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Digital forensic tools (DFTs) are used to detect the authenticity of digital images. Different DFTs have been developed to detect the forgery like (i) forensic focused operating system, (ii) computer forensics, (iii) memory forensics, (iv) mobile device forensics, and (v) software forensics tools (SFTs). These tools are dedicated to detect the forged images depending on the type of the applications. Based on our review, we found that in literature of the DFTs less attention is given to the evaluation and analysis of the forensic tools. Among various DFTs, we choose SFTs because it is concerned with the detection of the forged digital images. Therefore, the purpose of this study is to classify the different DFTs and evaluate the software forensic tools (SFTs) based on the different features which are present in the SFTs. In our work, we evaluate the following five SFTs, i.e., \"FotoForensics\", \"JPEGsnoop\", \"Ghiro\", \"Forensically\", and \"Izitru\", based on different features so that new research directions can be identified for the development of the SFTs.

With the mushroom growth of state-of-the-art digital image and video manipulations tools, establishing the authenticity of multimedia content has become a challenging issue. Digital image forensics is an increasingly growing research field that symbolises a never ending struggle against forgery and tampering. This survey attempts to cover the blind techniques that have been proposed for exposing forgeries. This work dwells on the detection techniques for three of the most common forgery types, namely copy/move, splicing and retouching.

Detecting and localizing image manipulation are necessary to counter malicious use of image editing techniques. Accordingly, it is essential to distinguish between authentic and tampered regions by analyzing intrinsic statistics in an image. We focus on JPEG compression artifacts left during image acquisition and editing. We propose a convolutional neural network that uses discrete cosine transform (DCT) coefficients, where compression artifacts remain, to localize image manipulation. Standard CNNs cannot learn the distribution of DCT coefficients because the convolution throws away the spatial coordinates, which are essential for DCT coefficients. We illustrate how to design and train a neural network that can learn the distribution of DCT coefficients. Furthermore, we introduce Compression Artifact Tracing Network that jointly uses image acquisition artifacts and compression artifacts. It significantly outperforms traditional and deep neural network-based methods in detecting and localizing tampered regions.

With the tremendous development of computer graphic rendering technology, photorealistic computer graphic images are difficult to differentiate from photo graphic images. In this article, a method is proposed based on discrete wavelet transform based binary statistical image features to distinguish computer graphic from photo graphic images using the support vector machine classifier. Textural descriptors extracted using binary statistical image features are different for computer graphic and photo graphic which are based on learning of natural image statistic filters. Input RGB image is first converted into grayscale and decomposed into sub-bands using Haar discrete wavelet transform and then binary statistical image features are extracted. Fuzzy entropy based feature subset selection is employed to choose relevant features. Experimental results using Columbia database show that the method achieves good detection accuracy.

Forensic research community keeps proposing new techniques to analyze digital images and videos. However, the performance of proposed tools are usually tested on data that are far from reality in terms of resolution, source device, and processing history. Remarkably, in the latest years, portable devices became the preferred means to capture images and videos, and contents are commonly shared through social media platforms (SMPs, for example, Facebook, YouTube, etc.). These facts pose new challenges to the forensic community: for example, most modern cameras feature digital stabilization, that is proved to severely hinder the performance of video source identification technologies; moreover, the strong re-compression enforced by SMPs during upload threatens the reliability of multimedia forensic tools. On the other hand, portable devices capture both images and videos with the same sensor, opening new forensic opportunities. The goal of this paper is to propose the VISION dataset as a contribution to the development of multimedia forensics. The VISION dataset is currently composed by 34,427 images and 1914 videos, both in the native format and in their social version (Facebook, YouTube, and WhatsApp are considered), from 35 portable devices of 11 major brands. VISION can be exploited as benchmark for the exhaustive evaluation of several image and video forensic tools.

