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Bowie on Bowie : interviews and encounters with David Bowie
Presents some of the best interviews David Bowie has granted in his near five-decade career. Each featured interview traces a new step in his unique journey, successively freezing him in time in all of his various incarnations, from a young novelty hit-maker and Ziggy Stardust to plastic soul player, 1980s sell-out, and the artistically reborn and beloved elder statesman of challenging popular music.
Partners in suspense
by
Donnelly, K.J
,
Rawle, Steven
in
Alfred Hitchcock
,
ART / Techniques / General
,
Bernard Herrmann
2026,2016,2023
For a decade from 1955, Alfred Hitchcock worked almost exclusively with one composer: Bernard Herrmann. From The Trouble with Harry to the bitter spat surrounding Torn Curtain, the partnership gave us some of cinema’s most memorable musical moments, taught us to stay out of the shower, away from heights and never to spend time in corn fields. Consequently, fascination with their work and relationship endures fifty years later. This volume of new, spellbinding essays explores their tense working relationship as well as their legacy, from crashing cymbals to the sound of The Birds.The volume brings together new work and new perspectives on the relationship between Hitchcock and Herrmann. Featuring new essays by leading scholars of Hitchcock’s work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb, and Jack Sullivan, the volume examines the working relationship between the pair and the contribution that Herrmann’s work brings to Hitchcock’s idiom. Examining key works, including The Man Who Knew Too Much, Psycho, Marnie and Vertigo, the collection explores approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann’s work with Hitchcock brought to this body of films.Partners in Suspense examines the significance, meanings, histories and enduring legacies of one of film history’s most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the essays in the collection examine the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways such a partnership inspires later work.
The Great Gould
\"Considered one of the most influential musicians and cultural figures of his time, Glenn Gould remains a fascinating figure. In the first book to be published in co-operation with Gould's estate, Peter Goddard draws on Gould's unpublished writings, interviews, and never-before-seen photographs to present a startling new portrait of Gould, the man and the musician. Drawing on never-before-seen material, it presents a deep and nuanced study of Gould's life with unmatched candour and clarity. Inside is a love letter Gould wrote but never sent (he later revised it again and again); the text of a speech that Gould gave to a group of children about life and childhood; and portions of Glenn Gould: hysteric return, a never-before-seen radio script in which Gould imagines his return to the concert stage and all it would have entailed. All of this and more makes The Great Gould the perfect gift for the Gould fan, or for anyone interested in Canadian music.\"-- Provided by publisher.
The Pedagogical Writings of Marguerite Long
2024
Marguerite Long, the most important French female pianist of the
20th century, left her stamp on a whole epoch of musical life in
Paris. The Pedagogical Writings of Marguerite Long
presents English translations of the two major contributions of
Marguerite Long to the literature of piano pedagogy. These
translations of her pedagogical works, Le Piano and La
Petite Méthode de piano , provide a window to the old French
school of pianism as modernized by Long. Le Piano is a
remarkable text offering piano playing techniques and pragmatic and
philosophical musings and observations about life, musicians,
careers, and more. La Petite Méthode de piano is a
personal manifesto about how to introduce children to music. Both
works are treasures revealing Long's lifelong commitment to
teaching and they are still stunningly relevant. In addition, John
Ellis analyzes each work and puts it in historical context. He
places special emphasis on Long's illustrious international career,
her teaching, her rivalry with Alfred Cortot, and the impact of
sexism on her life and work. Ellis addresses the eclipse of Long's
reputation by that of Cortot and fills a gap in the knowledge of
Long's place in the history of pedagogical heritage.
Celebrating Bird : the triumph of Charlie Parker
\" Within days of Charlie \"Bird\" Parker's death at the age of thirty-four, a scrawled legend began appearing on walls around New York City: Bird Lives. Gone was one of the most outstanding jazz musicians of any era, the troubled genius who brought modernism to jazz and became a defining cultural force for musicians, writers, and artists of every stripe. Arguably the most significant musician in the country at the time of his death, Parker set the standard many musicians strove to reach--though he never enjoyed the same popular success that greeted many of his imitators. Today, the power of Parker's inventions resonates undiminished; and his influence continues to expand. Celebrating Bird is the groundbreaking and award-winning account of the life and legend of Charlie Parker from renowned biographer and critic Gary Giddins, whom Esquire called \"the best jazz writer in America today.\" Richly illustrated and drawing primarily from original sources, Giddins overturns many of the myths that have grown up around Parker. He cuts a fascinating portrait of the period, from Parker's apprentice days in the 1930s in his hometown of Kansas City to the often difficult years playing clubs in New York and Los Angeles, and reveals how Parker came to embody not only musical innovation and brilliance but the rage and exhilaration of an entire generation. Fully revised and with a new introduction by the author, Celebrating Bird is a classic of jazz writing that the Village Voice heralded as \"a celebration of the highest order\"--a portrayal of a jazz virtuoso whose gargantuan talent was haunted by his excesses and a view into the ravishing art of one of jazz's most commanding and remarkable figures. \"-- Provided by publisher.
