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9 result(s) for "Immigrants Europe Fiction."
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Collision
\"Miami-based The Spirit of Europe, the third largest cruise liner in the world, plows through the Mediterranean every summer, offering its passengers a temporary escape from their everyday lives. But even the bloated tackiness of the ship's much-hyped belly flop competition is not immune to the chaos of the European migration crisis. When a disabled raft nears The Spririt of Europe, the ship's captain is forced to do something headquarters in Miami wants to avoid at all costs: cut the engines\" -- publisher's description.
The Image of Central European Immigrant in Popular Fiction and Its Adaptations: A Case Study of the Detective Murdoch/Murdoch Mysteries Series
Popular fiction is often defined as formula fiction as it tends to employ a much more limited repertory of plots, characters, and settings than Literature. Westerns, fantasies, romances, mysteries, science fiction, adventures, etc. must have a certain kind of setting, a particular cast of (stereotypical) characters, and follow a limited number of lines of action because of their close connection to a particular society, culture, and time period. Although appealing to a great number of readers, this limited repertory of (stereotypical) characters, plots, and settings is founded on a canonized discourse, resting on a cultural and social personification—a description, a code, a projection, which legitimizes and authorizes the interpretation of culture and nature, masculinity and femininity, superiority and inferiority, power and subordination, therefore reflecting specific cultures’ interests, values, beliefs, and tensions, and implicitly or explicitly providing insights into specific cultures’ anxieties and aspirations. The aim of this paper is to examine (1) how the mystery formula in Canadian popular print and TV media constructs the image of Central European immigrant and (2) to what extent the mystery formula in Canadian popular print and TV media relies on stereotypes to create entertainment with rules known to everyone, allowing them to participate in its models of suspense and resolution. The analysis focuses on Maureen Jennings’s Detective Murdoch series (Except the Dying (1997), Poor Tom Is Cold (2001), and Vices of My Blood (2006)) and its TV adaptation Murdoch Mysteries (2008–).
Managing Ethnic Diversity after 9/11
America's approach to terrorism has focused on traditional national security methods, under the assumption that terrorism's roots are foreign and the solution to greater security lies in conventional practices. Europe offers a different model, with its response to internal terrorism relying on police procedures.Managing Ethnic Diversity after 9/11compares these two strategies and considers that both may have engendered greater radicalization--and a greater chance of home-grown terrorism. Essays address how transatlantic countries, including the United Kingdom, the United States, France, Germany, Spain, Italy, and the Netherlands have integrated ethnic minorities, especially Arabs and Muslims, since 9/11. Discussing the \"securitization of integration,\" contributors argue that the neglect of civil integration has challenged the rights of these minorities and has made greater security more remote.
Whiteness, medievalism, immigration: rethinking Tolkien through Stuart Hall
This essay rethinks Tolkien’s scholarship and fiction in light of his rejection at Oxford of Stuart Hall, who approached him regarding graduate work on William Langland. I argue that Tolkien’s white medievalism contains his most deeply felt racist formations, which both shaped his fiction and informed his life in a university town populated by West Indian immigrants. After examining Tolkien’s essentialist approach to medieval study, I examine how Tolkien believed that his innate knowledge about his ancestors’ language and myths enabled him to create a national mythology, and how his fiction depicts its heroes’ inheritance of their ancestral tongue and temperament. I then consider how Tolkien’s supposed memory of an Atlantis-like disaster befalling his ancestors may have intersected with his rejection of immigrants like Hall. I conclude by discussing how, while Tolkien’s epic fantasies may be appropriated successfully for various ends, they present unique challenges for a significant component of Tolkien’s readership, medievalists.
Ethnic Historians and the Mainstream
Do historians \"write their biographies\" with the subjects they choose to address in their research? In this collection, editors Alan M. Kraut and David A. Gerber compiled eleven original essays by historians whose own ethnic backgrounds shaped the choices they have made about their own research and writing as scholars. These authors, historians of American immigration and ethnicity, revisited family and personal experiences and reflect on how their lives helped shape their later scholarly pursuits, at times inspiring specific questions they asked of the nation's immigrant past. They address issues of diversity, multiculturalism, and assimilation in academia, in the discipline of history, and in society at large. Most have been pioneers not only in their respective fields, but also in representing their ethnic group within American academia. Some of the women in the group were in the vanguard of gender diversity in the discipline of history as well as on the faculties of the institutions where they have taught. The authors in this collection represent a wide array of backgrounds, spanning Europe, Africa, Asia, the Middle East, and Latin America. What they have in common is their passionate engagement with the making of social and personal identities and with finding a voice to explain their personal stories in public terms. Contributors:Theresa Alfaro-Velcamp, John Bodnar, María C. García, David A. Gerber, Violet M. Showers Johnson, Alan M. Kraut, Timothy J. Meagher, Deborah Dash Moore, Dominic A. Pacyga, Barbara M. Posadas, Eileen H. Tamura, Virginia Yans, Judy Yung
Russians Abroad
\"This book presents an array of perspectives on the vivid cultural and literary politics that marked the period immediately after the October Revolution of 1917, when Russian writers had to relocate to Berlin and Paris under harsh conditions. Divided amongst themselves and uncertain about the political and artistic directions of life in the diaspora, these writers carried on two simultaneous literary dialogues—one with the emerging Soviet Union, and one with the dizzying world of European modernism that surrounded them in the West. The book’s chapters address generational differences, literary polemics and experimentation, the heritage of pre-October Russian modernism, and the fate of individual writers and critics, offering a sweeping view of how exiles created a literary diaspora. The discussion moves beyond Russian studies to contribute to today’s broad, cross-cultural study of the creative side of political and cultural displacement. \"
Visual and Theatrical Culture, Tenement Fiction, and the Immigrant Subject in Abraham Cahan's Yekl
Haenni examines the attempts by 19th-century media to gentrify the immigrant ghetto without abandoning its cultural specificity, to create an intimacy that keeps it different yet makes it acceptable to the middle classes, and discusses how Abraham Cahan's early immigrant novel \"Yekl\" dealt with these depictions of immigrants.
DOORS TO SAFETY: \EXIT WEST\, REFUGEE RESETTLEMENT, AND THE RIGHT TO ASYLUM
Exit West. By Mohsin Hamid. New York: Riverhead Books. 2017. P. 231. Coth, $26; paper, $16. Mohsin Hamid's' novel Exit West traces the journey of Nadia and Saeed, two refugees fleeing danger who discover magical doors that instantly teleport them across borders and to new lives in safety (pp. 103-04). Though Hamid's doors are fictional, Nadia and Saeed find themselves in a humanitarian crisis that closely mirrors reality. In 2016, the United Nations High Commissioner for Refugees (UNHCR) reported that there were 22.5 million refugees and 65.6 million forcibly displaced people worldwide. Just as the international community's efforts to assist refugees have left millions without access to safety and human rights, so too did Nadia and Saeed struggle to find housing, food, and medical treatment on their journey to long-term safety. They sought safety but often did not find it as they fled west. They faced riot police and nativist mobs who \"advocat[ed] wholesale slaughter... so much like the fury of the militants in her own city.\"