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"ICARUS (Project)"
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The internet of animals : discovering the collective intelligence of life on Earth
by
Wikelski, Martin, author
,
Gaddis, Keith, writer of foreword
in
ICARUS (Project)
,
Animal intelligence.
,
Animal marking.
2024
\"All we need to do is give animals a voice and our perception of the world could change forever. That's what author Martin Wikelski and his team of scientists believe, and this book shares their story for the first time. As they tag animals around the world with minuscule tracking devices, they link their movements to The International Space Station, which taps into the 'internet of animals': an astonishing network of information made up of thousands of animals communicating with each other and their environments. Called the International Cooperation for Animal Research Using Space, or ICARUS, this phenomenal project is poised to change our world. Down on the ground, Wikelski describes animals' sixth sense first-hand. Farm animals become restless when earthquakes are imminent. Animals on the African plains sense when poachers are on the move. Frigatebirds in South America depart before hurricanes arrive.\"-- Provided by publisher.
Inverting the Formula: Devising through Adaptation
2017
Adaptation in contemporary performance takes on different forms and engages various strategies. In this article, Frank Camilleri explores the subject in terms of compositional devising via his practice as research in the area. He considers adaptation as a process of adjustment and modification that occurs at the level of format or organization, and which results from a change in context. He proposes terminological and structural frameworks, namely types, movements, modes, and phases of adaption. These taxonomies are then subsequently exemplified through three case studies from the author's performance and pedagogical work. Frank Camilleri is Associate Professor in Theatre Studies at the University of Malta, where he is Director of the School of Performing Arts and leads P21 (Performance 21), the research centre for Twenty-first Century Studies in Performance. He is Artistic Director of Icarus Performance Project and co-edits the Routledge/Icarus ‘Theatre as a Laboratory’ series.
Journal Article