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Nehemiah's style of leadership led to peace-building and progress during the post-exilic period in Israel. Drawing from this, the paper argued that Nehemiah's leadership motif expressed through incorruptibility and patriotism is the needed catalyst for purposeful administration in Nigeria and subsequent cessation of ethnic conflicts. Babylon defeated Israel in wars leading to captivity of many Jews. Consequently, the post-exilic period produced social cleavages that stressed group relations. Nehemiah managed the increasing intra and inter-ethnic contestations to develop Israel. Extant literature shows how violent ethnic clashes have undermined peaceful coexistence and development in Nigeria since the end of Nigeria/Biafra war. Using the theory of good governance which is consistent with Nehemiah's leadership, it appears that the consideration of Nehemiah's administrative model by Nigerian leaders is the basis for efficient leadership and consequent end to the lingering ethnic conflicts. Documentary research and unstructured interview methods were used to collect and analyse data for this study. The paper drew attention to the link between the enduring patriotism of Nehemiah and the end of ethnic conflicts in Nigeria.

Rose Prince was a young Indigenous woman who lived during the first half of the twentieth century, spending most of her short life in a Catholic residential school near Fraser Lake, British Columbia, Canada. Shy and retiring in life, Rose's venerators believe that her understated devotion was rewarded by a postmortem miracle generally reserved only for God's greatest saints: incorruption. The Catholic hierarchy and Rose's Carrier people, though at odds on much else, are unanimous that the Lejac Indian Residential School unwittingly hosted a saint between its opening in 1922 and Prince's death in 1949, and the two groups seek together to honor her with an annual pilgrimage to her gravesite. But this fragile unanimity exists in dynamic tension with the two groups’ divergent interpretations of Prince's holiness, particularly as it pertains to the legacy of residential schools. For some within the Catholic hierarchy, Rose's sanctity provides a powerful justification for the much-critiqued assimilative educational system. For many Carrier, however, Prince is its starkest repudiation. For them, Rose was—and is—the heart of a heartless world, incarnating gentle compassion in a system that, while it trumpeted these Christian virtues, itself was notably lacking in them.

Robert Gibbs presents here an ambitious new theory of ethics. Drawing on a striking combination of intellectual traditions, including Jewish thought, continental philosophy, and American pragmatism, Gibbs argues that ethics is primarily concerned with responsibility and is not--as philosophers have often assumed--principally a matter of thinking about the right thing to do and acting in accordance with the abstract dictates of reason or will. More specifically, ethics is concerned with attending to others' questions and bearing responsibility for what they do. Gibbs builds this innovative case by exploring the implicit responsibilities in a broad range of human interactions, paying especially close attention to the signs that people give and receive as they relate to each other.Why Ethics?starts by examining the simple actions of listening and speaking, reading and writing, and by focusing on the different responsibilities that each action entails. The author discusses what he describes as the mutual responsibilities implicit in the actions of reasoning, mediating, and judging. He assesses the relationships among ethics, pragmatics, and Jewish philosophy. The book concludes by looking at the relation of memory and the immemorial, emphasizing the need to respond for past actions by confessing, seeking forgiveness, and making reconciliations. In format, Gibbs adopts a Talmudic approach, interweaving brief citations from primary texts with his commentary. He draws these texts from diverse thinkers and sources, including Levinas, Derrida, Habermas, Rosenzweig, Luhmann, Peirce, James, Royce, Benjamin, Maimonides, the Bible, and the Talmud. Ranging over philosophy, literary theory, social theory, and historiography, this is an ambitious and provocative work that holds profound lessons for how we think about ethics and how we seek to live responsibly.

This is the most comprehensive anthology of Søren Kierkegaard's works ever assembled in English. Drawn from the volumes of Princeton's authoritativeKierkegaard's Writingsseries by editors Howard and Edna Hong, the selections represent every major aspect of Kierkegaard's extraordinary career. They reveal the powerful mix of philosophy, psychology, theology, and literary criticism that made Kierkegaard one of the most compelling writers of the nineteenth century and a shaping force in the twentieth. With an introduction to Kierkegaard's writings as a whole and explanatory notes for each selection, this is the essential one-volume guide to a thinker who changed the course of modern intellectual history. The anthology begins with Kierkegaard's early journal entries and traces the development of his work chronologically to the finalThe Changelessness of God. The book presents generous selections from all of Kierkegaard's landmark works, includingEither/Or, Fear and Trembling, Works of Love, andThe Sickness unto Death, and draws new attention to a host of such lesser-known writings asThree Discourses on Imagined OccasionsandThe Lily of the Field and the Bird of the Air. The selections are carefully chosen to reflect the unique character of Kierkegaard's work, with its shifting pseudonyms, its complex dialogues, and its potent combination of irony, satire, sermon, polemic, humor, and fiction. We see the esthetic, ethical, and ethical-religious ways of life initially presented as dialogue in two parallel series of pseudonymous and signed works and later in the \"second authorship\" as direct address. And we see the themes that bind the whole together, in particular Kierkegaard's overarching concern with, in his own words, \"What it means to exist; . . . what it means to be a human being.\" Together, the selections provide the best available introduction to Kierkegaard's writings and show more completely than any other book why his work, in all its creativity, variety, and power, continues to speak so directly today to so many readers around the world.

