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After ten years in Paris, Galal returns to Cairo, where he finds a society in transformation. Egypt is Galal's home, but he feels he no longer belongs there. He is caught between his two identities: his Jewish mother's family are cosmopolitan business people, while his father's family are rural farmers from the Delta.Kamal Ruhayyim paints an uncompromising portrait of an older generation dictating how their children live and love. Menorahs and Minarets is the concluding part of Ruhayyim's compelling trilogy.

This volume conceives of identity constructs in a broader semiotic way, specifically within a communicational and comparative perspective. This implies a rethinking of \"identity\" in terms of the relationship between an individual's \"way of being\" and performativity.The contributions here cover a variety of pre-texts, texts and contexts, periods and genres, from Medieval clothing to multicultural discourse, and from modern poetry to postcolonial narratives, among others. Integrating research from Germany, Greece, Iraq and Romania, this collection of fifteen chapters will be of interest to all those involved in the reevaluation of identity - a central term in the social and cultural space.

While the world often categorizes women in reductive false binaries-careerist versus mother, feminine versus fierce-romance novels, a unique form of the love story, offer an imaginative space of mingled alternatives for a heroine on her journey to selfhood. In Creating Identity , Jayashree Kamblé examines the romance genre, with its sensile flexibility in retaining what audiences find desirable and discarding what is not, by asking an important question: \"Who is the romance heroine, and what does she want?\" To find the answer, Kamblé explores how heroines in ten novels reject societal labels and instead remake themselves on their own terms with their own agency. Using a truly intersectional approach, Kamblé combines gender and sexuality, Marxism, critical race theory, and literary criticism to survey various aspects of heroines' identities, such as sexuality, gender, work, citizenship, and race. Ideal for readers interested in gender studies and literary criticism, Creating Identity highlights a genre in which heroines do not accept that independence and strong, loving relationships are mutually exclusive but instead demand both, echoing the call from the very readers who have made this genre so popular.

The figure of the migrant has been celebrated by some as an icon of postmodernity, an emblematic figure in a world increasingly characterized by transnationalism, globalization and mass migrations. Kral takes issue with this view of the migrant experience through in-depth analyses of writers.

While the world often categorizes women in reductive false binaries-careerist versus mother, feminine versus fierce-romance novels, a unique form of the love story, offer an imaginative space of mingled alternatives for a heroine on her journey to selfhood.In Creating Identity, Jayashree Kamblé examines the romance genre, with its sensile flexibility in retaining what audiences find desirable and discarding what is not, by asking an important question: \"Who is the romance heroine, and what does she want?\" To find the answer, Kamblé explores how heroines in ten novels reject societal labels and instead remake themselves on their own terms with their own agency. Using a truly intersectional approach, Kamblé combines gender and sexuality, Marxism, critical race theory, and literary criticism to survey various aspects of heroines' identities, such as sexuality, gender, work, citizenship, and race. Ideal for readers interested in gender studies and literary criticism, Creating Identity highlights a genre in which heroines do not accept that independence and strong, loving relationships are mutually exclusive but instead demand both, echoing the call from the very readers who have made this genre so popular.

On a distant island, reality show contestants battle for bragging rights and a slot on next week's episode. They've perfected their dramatic roles and are prepared to do whatever it takes to win. There's the take-no-prisoners Marine sergeant, the gay hairdresser, the ruthless lawyer, the brainy poet. But one player refuses to compete--Gloria Hamm, a sullen dental hygienist, voted least likely to win by the show's crew. The higher-ups are desperate for ratings and sensational twists to trump the plots of seasons past. But the producer--haunted by personal tragedies all too real--is losing control of the show and its crew. While he obsesses about Gloria, the crew plots mutiny, a contestant dances with insanity, and disease threatens to halt the show completely. When real catastrophes strike, the producer finds it harder and harder to navigate his surreal landscape, where boundaries of the real, imagined, and orchestrated have blurred beyond recognition. Deus Ex Machina deconstructs our notions of narrative, revealing how tricky it is for any auteur to disappear from his creation. In an age when people will seemingly do anything to be on television, it asks what is the true nature of \"reality,\" and what is its cost?.

Investigating Identities: Questions of Identity in Contemporary International Crime Fiction is one of the relatively few books to date which adopts a comparative approach to the study of the genre. This collection of twenty essays by international scholars, examining crime fiction production from over a dozen countries, confirms that a comparative approach can both shed light on processes of adaptation and appropriation of the genre within specific national, regional or local contexts, and also uncover similarities between the works of authors from very different areas. Contributors explore discourse concerning national and historical memory, language, race, ethnicity, culture and gender, and examine how identity is affirmed and challenged in the crime genre today. They reveal a growing tendency towards hybridization and postmodern experimentation, and increasing engagement with philosophical enquiry into the epistemological dimensions of investigation. Throughout, the notion of stable identities is subject to scrutiny. While each essay in itself is a valuable addition to existing criticism on the genre, all the chapters mutually inform and complement each other in fascinating and often unexpected ways. This volume makes an important contribution to the growing field of crime fiction studies and to ongoing debates on questions of identity. It will therefore be of special interest to students and scholars of the crime genre, identity studies and comparative literature. It will also appeal to all who enjoy reading contemporary crime fiction.

A lucid intervention in current debates about identity and difference, this book uses the concept of Otherness to look again at both Gothic fiction and Postcolonialism.

The Distant Relation breaks down the artificial division between philosophy and literature by weaving contemporary philosophic arguments through close readings of Carpentier, Rulfo, Paz, and Garcia Marquez. Thomson draws the reader into the largely uninhabited space between philosophy and literature, providing new critical strategies that allow text and reader to respond to the very distance they share. These strategies involve a reconceptualization of distance that recognizes the productive and affirmative nature of separation.

In The Counterlife (1986), Philip Roth turns to postmodern innovation via an intricate web of counternarratives in order to examine the complexity of contemporary Jewishness, alongside its fluid relationship with space, memory, and public and private identity. This essay focuses on the truths residing on the fringes of The Counterlife, dwelling on the liminal spaces created by seemingly unimportant lines and episodes. The analysis is meant to prove that such liminal remarks or actions illustrate the depths of inborn and constructed bias concerning otherness and difference (preponderantly racial), significantly feeding the book's major acknowledged arguments. This essay argues that, in the context of the perpetual Jewish struggle for self-definition and self-understanding across geographical and ideological borders, Roth aims to deconstruct stereotypical representations and to challenge established versions of history by showcasing various overlooked and/or marginal(ized) positions and dilemmas.