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"Incunabula."
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From Liguria to Sardinia. Notes about some incunabula in the Biblioteca Universitaria of Cagliari
The text examines some incunabula now in the Biblioteca Universitaria in Cagliari and their ex libris, which belong to the library collection of Giulio Salinero (1574-1612), a lawyer born in Savona, and also to the Dominican Convent of Savona. These books, formerly part of the Simon collection, settled in in Alghero, and of the Library of the Piarist Order in Cagliari, were given to the Biblioteca Universitaria in the second half of XIX century. They relate to the antiquarian interests growing in Sardinia between the end of XVIIth and the beginning of XVIIIth century.
Journal Article
From Liguria to Sardinia. Notes about some incunabula in the Biblioteca Universitaria of Cagliari
The text examines some incunabula now in the Biblioteca Universitaria in Cagliari and their ex libris, which belong to the library collection of Giulio Salinero (1574-1612), a lawyer born in Savona, and also to the Dominican Convent of Savona. These books, formerly part of the Simon collection, settled in in Alghero, and of the Library of the Piarist Order in Cagliari, were given to the Biblioteca Universitaria in the second half of XIX century. They relate to the antiquarian interests growing in Sardinia between the end of XVIIth and the beginning of XVIIIth century.
Journal Article
From Liguria to Sardinia. Notes about some incunabula in the Biblioteca Universitaria of Cagliari
The text examines some incunabula now in the Biblioteca Universitaria in Cagliari and their ex libris, which belong to the library collection of Giulio Salinero (1574-1612), a lawyer born in Savona, and also to the Dominican Convent of Savona. These books, formerly part of the Simon collection, settled in in Alghero, and of the Library of the Piarist Order in Cagliari, were given to the Biblioteca Universitaria in the second half of XIX century. They relate to the antiquarian interests growing in Sardinia between the end of XVIIth and the beginning of XVIIIth century.
Journal Article
What is a book? : the study of early printed books
\"Joseph A. Dane's What Is a Book? is an introduction to the study of books produced during the period of the hand press, dating from around 1450 through 1800. Using his own bibliographic interests as a guide, Dane selects illustrative examples primarily from fifteenth-century books, books of particular interest to students of English literature, and books central to the development of Anglo-American bibliography. Part I of What Is a Book? covers the basic procedures of printing and the parts of the physical book--size, paper, type, illustration; Part II treats the history of book-copies--from cataloging conventions and provenance to electronic media and their implications for the study of books. Dane begins with the central distinction between a \"book-copy\"--the particular, individual, physical book--and a \"book\"--the abstract category that organizes these copies into editions, whereby each copy is interchangeable with any other. Among other issues, Dane addresses such basic questions as: How do students, bibliographers, and collectors discuss these things? And when is it legitimate to generalize on the basis of particular examples? Dane considers each issue in terms of a practical example or question a reader might confront: How do you identify books on the basis of typography? What is the status of paper evidence? How are the various elements on the page defined? What are the implications of the images available in an online database? And, significantly, how does a scholar's personal experience with books challenge or conform to the standard language of book history and bibliography? Dane's accessible and lively tour of the field is a useful guide for all students of book history, from the beginner to the specialist. \"Written with wit and acuity, Joseph A. Dane's What Is a Book? extends his project of teaching aspects of book history to the specialist and nonspecialist reader alike. Both will be stimulated and provoked by what Dane writes, and will also enjoy his arguments and admire the breadth and depth of his knowledge\"--Henry Woudhuysen, University College London\"-- Provided by publisher.
Book
Vocabulario de Iapon, a Seventeenth-Century Japanese-Spanish Dictionary Printed in Manila: From Material Object to Cultural Artifact
In order to survive, books in the Philippines have had to contend with multiple forces: the humid tropical climate, typhoons, floods, fires, earthquakes, termites, wars throughout the nation’s colonial history. This fact is often raised in studies on the history of the book in the Philippines, but how and why the book survives in spite of such conditions has hardly been given attention. Such a lacuna in Philippine book history is what this study seeks to fill. It explores the survival of Philippine incunabula (books printed from 1593 to 1640), with a focus on the transformation from material object to cultural artifact that the book undergoes in the course of enduring through the centuries. This study examines the case of the Vocabulario de Iapon (Japanese vocabulary), with a particular interest in the copy in the Bernardo Mendel Collection at the Lilly Library of Indiana University. The Vocabulario de Iapon, which was printed in Manila in 1630, is both typical and unique among Philippine incunabula for the circumstances it saw from its publication to its survival. It has much to tell about publishing in the Philippines in the seventeenth century, the reception of books through the ages, and the culture of collecting in modern times.
Journal Article
Textual Agency
Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.
eBook
Aldus Manutius
Aldus Manutius is perhaps the greatest figure in the history of the printed book: in Venice, Europe's capital of printing, he invented the italic type and issued more first editions of the classics than anyone before or since, as well as Hypnerotomachia Poliphili, the most beautiful and mysterious printed book of the Italian Renaissance. This is the first monograph in English on Aldus Manutius in over forty years. It shows how Aldus redefined the role of a book printer, from mere manual labourer to learned publisher. As a consequence Aldus participated in the same debates as contemporaries such as Leonardo da Vinci and Erasmus of Rotterdam, making this book an insight into their world too.
eBook