To properly contrast the Deepfake phenomenon the need to design new Deepfake detection algorithms arises; the misuse of this formidable A.I. technology brings serious consequences in the private life of every involved person. State-of-the-art proliferates with solutions using deep neural networks to detect a fake multimedia content but unfortunately these algorithms appear to be neither generalizable nor explainable. However, traces left by Generative Adversarial Network (GAN) engines during the creation of the Deepfakes can be detected by analyzing ad-hoc frequencies. For this reason, in this paper we propose a new pipeline able to detect the so-called GAN Specific Frequencies (GSF) representing a unique fingerprint of the different generative architectures. By employing Discrete Cosine Transform (DCT), anomalous frequencies were detected. The β statistics inferred by the AC coefficients distribution have been the key to recognize GAN-engine generated data. Robustness tests were also carried out in order to demonstrate the effectiveness of the technique using different attacks on images such as JPEG Compression, mirroring, rotation, scaling, addition of random sized rectangles. Experiments demonstrated that the method is innovative, exceeds the state of the art and also give many insights in terms of explainability.

Multimedia images are the primary source of communication across social media and other websites. Multimedia security has gained the attention of modern researchers and has posed dynamic challenges such as image forensics, image tampering, and deep fakes. Malicious users tamper with the image embedding noise, leading to misinterpretation of the content. Identifying and authenticating the image by detecting the forgery operations performed on it is essential. In our proposed model, we detect the forged region using the machine learning model SVM in the first iteration and Convolution Neural Network in the second iteration with Discrete Cosine Transform (DCT) for feature extraction. The proposed model is tested with a Corel 10K dataset, and an average accuracy of 98% is obtained for all kinds of image operations, including scaling, rotation, and augmentation.

Digital tamper detection is a substantial research area of image analysis that identifies the manipulation in the image. This domain has matured with time and incredible accuracy in the last five years using machine learning and deep learning-based approaches. Now, it is time for the evolution of fusion and reinforcement-based learning techniques. Nevertheless, before commencing any experimentation, a researcher needs a comprehensive state of the art in that domain. Various directions, their outcome, and analysis form the basis for successful experiments and ensure better results. Universal image forensics approaches are a significant subset of image forensic techniques and must be explored thoroughly before experimentation. This motivated authors to write a review of these approaches. In contrast to the existing recent surveys that aim at image splicing or copy-move detection, our study aims to explore the universal type-independent techniques required to highlight image tampering. Several universal approaches based on resampling, compression, and inconsistency-based detection are compared and evaluated in the presented work. This review communicates the approach used for review, analysed literature, and lastly, the conclusive remarks. Various resources beneficial for the research community, i.e. journals and datasets, are explored and enumerated. Lastly, a futuristic reinforcement learning-based model is proposed.

Region splicing is a simple and common digital image tampering operation, where a chosen region from one image is composited into another image with the aim to modify the original image’s content. In this paper, we describe an effective method to expose region splicing by revealing inconsistencies in local noise levels, based on the fact that images of different origins may have different noise characteristics introduced by the sensors or post-processing steps. The basis of our region splicing detection method is a new blind noise estimation algorithm, which exploits a particular regular property of the kurtosis of nature images in band-pass domains and the relationship between noise characteristics and kurtosis. The estimation of noise statistics is formulated as an optimization problem with closed-form solution, and is further extended to an efficient estimation method of local noise statistics. We demonstrate the efficacy of our blind global and local noise estimation methods on natural images, and evaluate the performances and robustness of the region splicing detection method on forged images.

Image source forensics is widely considered as one of the most effective ways to verify in a blind way digital image authenticity and integrity. In the last few years, many researchers have applied data-driven approaches to this task, inspired by the excellent performance obtained by those techniques on computer vision problems. In this survey, we present the most important data-driven algorithms that deal with the problem of image source forensics. To make order in this vast field, we have divided the area in five sub-topics: source camera identification, recaptured image forensic, computer graphics (CG) image forensic, GAN-generated image detection, and source social network identification. Moreover, we have included the works on anti-forensics and counter anti-forensics. For each of these tasks, we have highlighted advantages and limitations of the methods currently proposed in this promising and rich research field.