How is consciousness possible? What biological purpose does it serve? And why do we value it so highly? In Soul Dust, the psychologist Nicholas Humphrey, a leading figure in consciousness research, proposes a startling new theory. Consciousness, he argues, is nothing less than a magical-mystery show that we stage for ourselves inside our own heads. This self-made show lights up the world for us and makes us feel special and transcendent. Thus consciousness paves the way for spirituality, and allows us, as human beings, to reap the rewards, and anxieties, of living in what Humphrey calls the \"soul niche.\"

When Oscar Wilde said he had \"seen wallpaper which must lead a boy brought up under its influence to a life of crime,\" his joke played on an idea that has often been taken quite seriously--both in Wilde's day and in our own. In Fateful Beauty, Douglas Mao recovers the lost intellectual, social, and literary history of the belief that the beauty--or ugliness--of the environment in which one is raised influences or even determines one's fate. Weaving together readings in literature, psychology, biology, philosophy, education, child-rearing advice, and interior design, he shows how this idea abetted a dramatic rise in attention to environment in many discourses and in many practices affecting the lives of the young between the late nineteenth century and the middle of the twentieth. Through original and detailed analyses of Wilde, Walter Pater, James Joyce, Theodore Dreiser, Rebecca West, and W. H. Auden, Mao shows that English-language writing of the period was informed in crucial but previously unrecognized ways by the possibility that beautiful environments might produce better people. He also reveals how these writers shared concerns about environment, evolution, determinism, freedom, and beauty with scientists and social theorists such as Herbert Spencer, Hermann von Helmholtz, Ivan Petrovich Pavlov, and W.H.R. Rivers. In so doing, Mao challenges conventional views of the roles of beauty and the aesthetic in art and life during this time.

Machiavelli's Ethics challenges the most entrenched understandings of Machiavelli, arguing that he was a moral and political philosopher who consistently favored the rule of law over that of men, that he had a coherent theory of justice, and that he did not defend the \"Machiavellian\" maxim that the ends justify the means. By carefully reconstructing the principled foundations of his political theory, Erica Benner gives the most complete account yet of Machiavelli's thought. She argues that his difficult and puzzling style of writing owes far more to ancient Greek sources than is usually recognized, as does his chief aim: to teach readers not how to produce deceptive political appearances and rhetoric, but how to see through them. Drawing on a close reading of Greek authors--including Thucydides, Xenophon, Plato, and Plutarch--Benner identifies a powerful and neglected key to understanding Machiavelli.

Between Two Worlds is an authoritative commentary on--and powerful reinterpretation of--the founding work of modern philosophy, Descartes's Meditations. Philosophers have tended to read Descartes's seminal work in an occasional way, examining its treatment of individual topics while ignoring other parts of the text. In contrast, John Carriero provides a sustained, systematic reading of the whole text, giving a detailed account of the positions against which Descartes was reacting, and revealing anew the unity, meaning, and originality of the Meditations.

John Locke's theory of personal identity underlies all modern discussion of the nature of persons and selves—yet it is widely thought to be wrong. In this book, Galen Strawson argues that in fact it is Locke's critics who are wrong, and that the famous objections to his theory are invalid. Indeed, far from refuting Locke, they illustrate his fundamental point. Strawson argues that the root error is to take Locke's use of the word \"person\" as merely a term for a standard persisting thing, like \"human being.\" In actuality, Locke uses \"person\" primarily as a forensic or legal term geared specifically to questions about praise and blame, punishment and reward. This point is familiar to some philosophers, but its full consequences have not been worked out, partly because of a further error about what Locke means by the word \"conscious.\" When Locke claims that your personal identity is a matter of the actions that you are conscious of, he means the actions that you experience as your own in some fundamental and immediate manner. Clearly and vigorously argued, this is an important contribution both to the history of philosophy and to the contemporary philosophy of personal identity.

One of Jung's most influential ideas has been his view, presented here, that primordial images, or archetypes, dwell deep within the unconscious of every human being. The essays in this volume gather together Jung's most important statements on the archetypes, beginning with the introduction of the concept in \"Archetypes and the Collective Unconscious.\" In separate essays, he elaborates and explores the archetypes of the Mother and the Trickster, considers the psychological meaning of the myths of Rebirth, and contrasts the idea of Spirits seen in dreams to those recounted in fairy tales. This paperback edition of Jung's classic work includes a new foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London.