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In Another Country
In a work of stunning archival recovery and interpretive virtuosity, Priya Joshi illuminates the cultural work performed by two kinds of English novels in India during the colonial and postcolonial periods. Spanning the nineteenth and twentieth centuries, readers and writers, empire and nation, consumption and production, In Another Country vividly explores a process by which first readers and then writers of the English novel indigenized the once imperial form and put it to their own uses. Asking what nineteenth-century Indian readers chose to read and why, Joshi shows how these readers transformed the literary and cultural influences of empire. By subsequently analyzing the eventual rise of the English novel in India, she further demonstrates how Indian novelists, from Krupa Satthianadhan to Salman Rushdie, took an alien form in an alien language and used it to address local needs. Taken together in this manner, reading and writing reveal the complex ways in which culture is continually translated and transformed in a colonial and postcolonial context.
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A rising man
In the days of the British Raj in 1919, Captain Sam Wyndham, a former Scotland Yard detective newly arrived in Calcutta, is confronted with the murder of a British official who was found with a note in his mouth warning the British to leave India.
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I, Yantra
What does it mean to be human? I , Yantra examines ancient
Indian narratives about robots and mechanically constructed beings
to explore how their Hindu, Jain, and Buddhist authors approached
this question. Making translations of many of these texts available
in English for the first time, author Signe Cohen argues that they
shed considerable light on South Asian religious notions of
humanity, self, and agency. She also documents connections between
ancient and modern responses to the ethical problems of what
precisely constitutes a sentient being and what rights such a being
should have. Situated at the intersection of humanities and
bioethics, this cross-disciplinary study will be of interest to
scholars of South Asian languages and literature as well as
specialists in religion and technology.
eBook
Goddess of fire
Moorti--widowed at just 17 and about to be burned on her husband's funeral pyre--is saved from the fire by a mysterious Englishman. Taken to safety and given employment by her saviour Job Charnock, Moorti--renamed Maria--must embrace her new life among the English traders. But the intelligent and talented Maria is not content to be a servant for the rest of her life, and seizes the opportunity to learn English. This, she hopes, will bring her closer to the kind and gentle Job.
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Contemporary English-Language Indian Children's Literature
Concurrent with increasing scholarly attention toward national children’s literatures, Contemporary English-language Indian Children’s Literature explores an emerging body of work that has thus far garnered little serious critical attention. Superle critically examines the ways Indian children’s writers have represented childhood in relation to the Indian nation, Indian cultural identity, and Indian girlhood. From a framework of postcolonial and feminist theories, children’s novels published between 1988 and 2008 in India are compared with those from the United Kingdom and North America from the same period, considering the differing ideologies and the current textual constructions of childhood at play in each.
Broadly, Superle contends that over the past twenty years an aspirational view of childhood has developed in this literature—a view that positions children as powerful participants in the project of enabling positive social transformation. Her main argument, formed after recognizing several overarching thematic and structural patterns in more than one hundred texts, is that the novels comprise an aspirational literature with a transformative agenda: they imagine apparently empowered child characters who perform in diverse ways in the process of successfully creating and shaping the ideal Indian nation, their own well-adjusted bicultural identities in the diaspora, and/or their own empowered girlhoods.
Michelle Superle is a Professor in the department of Communications at Okanagan College. She has taught children’s literature, composition, and creative writing courses at various Canadian universities and has published articles in Papers and IRCL .
Michelle Superle is a Professor in the department of Communications at Okanagan College. She has taught children’s literature, composition, and creative writing courses at various Canadian universities and has published articles in Papers and IRCL .
