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"Indians of North America -- Material culture -- United States"
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Plundered skulls and stolen spirits : inside the fight to reclaim native America's culture
A leading anthropologist \"explores the fraught project of repatriating Native American sacred objects in this moving and thoughtful work\" ( Publishers Weekly).
Who own the objects that connect us to history? And who has the right to decide, particularly when the objects are sacred or, in the case of skeletal remains, human? As senior curator of anthropology at the Denver Museum of Nature & Science, Chip Colwell has navigated questions like these firsthand. In Plundered Skulls and Stolen Spirits, he examines how to weigh the religious freedom of Native Americans against the academic freedom of scientists—and whether the emptying of museum shelves elevates human rights or destroys a common heritage.
Today, hundreds of tribes use the Native American Graves Protection and Repatriation Act to recover their looted heritage from museums across the country. Colwell shares a personal account of this process, following the trail of four objects as they were created, collected, and ultimately returned to their sources: a sculpture that is a living god, the scalp of a massacre victim, a ceremonial blanket, and a skeleton from a tribe considered by some to be extinct.
These stories reveal a dramatic process that involves not merely obeying the law, but negotiating the blurry lines between identity and morality, spirituality and politics. Repatriation, Colwell argues, is a difficult but vitally important way for museums and tribes to heal the wounds of the past while creating a respectful approach to caring for these rich artifacts of history.
eBook
Sharing Our Knowledge
Sharing Our Knowledgebrings together Native elders, tradition bearers, educators, cultural activists, anthropologists, linguists, historians, and museum professionals to explore the culture, history, and language of the Tlingit people of southeast Alaska and their coastal neighbors. These interdisciplinary, collaborative essays present Tlingit culture, as well as the culture of their coastal neighbors, not as an object of study but rather as a living heritage that continues to inspire and guide the lives of communities and individuals throughout southeast Alaska and northwest British Columbia.
This volume focuses on the preservation and dissemination of Tlingit language, traditional cultural knowledge, and history from an activist Tlingit perspective.Sharing Our Knowledgealso highlights a variety of collaborations between Native groups and individuals and non-Native researchers, emphasizing a long history of respectful, cooperative, and productive working relations aimed at recording and transmitting cultural knowledge for tribal use and promoting Native agency in preserving heritage. By focusing on these collaborations, the contributors demonstrate how such alliances have benefited the Tlingits and neighboring groups in preserving and protecting their heritage while advancing scholarship at the same time.
eBook
Art of the American frontier : from the Buffalo Bill Center of the West
\"The visual history of the American West calls to mind iconic artworks and nostalgia for the past. Art of the American Frontier presents more than 300 artworks and artifacts from 1830 to 1930, showcasing the premier collections of the Buffalo Bill Center of the West. The complicated history of westward expansion is presented through the iconography of the frontier, spanning Plains Indian materials, government survey photographs, and paintings by early artist-explorers. In the 20th century, a growing romance with the West is evident in the theatrics of Buffalo Bill Cody and his Wild West show, with its blend of popular culture and history that inspired numerous artists. The dialogue between the historical West and the nostalgia for it can be seen in highlights including Timothy O'Sullivan's government survey photographs, Frederic Remington's rare Impressionist landscape studies, and charming wax sculptures by Charles Russell. Complete with three essays and ten brief expositions on a range of art, culture, and history topics, this generously illustrated catalogue provides a comprehensive overview of 100 years of art from the American West. \"-- Provided by publisher.
Book
Ancient America
Presenting \"the real deal\" of American antiquity—as opposed to the hyped fare of many cable TV shows—Kenneth Feder invites readers to explore the stunning technological, architectural, engineering, and artistic achievements of America's first peoples.
Part travel guide, part friendly reference, Ancient America showcases fifty iconic and publicly-accessible sites located across the contiguous United States—including monumental pyramids of earth, \"castles\" ensconced in cliff niches, and vast rock art galleries. Among the places profiled are four World Heritage Sites (Chaco Canyon, NM; Mesa Verde, CO; Cahokia, IL; Poverty Point, LA); numerous Historic Landmarks and National Monuments (including Crystal River, FL; Town Creek Mound, NC; Casa Grande, AZ; and Hovenweep, UT); and stunningly diverse sites ranging from Serpent Mound (OH) and Horsethief Lake (WA) to Canyon de Chelly (AZ) and Nine Mile Canyon (UT).
