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19,120 result(s) for "Idealism"
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As if : idealization and ideals
Idealization is a central feature of human thought. We build ideal models in the sciences, our politics is guided by pictures of impossible utopias, and our thinking about the arts and moral life is guided by images of how things might have been. In all these cases we sometimes proceed with a representation of the world that we know is not true or aim at a world we accept we cannot realize. This is the world of the \"as if,\" which the philosopher Hans Vaihinger delineated at the turn of the century, in ways he traced back to Kant. In this book, I aim to explore idealization in aesthetics, ethics, and metaphysics, as well as in the philosophy of mind, of language, of religion, and of the social and natural sciences. No one could be an expert on all of these things, but sometimes in philosophy it helps to stand back and take a broader view. On the way I hope to illuminate many issues, large and small, but there is one over-arching lesson: our best chance of understanding the world must be to have a plurality of ways of thinking about it. This book is about why we need a multitude of pictures of the world. It is a gentle jeremiad against theoretical monism.-- Provided by publisher
Bradley’s Account of the Self as Appearance: Between Kant’s Transcendental Idealism and Hegel’s Speculative Idealism
The constitutive activity of the self and the ground of the unity of the self are two important aspects of understanding the self. This paper attempts to delineatethese considerations, tracing their use, function and implications in Bradley’s thesis on the self. The article argues that for Bradley, the focalization is on the understanding of the self and the relation of thought to reality. Furthermore, the article attempts to locate Bradley’s account of the self as appearance as a middle course between Kant’s transcendental idealism to Hegel’s speculative idealism to demonstrate the overlaps, ruptures, and evolution of the philosophical journey of the concept of the self, its nature, and its expressions.
The edinburgh critical history of nineteenth-century philosophy
This volume begins with the rise of German Idealism and Romanticism, traces the developments of naturalism, positivism, and materialism and of later-century attempts to combine idealist and naturalist modes of thought. Written by a team of leading international scholars this crucial period of philosophy is examined from the novel perspective of themes and lines of thought which cut across authors, disciplines, and national boundaries. This fresh approach will open up new ways for specialists and students to conceptualise the history of 19th-century thought within philosophy, politics, religious studies and literature.
Idéalisme/réalisme : une distinction métaphysique ?
In this article, I intend to show, first of all, that the metaphysical neutrality of the Logical Investigations leads to untenable consequences and even threatens the coherence of Husserl's project. In truth, Husserl's distinction between phenomenology and metaphysics and its corollary, the pure and simple exclusion of metaphysical problems - such as that of the reality of the so-called external world - from the field of nascent phenomenology, make it impossible to give a satisfactory form to a problem as central to this new discipline as that of perception. However, my final word will not be on the indis-soluble link between the problems that phenomenology poses for itself and those that Husserl would like to be able to \"purify\" it from the outset. However permeable the boundaries between these two general directions of research may be, phenomenology and metaphysics are not equivalent. Phenomenology can even be said to contribute to formulating and solving certain metaphysical problems, starting with the idealism/realism antithesis. It is to this contribution that I will devote the second part of these reflections.
Idealism/realism: A metaphysical distinction?
In this article, I intend to show, first of all, that the metaphysical neutrality of the Logical Investigations leads to untenable consequences and even threatens the coherence of Husserl's project. In truth, Husserl's distinction between phenomenology and metaphysics and its corollary, the pure and simple exclusion of metaphysical problems - such as that of the reality of the so-called external world - from the field of nascent phenomenology, make it impossible to give a satisfactory form to a problem as central to this new discipline as that of perception. However, my final word will not be on the indissoluble link between the problems that phenomenology poses for itself and those that Husserl would like to be able to “purify” it from the outset. However permeable the boundaries between these two general research directions may be, phenomenology and metaphysics are not equivalent. Phenomenology can even be said to contribute to formulating and solving certain metaphysical problems, starting with the idealism/realism antithesis. It is to this contribution that I will devote the second part of these reflections.
Mutatis mutandis; or, Analogy and Justification in Simondon's System
This article is about procedures of justification in Simondon's philosophical system. Broadly speaking, the article poses the question of what makes—or fails to make—Simondon's arguments convincing, what binds or grounds his analogies, what gives them their normative force. Focusing on Individuation in Light of Notions of Form and Information as well as on the important, shorter text, \"Form, Information, and Potentials,\" it examines what Simondon calls his \"analogical method\" and explains how the method works as a justificatory procedure. And it raises the question of whether the analogical method assumes the perspective of a certain idealism, an idealism that would otherwise appear to run counter to what has been described as Simondon's objectivism, materialism, or philosophy of nature. In the end, to resolve these conflicting characterizations of Simondon's system, the article turns to debates about analogy in literary history, showing how literary analogy has similarly served to negotiate between the necessary and the contingent, inner and outer experience.