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1,040 result(s) for "Indian artists."
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Women and Ledger Art
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women's lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists.Women and Ledger Artcalls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives.Women and Ledger Artexamines the artists and explains how they expanded Plains Indian history.With 46 stunning images of works in various mediums-from traditional forms on recovered ledger pages to simulated quillwork and sculpture,Women and Ledger Artreflects the new life these women have brought to an important transcultural form of expression.
Yakuglas' legacy : the art and times of Charlie James
\"Charlie James (1867-1937) was a premier carver and painter from the Kwakwaka'wakw First Nation of British Columbia. Also known by his ceremonial name Yakuglas, he was hawker a prolific artist and activist during a period of severe oppression for First Nations people in Canada.\"-- Provided by publisher.
Lelooska : the life of a Northwest coast artist
Don Smith, or Lelooska, (1933-1996) was well-known in Washington and Oregon as an artist and storyteller. Of “mixed-blood” Cherokee heritage, he was adopted as an adult by the prestigious Kwakiutl Sewid clan. Initially producing Indian curio items for sale to tourists, he emerged in the late 1950s as one of a handful of artists who proved critical in the renaissance of Northwest Coast Indian art.
Give me some truth : a novel with paintings
In 1980 life is hard on the Tuscarora Reservation in upstate New York, and most of the teenagers feel like they are going nowhere: Carson Mastick dreams of forming a rock band, and Maggi Bokoni longs to create her own conceptual artwork instead of the traditional beadwork that her family sells to tourists--but tensions are rising between the reservation and the surrounding communities, and somehow in the confusion of politics and growing up Carson and Maggi have to make a place for themselves.
Bead Talk
Sewing new understandings Indigenous beadwork has taken the art world by storm, but it is still sometimes misunderstood as static, anthropological artifact. Today's prairie artists defy this categorization, demonstrating how beads tell stories and reclaim cultural identity. Whether artists seek out and share techniques through YouTube videos or in-person gatherings, beading fosters traditional methods of teaching and learning and enables intergenerational transmissions of pattern and skill.  In Bead Talk, editors Carmen Robertson, Judy Anderson, and Katherine Boyer gather conversations, interviews, essays, and full-colour reproductions of beadwork from expert and emerging artists, academics, and curators to illustrate the importance of beading in contemporary Indigenous arts. Taken together, the book poses and responds to philosophical questions about beading on the prairies: How do the practices and processes of beading embody reciprocity, respect, and storytelling? How is beading related to Indigenous ways of knowing? How does beading help individuals reconnect with the land? Why do we bead?  Showcasing beaded tumplines, text, masks, regalia, and more, Bead Talk emphasizes that there is no one way to engage with this art. The contributors to this collection invite us all into the beading circle as they reshape how beads are understood and stitch together generations of artists. 
Charles Edenshaw
Explores the legacy of an iconic figure in Canadian traditional and Haida art, with the largest collection of his best carvings in wood, silver and argillite. It includes discussions on the history of Haida art, current issues surrounding the style and interviews with some of Edenshaw's decendents and contemporary artists like Raymond Boisjoly.
Visualities
In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach,Visualities: Perspectives on Contemporary American Indian Film and Artdraws on American Indian Studies, American Studies, Film Studies, Cultural Studies, Women's Studies, and Postcolonial Studies. Among the artists examined are Hulleah J. Tsinhnahjinnie, Eric Gansworth, Melanie Printup Hope, Jolene Rickard, and George Longfish. Films analyzed include Imprint, It Starts with a Whisper, Mohawk Girls, Skins, The Business of Fancydancing, and a selection of Native Latin films.