In addition to practical visitor information, Feder tells the fascinating stories of each site as revealed by archaeological research. Introductory chapters delve into the deep past of Native America; historical and cultural details as well as original photography round out the site entries. Readers will be inspired to visit these remarkable places where the past continues to resonate in the present.
eBook
Sacred games, death, and renewal in the ancient Eastern Woodlands
The book presents an account of the Ohio Middle Woodland period embankment earthworks, ca 100 B.C. to A.D. 400, that is radically different from the prevailing theory. Byers critically addresses all the arguments and characterizations that make up the current treatment of the embankment earthworks and then presents an alternative interpretation. This unconventional view hinges on two basic social characterizations: the complementary heterarchical community model and the cult sodality heterarchy model. Byers posits that these two models interact to characterize the Ohio Middle Woodland period settlement pattern; the community was constituted by autonomous social formations: clans based on kinship and sodalities based on companionship. The individual communities of the region each have their clan components dispersed within a fairly well-defined zone while the sodality components of the same set of region-wide communities ally with each other and build and operate the embankment earthworks. This dichotomy is possible only because the clans and sodalities respect each other as relatively autonomous; the affairs of the clans, focusing on domestic and family matters, remain outside the concerns of the sodalities and the affairs of the sodalities, focusing on world renewal and sacred games, remain outside the concerns of the clans. Therefore, two models are required to understand the embankment earthworks and no individual earthwork can be identified with any particular community. This radical interpretation grounded in empirical archaeological data, as well as the in-depth overview of the current theory of the Ohio Middle Woodland period, make this book a critically important addition to the perspective of scholars of North American archaeology and scholars grappling with prehistoric social systems.
eBook
Wild Frenchmen and Frenchified Indians
Based on a sweeping range of archival, visual, and material evidence,Wild Frenchmen and Frenchified Indiansexamines perceptions of Indians in French colonial Louisiana and demonstrates that material culture-especially dress-was central to the elaboration of discourses about race. At the heart of France's seventeenth-century plans for colonizing New France was a formal policy-Frenchification. Intended to turn Indians into Catholic subjects of the king, it also carried with it the belief that Indians could become French through religion, language, and culture. This fluid and mutable conception of identity carried a risk: while Indians had the potential to become French, the French could themselves be transformed into Indians. French officials had effectively admitted defeat of their policy by the time Louisiana became a province of New France in 1682. But it was here, in Upper Louisiana, that proponents of French-Indian intermarriage finally claimed some success with Frenchification. For supporters, proof of the policy's success lay in the appearance and material possessions of Indian wives and daughters of Frenchmen. Through a sophisticated interdisciplinary approach to the material sources,Wild Frenchmen and Frenchified Indiansoffers a distinctive and original reading of the contours and chronology of racialization in early America. While focused on Louisiana, the methodological model offered in this innovative book shows that dress can take center stage in the investigation of colonial societies-for the process of colonization was built on encounters mediated by appearance.
eBook
First Peoples of Canada
This beautifully designed, full-colour book presents a collection of 150 archaeological and ethnographic objects produced by Canada's First Peoples - including some that are roughly 12,000 years old - that represent spectacular expressions of creativity and ingenuity.
eBook
The archaeology of art in the American Southwest
Archaeologists seldom study ancient art, even though art is fundamental to the human experience. The Archaeology of Art in the American Southwest argues that archaeologists should study ancient artifacts as artwork, as applying the term \"art\" to the past raises new questions about artists, audiences, and the works of art themselves. Munson proposes that studies of ancient artwork be based on standard archaeological approaches to material culture, framed by theoretical insights of disciplines such as art history, visual studies, and psychology. Using examples drawn from the American Southwest, The Archaeology of Art in the American Southwest discusses artistic practice in ancestral Pueblo and Mimbres ceramics and the implications of context and accessibility for the audiences of painted murals and rock art. Studies of Hohokam figurines and rock art illustrate methods for studying ancient images, while the aesthetics of ancient art are suggested by work on ceramics and kivas from Chaco Canyon. This book will be of interest to archaeologists working in the Southwest who want to broaden their perspective on the past. It will also appeal to archaeologists in other parts of the world and to anthropologists, art historians, and those who are intrigued by the material world, aesthetics, and the visual.
eBook