Contributors: Eva Paulina Bueno | Juan Poblete | Alberto
Centeno-Pulido | Damián Fraticelli | Juan Carlos Rodríguez | Viktor
Chagas | Paul Alonso | Ulisses Sawczuk da Silva | Héctor Fernández
L'Hoeste | Alejandra Nallely Collado Campos | R. Sánchez-Rivera |
Mélodine Sommier | Fábio Marques de Souza
A volume in the series Reframing Media, Technology, and Culture
in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan
Carlos Rodríguez
Publication of this work made possible by a Sustaining the
Humanities through the American Rescue Plan grant from the National
Endowment for the Humanities.
eBook
Humour and Irony in Dutch Post-war Fiction Film
If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober;
eBook
