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40 result(s) for "Indic literature (English) 20th century History and criticism."
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Imperial women writers in Victorian India : representing colonial life, 1850-1910
\"This book is about Victorian women's representations of colonial life in India. These accounts contributed to imperial rule by exemplifying an idealised middle-class femininity and attesting to the Anglicanisation of the subcontinent. Writers described familiarly feminine modes of experience, focusing on the domestic environment, household management, the family, hobbies and pastimes, romance and courtship and their busy social lives. However, this book reveals the extent to which their lives in India bore little resemblance to their lives in Britain and suggests that the acclaimed transportation of the home culture was largely an ideological construct iterated by women writers in the service of the Raj. In this way, they subverted the constraints of Victorian gender discourses and were part of a growing proto-feminism.\"--Back cover.
English heart, Hindi Heartland
English Heart, Hindi Heartland examines Delhi's postcolonial literary world—its institutions, prizes, publishers, writers, and translators, and the cultural geographies of key neighborhoods—in light of colonial histories and the globalization of English. Rashmi Sadana places internationally recognized authors such as Salman Rushdie, Anita Desai, Vikram Seth, and Aravind Adiga in the context of debates within India about the politics of language and alongside other writers, including K. Satchidanandan, Shashi Deshpande, and Geetanjali Shree. Sadana undertakes an ethnographic study of literary culture that probes the connections between place, language, and text in order to show what language comes to stand for in people's lives. In so doing, she unmasks a social discourse rife with questions of authenticity and cultural politics of inclusion and exclusion. English Heart, Hindi Heartland illustrates how the notion of what is considered to be culturally and linguistically authentic not only obscures larger questions relating to caste, religious, and gender identities, but that the authenticity discourse itself is continually in flux. In order to mediate and extract cultural capital from India's complex linguistic hierarchies, literary practitioners strategically deploy a fluid set of cultural and political distinctions that Sadana calls \"literary nationality.\" Sadana argues that English, and the way it is positioned among the other Indian languages, does not represent a fixed pole, but rather serves to change political and literary alliances among classes and castes, often in surprising ways.
History, narrative, and testimony in Amitav Ghosh's fiction
This is the first collection of international scholarship on the fiction of Amitav Ghosh. Ghosh's work is read by a wide audience and is well regarded by general readers, critics, and scholars throughout the world. Born in India, Ghosh has lived in India, the United Kingdom, and the United States. His work spans genres from contemporary realism to historical fiction to science fiction, but has consistently dealt with the dislocations, violence, and meetings of peoples and cultures engendered by colonialism. The essays in this volume analyze Ghosh's novels in ways that yield new insights into concepts central to postcolonial and transnational studies, making important intertextual connections and foregrounding links to prevailing theoretical and speculative scholarship. The work's introduction argues that irony is central to Ghosh's vision and discusses the importance of the concepts of \"testimony\" and \"history\" to Ghosh's narratives. An invaluable interview with Amitav Ghosh discusses individual works and the author's overall philosophy.
Indian literatures in diaspora
\"This book analyses diasporic literatures written in Indian languages written by authors living outside their homeland and contextualizes the understanding of migration and migrant identities. Examining diasporic literature produced in Bengali, Hindi, Malayalam, Indian Nepali, Odia, Punjabi, Marathi, and Tamil, the book argues that writers in the diaspora who choose to write in their vernacular languages attempt to retain their native language, for they believe that the loss of the language would lead to the loss of their culture. The author answers seminal questions including: How are these writers different from mainstream Indian writers who write in English? Themes and issues that could be compared to or contrasted with the diasporic literatures written in English are also explored. The book offers a significant examination of the nature and dynamics of the multilingual Indian society and culture, and its global readership. It is the first book on Indian diasporic literature in Indian and transnational languages, and a pioneering contribution to the field. The book will be of interest to academics in the field of South Asian Studies, South Asian literature, Asian literature, diaspora and literary studies\"-- Provided by publisher.
The Postcolonial Indian Novel in English
Indian writers of English such as G.V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against.
Counterrealism and Indo-Anglian fiction
What do R.K. Narayan, G.V. Desani, Anita Desai, Zulfikar Ghose, Suniti Namjoshi, and Salman Rushdie have in common? They represent Indian writing in English over five decades. Vilified by many cultural nationalists for not writing in native languages, they nonetheless present a critique of the historical and cultural conditions that promoted and sustained writing in English. They also have in common a counterrealist aesthetic that asks its own social, political, and textual questions. This book is about the need to look at the tradition of Indian writing in English from the perspective of counterrealism. The departure from the conventions of mimetic writing not only challenges the limits of realism but also enables Indo-Anglian authors to access formative areas of colonial experience. Kanaganayakam analyzes the fiction of writers who work in this vibrant Indo-Anglian tradition and demonstrates patterns of continuity and change during the last five decades. Each chapter draws attention to what is distinctive about the artifice in each author while pointing to the features that connect them. The book concludes with a study of contemporary writing and its commitment to non-mimetic forms.
Tracking Modernity
For centuries the railway has been one of India’s most potent emblems of modern life. In the first in-depth analysis of representations of the Indian railway, Marian Aguiar interprets modernity through the legacy of this transformative technology. Revealing railways as a microcosm of tensions within Indian culture, Aguiar demonstrates how their representations have challenged prevailing ideas of modernity.