Introduction: Contemporary, English-Language Indian Children's Novels as Aspirational Literature 1. The Development of Contemporary, English-Language Indian Children's Novels 2. Indian Women Writers: Imagining the New Indian Girl 3. Imagining Unity in Diversity through Cooperation and Friendship 4. Imagining and Performing the Indian Nation 5. Imagining \"Indianness\" 6. Imagining Identity in the Diaspora: Performing a \"masala\" Self 7. Performing New Indian Girlhood 8. Conclusion: Old and New Boundaries
\"This benchmark book makes way for a conversation on how children’s literature registers the paradoxes inherent in any society on the threshold of change.\" -- Manika Subi Lakshmanan, UM St. Louis and Webster University in St. Louis, Children’s Literature Association Quarterly
\"Superle’s thorough study is a marked contribution to existing scholarship on Indian children’s literature, and a welcome addition to the critical corpus.\" -- Poushali Bhadury, University of Florida, The Lion and the Unicorn
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Writing Self, Writing Empire
Writing Self, Writing Empireexamines the life, career, and writings of the Mughal state secretary, or munshi, Chandar Bhan \"Brahman\" (d. c.1670), one of the great Indo-Persian poets and prose stylists of early modern South Asia. Chandar Bhan's life spanned the reigns of four different emperors, Akbar (1556-1605), Jahangir (1605-1627), Shah Jahan (1628-1658), and Aurangzeb Alamgir (1658-1707), the last of the Great Mughals whose courts dominated the culture and politics of the subcontinent at the height of the empire's power, territorial reach, and global influence. As a high-caste Hindu who worked for a series of Muslim monarchs and other officials, forming powerful friendships along the way, Chandar Bhan's experience bears vivid testimony to the pluralistic atmosphere of the Mughal court, particularly during the reign of Shah Jahan, the celebrated builder of the Taj Mahal. But his widely circulated and emulated works also touch on a range of topics central to our understanding of the court's literary, mystical, administrative, and ethical cultures, while his letters and autobiographical writings provide tantalizing examples of early modern Indo-Persian modes of self-fashioning. Chandar Bhan's oeuvre is a valuable window onto a crucial, though surprisingly neglected, period of Mughal cultural and political history.
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Kim
Rudyard Kipling's epic rendition of the imperial experience in India is also his greatest long work. Born in India and growing into early manhood, Kim is the son of an Irish soldier born under British Imperial rule in 19th century India. Left in the care of a half-caste woman, Kim is free to explore the back allies and bazaars of Lahore. But when he meets with his father's old regiment he trades his native clothes for European suits and abandons his free wheeling life for the trappings of a secret agent. He wants to play the \"great game' of imperialism. He is also spiritually bound to the lama, an old ascetic priest. As the two men become fired by a quest that takes them across the country, Kim tries to reconcile these opposing impulses. A celebration of their friendship in an often hostile environment, Kim captures at once the opulence of India's exotic landscape and the uneasy presence of the British Raj.
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Untouchable Fictions
William Riley Parker Prize for an outstanding article published in PMLA \"Some Time between Revisionist and Revolutionary: Unreading History in Dalit Literature\" May 2011 issue of PMLA Untouchable Fictions considers the crisis of literary realism--progressive, rural, regionalist, experimental--in order to derive a literary genealogy for the recent explosion of Dalit (\"untouchable caste\") fiction. Drawing on a wide array of writings from Premchand and Renu in Hindi to Mulk Raj Anand and V. S. Naipaul in English, Gajarawala illuminates the dark side of realist complicity: a hidden aesthetics and politics of caste. How does caste color the novel? What are its formal tendencies? What generic constraints does it produce? Untouchable Fictions juxtaposes the Dalit text and its radical critique with a history of progressive literary movements in South Asia. Gajarawala reads Dalit writing dialectically, doing justice to its unique and groundbreaking literary interventions while also demanding that it be read as an integral moment in the literary genealogy of the 20th and 21st centuries. This book, grounded in the fields of postcolonial theory, South Asian literatures, and cultural studies, makes a crucial intervention into studies of literary realism and will be important for all readers interested in the problematic relations between aesthetics and politics and between social movements and cultural production.
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