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"Immigrants in motion pictures"
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Migration Italy
In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has indeed become a destination for many people from poor or war-torn countries seeking a better life in a stable environment. Graziella Parati'sMigration Italyexamines immigration to Italy in the past twenty years, and explores the processes of cultural hybridization that have occurred.
Working from a cultural studies viewpoint, Parati constructs a theoretical framework for discussing Italy as a country of immigration. She gives special attention to immigrant literature, positing that it functions as an act of resistance, a means to talk back to the laws that regulate the lives of migrants. Parati also examines Italian cinema, demonstrating how native and non-native filmmakers alike create parallels between old and new migrations, complicating the definitions of sameness and difference.
These definitions and the complexities inherent in the different cultural, legal, and political positions of Italy's people are at the heart ofMigration Italy, a unique work of immense importance for understanding society in both modern-day Italy and, indeed, the entire European continent.
eBook
Refugees and Migrants in Contemporary Film, Art and Media
Migration in the twenty-first century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lesvos as well as virtual reality installations of Alejandro G. Iñárritu and others, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.
eBook
Far-flung families in film : the diasporic family in contemporary European cinema
\"In the age of globalisation, diasporic and other types of transnational family are increasingly represented in films such as East is East, Le Grand Voyage, Almanya -- Welcome to Germany, Immigrant Memories, Couscous, When We Leave, Monsoon Wedding and My Big Fat Greek Wedding. While there is a significant body of scholarship on the representation of the family in Hollywood cinema, this is the first book to analyse the depiction of Black and Asian British, Maghrebi French and Turkish German families from a comparative transnational perspective. Drawing on critical concepts from diaspora studies, anthropology, socio-historical research on diasporic families and the burgeoning field of transnational film studies, this book is an essential read for Film Studies scholars and students who are researching families and issues of race and ethnicity in cinema, the media and visual culture.\"--Back cover.
Book
Immigration cinema in the new europe
Immigration Cinema in the New Europe examines a variety of films from the early 1990s that depict and address the lives and identities of both first generation immigrants and children of the diaspora in Europe. Whether they are authored by immigrants themselves or by white Europeans who use the resources and means of production of dominant cinema to politically engage with the immigrants' predicaments, these films, Isolina Ballesteros shows, are unmappable – a condition resulting from immigration cinema's re-combination and deliberate blurring of filmic conventions pertaining to two or more genres. In an age of globalization and increased migration, this book theorizes immigration cinema in relation to notions such as gender, hybridity, transculturation, border crossing, transnationalism and translation.
eBook
Refugees and Migrants in Contemporary Film, Art and Media
Migration in the 21st century is one of the pre-eminent issues of our present historical moment, a phenomenon that has acquired new urgency with accelerating climate change, civil wars, and growing economic scarcities. Refugees and Migrants in Contemporary Film, Art and Media consists of eleven essays that explore how artists have imaginatively engaged with this monumental human drama, examining a range of alternative modes of representation that provide striking new takes on the experiences of these precarious populations. Covering prominent art works by Ai Weiwei and Richard Mosse, and extending the spectrum of representation to refugee film workshops on the island of Lésbos as well as virtual reality installations of Alejandro G. Iñárritu and works by Balkan and Turkish directors, such as Melisa Önel, the chapters included here focus on the power of aesthetic engagement to illuminate the stories of refugees and migrants in ways that overturn journalistic clichés.
eBook