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result(s) for
"Identity (Psychology) in literature."
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Displacement and the somatics of postcolonial culture
\"Displacement and the Somatics of Postcolonial Culture is Douglas Robinson's study of postcolonial affect--specifically, of the breakdown of the normative (regulatory) circulation of affect in the refugee experience and the colonial encounter, the restructuring of that regulatory circulation in colonization, and the persistence of that restructuring in decolonization and intergenerational trauma. Robinson defines \"somatics\" as a cultural construction of \"reality\" and \"identity\" through the regulatory circulation of evaluative affect. This book is divided into three essays covering the refugee experience, colonization and decolonization, and intergenerational trauma. Each essay contains a review of empirical studies of its main topic, a study of literary representations of that topic, and a study of postcolonial theoretical spins. The literary representations in the refugee essay are a novel and short story by the Haitian writer Edwidge Danticat; in the colonization essay a short film by Javier Fesser and a novella by Mahasweta Devi (translated by Gayatri Chakravorty Spivak); and in the intergenerational trauma essay novels by James Welch and Toni Morrison and a short story by Percival Everett. The first essay's theoretical spins include Deleuze and Guattari on nomad thought and Iain Chambers on migrancy; the second's, Nietzsche's Genealogy of Morals and theories of postcolonial affect in Bhabha and Spivak; the third's, work on historical trauma by Cathy Caruth and Dominic LaCapra\"--Page 4 of cover.
Literary Construction of Identity in the Ancient World
by
Liss, Hanna
,
Oeming, Manfred
in
Bible as literature-Congresses
,
HISTORY / Ancient / General
,
Identity (Psychology) in literature-Congresses
2010
Encountering an ancient text not only as a historical source but also as a literary artifact entails an important paradigm shift, which in recent years has taken place in classical and Oriental philology. Biblical scholars, Egyptologists, and classical philologists have been pioneers in supplementing traditional historical-critical exegesis with more-literary approaches. This has led to a wealth of new insights. While the methodological consequences of this shift have been discussed within each discipline, until recently there has not been an attempt to discuss its validity and methodology on an interdisciplinary level. In 2006, the Faculty of Bible and Biblical Interpretation at the Hochschule für Jüdische Studien, Heidelberg, and the Faculty of Theology at the University of Heidelberg invited scholars from the U.S., Canada, the Netherlands, Israel, and Germany to examine these issues. Under the title \"Literary Fiction and the Construction of Identity in Ancient Literatures: Options and Limits of Modern Literary Approaches in the Exegesis of Ancient Texts,\" experts in Egyptology, classical philology, ancient Near Eastern studies, biblical studies, Jewish studies, literary studies, and comparative religion came together to present current research and debate open questions.
At this conference, each representative (from a total of 23 different disciplines) dealt with literary theory in regard to his or her area of research. The present volume organizes 17 of the resulting essays along 5 thematic lines that show how similar issues are dealt with in different disciplines: (1) Thinking of Ancient Texts as Literature, (2) The Identity of Authors and Readers, (3) Fiction and Fact, (4) Rereading Biblical Poetry, and (5) Modeling the Future by Reconstructing the Past.
The Sovereignty of Quiet
African American culture is often considered expressive, dramatic, and even defiant. InThe Sovereignty of Quiet, Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person's desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture.The book revisits such iconic moments as Tommie Smith and John Carlos's protest at the 1968 Mexico City Olympics and Elizabeth Alexander's reading at the 2009 inauguration of Barack Obama. Quashie also examines such landmark texts as Gwendolyn Brooks'sMaud Martha, James Baldwin'sThe Fire Next Time, and Toni Morrison'sSulato move beyond the emphasis on resistance, and to suggest that concepts like surrender, dreaming, and waiting can remind us of the wealth of black humanity.
Writing intersectional identities : keywords for creative writers
\"Is it okay to write about people of other genders, races and identities? And how do I do this responsibly? Whether you are writing fiction, poetry or creative non-fiction, writing responsibly about people of different social identities is one of the most important duties of the public writer today. This is the first practical guide to thinking and writing reflectively about these issues. Organised in an easy-to-use A to Z format for practicing writers, teachers and students\"-- Provided by publisher.
Creating Identity: The Popular Romance Heroine's Journey to Selfhood and Self-Representation
by
JayashreeKamble
in
Heroines in literature
,
Identity (Psychology) in literature
,
Romance fiction
2023
While the world often categorizes women in reductive false binaries-careerist versus mother, feminine versus fierce-romance novels, a unique form of the love story, offer an imaginative space of mingled alternatives for a heroine on her journey to selfhood.In Creating Identity, Jayashree Kamblé examines the romance genre, with its sensile flexibility in retaining what audiences find desirable and discarding what is not, by asking an important question: \"Who is the romance heroine, and what does she want?\" To find the answer, Kamblé explores how heroines in ten novels reject societal labels and instead remake themselves on their own terms with their own agency. Using a truly intersectional approach, Kamblé combines gender and sexuality, Marxism, critical race theory, and literary criticism to survey various aspects of heroines' identities, such as sexuality, gender, work, citizenship, and race. Ideal for readers interested in gender studies and literary criticism, Creating Identity highlights a genre in which heroines do not accept that independence and strong, loving relationships are mutually exclusive but instead demand both, echoing the call from the very readers who have made this genre so popular.
Questions of identity in detective fiction
by
Martz, Linda
,
Higgie, Anita
,
Université catholique de Paris
in
Congresses
,
Detective and mystery stories
,
Detective and mystery stories -- History and criticism -- Congresses
2007,2009
With essays by an international group of scholars, Questions of Identity in Detective Fiction delves into the ways in which this genre, given its status as popular yet marginalized literature, allows for the exploration of a wide range of meanings. Contributors examine how the genre both mirrors and focuses the personal/sexual/ ethnic/spiritual, how it interfaces with national literatures and histories, and how the generic identity of detective fiction has evolved over time. Chapters include.
Back to the Sites of Ḥurban: Poetic Reenactment and the Movement of Memory in Ḥayyim Naḥman Bialik's 'Beʿir haharegah,' and Paul Celan's 'Engführung'
2024
This article offers a comparative reading of two 20th century poems, each preoccupied with Jewish catastrophe: Ḥayyim Naḥman Bialik's \"Beʿir haharegah\" (\"In the City of Slaughter\"), and \"Engführung\" (\"The Straitening\"), written by poet and Holocaust survivor Paul Celan. Drawing on some of the recent developments in affect theory, the article asserts that these two modern accounts of Jewish ḥurban share a fundamental characteristic that speaks to the mechanism of poetic reenactment: an experiential reconstruction of the walk to and within the sites of destruction, which turns the readers of the poems into active participants in this experience. Such performative reading, which exceeds the rigid confines of mere representation, pushes constantly toward active and visceral interaction between reader and text, in the course of which questions of memory, belonging, and collective and subjective identity, are raised and reexamined. The artistic experience of destruction thus acquires constructive power, as literature becomes an active agent of memory, freeing the historical event from its rigid facticity and transforming it into an ongoing occurrence, taking place here and now, over and over again.
Journal Article