Five Lives in Music
2012,2014
Representing a historical cross-section of performance and training in Western music since the seventeenth century, Five Lives in Music brings to light the private and performance lives of five remarkable women musicians and composers. Elegantly guiding readers through the Thirty Years War in central Europe, elite courts in Germany, urban salons in Paris, Nazi control of Germany and Austria, and American musical life today, as well as personal experiences of marriage, motherhood, and widowhood, Cecelia Hopkins Porter provides valuable insights into the culture in which each woman was active._x000B__x000B_Porter begins with the Duchess Sophie-Elisabeth of Braunschweig-Lueneberg, a harpsichordist who also presided over seventeenth-century North German court music as an impresario. At the forefront of French Baroque composition, composer Elisabeth-Claude Jacquet de La Guerre bridged a widening cultural gap between the Versailles nobility and the urban bourgeoisie of Paris. A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the book profiles two exceptional women of the twentieth century: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess._x000B__x000B_Mining autograph manuscripts, unpublished letters, press reviews, interviews, and music archives in the United States and Europe, Porter probes each musician's social and economic status, her education and musical training, the cultural expectations, traditions, and restrictions of each woman's society, and other factors. Throughout the lively and focused portraits of these five women, Porter finds common threads, both personal and contextual, that extend to a larger discussion of the lives and careers of female composers and performers throughout centuries of music history.
Bob Dylan, the essential interviews
by
Dylan, Bob, 1941- interviewee
,
Cott, Jonathan, editor
in
Dylan, Bob, 1941- Interviews.
,
Dylan, Bob, 1941-
,
Singers United States Interviews.
2017
Bob Dylan: The Essential Interviews features over two dozen of the most significant and revealing conversations with the singer, gathered in one definitive collection that spans his career from street poet to Nobel Laureate. First published in 2006, this acclaimed collection brought together the best interviews and encounters with Bob Dylan to create a multi-faceted, cultural, and journalistic portrait of the artist and his legacy. This edition includes three additional pieces from Rolling Stone that update the volume to the present day. Among the highlights are the seminal Rolling Stone interviews--anthologized here for the first time--by Jann Wenner, Jonathan Cott, Kurt Loder, Mikal Gilmore, Douglas Brinkley, and Jonathan Lethem--as well as Nat Hentoff's legendary 1966 Playboy interview. Surprises include Studs Terkel's radio interview in 1963 on WFMT in Chicago, the interview Dylan gave to screenwriter Jay Cocks when he was a student at Kenyon College in 1964, a 1965 interview with director Nora Ephron, and an interview Sam Shepard turned into a one-act play for Esquire in 1987.
Magician of Sound
2021
French composer Maurice Ravel was described by critics as a
magician, conjurer, and illusionist. Scholars have been aware of
this historical curiosity, but none so far have explained why Ravel
attracted such critiques or what they might tell us about how to
interpret his music. Magician of Sound examines Ravel's
music through the lens of illusory experience, considering how
timbre, orchestral effects, figure/ground relationships, and
impressions of motion and stasis might be experienced as if they
were conjuring tricks. Applying concepts from music theory,
psychology, philosophy, and the history of magic, Jessie Fillerup
develops an approach to musical illusion that newly illuminates
Ravel's fascination with machines and creates compelling links
between his music and other forms of aesthetic illusion, from
painting and poetry to fiction and phantasmagoria. Fillerup
analyzes scenes of enchantment and illusory effects in Ravel's most
popular works, including Boléro , La Valse ,
Daphnis et Chloé , and Rapsodie espagnole ,
relating his methods and musical effects to the practice of
theatrical conjurers. Drawing on a rich well of primary sources,
Magician of Sound provides a new interdisciplinary
framework for interpreting this enigmatic composer, linking magic
and music.
The Tchaikovsky papers : unlocking the family archive
by
Tchaikovsky, Peter Ilich, 1840-1893, author
,
Kostalevsky, Marina, editor
,
Pearl, Stephen, 1934- translator
in
Tchaikovsky, Peter Ilich, 1840-1893 Correspondence.
,
Tchaikovsky, Peter Ilich, 1840-1893.
,
Composers Russia Correspondence.
2018
\"This fascinating collection of letters, notes, and miscellanea from the archives of the Tchaikovsky State House-Museum sheds new light on the world of Pyotr Ilyich Tchaikovsky. Most of these documents have never before been available in English, and they reveal the composer's playful and unabashed sense of humor, private thoughts and daily concerns, and devotion to the Russian monarchy. Often intimate and sometimes bawdy, these diverse materials also offer a fresh perspective on Tchaikovsky's upbringing, his relations with family members, his patriotism, and his homosexuality, collectively contributing to a greater understanding of a major artist who had a profound impact on Russian culture and society. This is an essential compendium of substantial interest to cultural and social historians as well as to musicologists and music lovers.\"-- Provided by publisher.
The Man That Got Away
2015,2018
\"Over the Rainbow,\" \"Stormy Weather,\" and \"One for My Baby\" are just a few of Harold Arlen's well-loved compositions. Yet his name is hardly known--except to the musicians who venerate him. At a gathering of songwriters George Gershwin called him \"the best of us.\" Irving Berlin agreed. Paul McCartney sent him a fan letter and became his publisher. Bob Dylan wrote of his fascination with Arlen's \"bittersweet, lonely world.\" A cantor's son, Arlen believed his music was from a place outside himself, a place that also sent tragedy. When his wife became mentally ill and was institutionalized he turned to alcohol. It nearly killed him. But the beautiful songs kept coming: \"Blues in the Night,\" \"My Shining Hour,\" \"Come Rain or Come Shine,\" and \"The Man That Got Away.\" Walter Rimler drew on interviews with friends and associates of Arlen and on newly available archives to write this intimate portrait of a genius whose work is a pillar of the Great American Songbook.