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"Huxley, Aldous (1894-1963)"
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Aldous Huxley : the political thought of a man of letters
Aldous Huxley: The Political Thought of a Man of Letters argues that Huxley is not a man of letters engaged in politics, but a political thinker who chooses literature to spread his ideas.His preference for the dystopian genre is due to his belief in the tremendous impact of dystopia on twentieth-century political thought.
Aldous Huxley's Hands
2015
Psychedelics, neuroscience, and historical biography come together when a journalist finds a lost photograph of Aldous Huxley and uncovers a hidden side of the celebrated author of Brave New World and The Doors of Perception.
Temporaries and Eternals
2013
Marking the fiftieth anniversary of the death of Aldous Huxley (18941963), Temporaries and Eternals focuses on the music column that Huxley wrote for The Weekly Westminster Gazette in 192223. Readers of Huxleys novels, essays and travel writing will be aware of the wealth of musical detail in these works, and this book suggests that such references can only be fully understood in the context of the opinions voiced in Huxleys music criticism. Not only does Huxleys column offer a fascinati.
Wandering into Brave New World
by
Higdon, David Leon
in
Huxley, Aldous, 1894-1963 -- Criticism and interpretation
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Huxley, Aldous, 1894-1963. Brave new world
2013
Wandering into Brave New World explores the historical contexts and contemporary sources of Aldous Huxley's 1932 novel which, seventy years after its initial publication remains the best known and most discussed dystopian work of the twentieth century. This new study addresses a number of questions which still remain open. Did his round-the-world trip in 1925-1926 provide material for the novel? Did India's caste system contribute to the novel's human levels? Is there an overarching pattern to the names of the novel/s characters? Has the role of Hollywood in the novel been underestimated? Is Lenina Crown a representative 1920s \"flapper\"? Did Huxley have knowledge of and sources for his Indian reservation characters and scenes quite independent of and more accurate than those of D. H. Lawrence's writings? Did Huxley's visit to Borneo contribute anything to the novel? New research allows substantive answers and even explains why Huxley linked such figures as Henry Ford and Sigmund Freud. It also shows how the novel overcomes its intense grounding in 1920s political turmoil to escape into the timelessness of dystopian fiction.
Aldous Huxley and Alternative Spirituality
2019
Aldous Huxley and Alternative Spirituality offers an analysis of Huxley's spiritual interests, spanning both mysticism and Western esotericism. With this methodology, Jake Poller generates new insights into Huxley's work and draws revealing parallels between Huxley's ideas and the New Age.
Aldous Huxley
\"An outstanding book.\"-James Sexton \"A welcome and necessary update of the life of one of the twentieth century's most provocative intellectuals.\"-Dana Sawyer A rich and lucid account of Aldous Huxley's life and work. Aldous Huxley was one of the twentieth century's most prescient thinkers. This new biography is a rich and lucid account that charts the different phases of Huxley's career: from the early satirist who depicted the glamorous despair of the postwar generation, to the committed pacifist of the 1930s, the spiritual seeker of the 1940s, the psychedelic sage of the 1950s-who affirmed the spiritual potential of mescaline and LSD-to the New Age prophet of Island. While Huxley is still best known as the author of Brave New World, Jake Poller argues that it is The Perennial Philosophy, The Doors of Perception, and Island-Huxley's blueprint for a utopian society-that have had the most cultural impact.
Enhancing public entertainment with touch: Possibilities and pitfalls
2024
There has long been interest in augmenting cinematic and other forms of public entertainment through tactile and/or bodily (i.e., vestibular) stimulation. In this narrative historical review, the early history of touch (or haptics, as it is sometimes called) and other forms of bodily stimulation (e.g., motion platforms) in the context of entertainment is critically reviewed, with a focus on early cinema as well as other early examples of immersive virtual reality travel experiences. Critically, various challenges have limited the introduction of such additional channels of sensory stimulation. These include technological, financial, cognitive, creative, ethical/artistic, and also legal considerations, given the many patents that currently exist covering commercial digital tactile stimulation (e.g., in the gaming context). Taken together, these challenges help to explain why it is that despite the early interest in “the feelies” (e.g., an envisioning of film that includes tactile sensations by Aldous Huxley, in his novel Brave New World), touch-enhanced cinema and storytelling have never really caught on in the mainstream in the way that, say, the talkies so obviously did following the introduction of sound into cinema in the early decades of the 20th century. Nevertheless, identifying the potential successful use cases that have emerged from previous attempts to augment public entertainments with tactile/bodily stimulation will likely provide useful guidelines for the future tactile augmentation of home entertainment.
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