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“The tragedy of the left is that, having achieved an unprecedented victory in helping stop an appalling war, it then proceeded to commit suicide.” So writes Todd Gitlin about the aftermath of the Vietnam War in this collection of writings that calls upon intellectuals on the left to once again engage American public life and resist the trappings of knee-jerk negativism, intellectual fads, and political orthodoxy. Gitlin argues for a renewed sense of patriotism based on the ideals of sacrifice, tough-minded criticism, and a willingness to look anew at the global role of the United States in the aftermath of 9/11. Merely criticizing and resisting the Bush administration will not do—the left must also imagine and propose an America reformed. Where then can the left turn? Gitlin celebrates the work of three prominent postwar intellectuals: David Riesman, C. Wright Mills, and Irving Howe. Their ambitious, assertive, and clearly written works serve as models for an intellectual engagement that forcefully addresses social issues and remains affirmative and comprehensive. Sharing many of the qualities of these thinkers’ works, Todd Gitlin’s blunt, frank analysis of the current state of the left and his willingness to challenge orthodoxies pave the way for a revival in leftist thought and a new liberal patriotism.

The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own \"syncopations\" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.

A longtime agitator against war and social injustice, Lawrence Wittner has been tear-gassed, threatened by police with drawn guns, charged by soldiers with fixed bayonets, spied upon by the U.S. government, arrested, and purged from his job for political -reasons. To say that this teacher-historian-activist has led an interesting life is a considerable understatement. In this absorbing memoir, Wittner traces the dramatic course of a life and career that took him from a Brooklyn boyhood in the 1940s and ’50s to an education at Columbia University and the University of Wisconsin to the front lines of peace activism, the fight for racial equality, and the struggles of the labor movement. He details his family background, which included the bloody anti-Semitic pogroms of late-nineteenth-century Eastern Europe, and chronicles his long teaching career, which comprised positions at a small black college in Virginia, an elite women’s liberal arts college north of New York City, and finally a permanent home at the Albany campus of the State University of New York. Throughout, he packs the narrative with colorful vignettes describing such activities as fighting racism in Louisiana and Mississippi during the early 1960s, collaborating with peace-oriented intellectuals in Gorbachev’s Soviet Union, and leading thousands of antinuclear demonstrators through the streets of Hiroshima. As the book also reveals, Wittner’s work as an activist was matched by scholarly achievements that made him one of the world’s foremost authorities on the history of the peace and nuclear disarmament movements—a research specialty that led to revealing encounters with such diverse figures as Norman Thomas, the Unabomber, Zbigniew Brzezinski, Caspar Weinberger, and David Horowitz. A tenured professor and renowned author who has nevertheless lived in tension with the broader currents of his society, Lawrence Wittner tells an engaging personal story that includes some of the most turbulent and significant events of recent history. Lawrence S. Wittner, emeritus professor of history at the University at Albany, SUNY, is the author of numerous scholarly works, including the award-winning three-volume Struggle Against the Bomb . Among other awards and honors, he has received major grants or fellowships from the National Endowment for the Humanities, the American Council of Learned Societies, the Aspen Institute, the United States Institute of Peace, and the John D. and Catherine T. MacArthur Foundation.

This insightful critical biography shows us an Edward Said we did not know. H. Aram Veeser brings forth not the Said of tabloid culture, or Said the remote philosopher, but the actual man, embedded in the politics of the Middle East but soaked in the values of the West and struggling to advance the best European ideas. Veeser shows the organic ties connecting his life, politics, and criticism. Drawing on what he learned over 35 years as Said's student and skeptical admirer, Veeser uses never-before-published interviews, debate transcripts, and photographs to discover a Said who had few inhibitions and loathed conventional routine. He stood for originality, loved unique ideas, wore marvelous clothes, and fought with molten fury. For twenty years he embraced and rejected, at the same time, not only the West, but also literary theory and the PLO. At last, his disgust with business-as-usual politics and criticism marooned him on the sidelines of both. The candid tale of Said's rise from elite academic precincts to the world stage transforms not only our understanding of Said—the man and the myth—but also our perception of how intellectuals can make their way in the world. \"This is a brave book, written with gusto—a student from Edward Said’s early days at Columbia cuts through the myth and puts together the ‘real maestro,’ with respect, sympathy and meticulous attention to detail.\"— Gayatri Chakravorty Spivak , Columbia University \"The most engaging study of Edward Said now available, this book traces Said’s progress from highbrow denizen of the Ivy Leagues to a gritty intellectual on the world stage. It also gives an inside portrait of Said, from a one-time student who knew him for thirty-five years, depicting Said’s habits of mind, charisma, and contradictions. With a seemingly encyclopedic grasp of Said’s work, Veeser also writes with panache, offering his own example of creative criticism .\"— Jeffrey J. Williams, Co-editor of The Norton Anthology of Theory and Criticism \"At last, a critic has come along with the cunning, candor, and brilliance to pluck out the heart of the mystery of Edward Said. A mesmerizing read—and unlikely to be surpassed .\"— James Shapiro, Columbia University 　 \"The late Edward Said is often pictured as a passionate fighter for radical causes. But in this provocative and eminently readable book, H. Aram Veeser reveals a Said who was far more divided than anyone thought.\"— Gerald Graff , author of Clueless in Academe 　 \"Part biography, part memoir, part analysis and even part critique, Veeser's book is a fitting medium for addressing the life and work of a man whose achievements and aspirations far exceeded what could be contained in any one category or even series of categories. No one who knew Said will doubt the attribution of charisma—and those who didn't will get a good sense of it from this book. \"— David Simpson, University of California, Davis \"Veeser has written an absolutely splendid hybrid of a book: part intellectual biography, part personal reminiscence, part homage, and part scholarly critique. As insouciant in its observations as Edward Said was in his person, Veeser’s book treats Said’s Princetonian polish as a central element of his thought and not simply as elegant haberdashery. Said’s outsized scholarly ambition and rhetorical cleverness are more than matched in Veeser’s pithy account by his unpredictability and penchant for self-contradiction, all of them hallmarks of the charismatic hero who refuses to play by the rules that govern common mortals. We desperately need just this sort of informed, critical, and yet balanced approach to our intellectual stars, rather than the hagiography so often demanded and supplied. Said, oppositional critic to the bitter end, deserves no less.\" —Vincent P. Pecora, University of Utah \"… Vesser (City College of New York) has written a beautifully crafted examination of the legacy of the renowned Palestinian literary critic, who died in 2003.\" – B. A. McGowan, Moraine Valley Community College (CHOICE Feb. 2011) Introduction Chapter I: The Charisma of Edward Said Chapter 2: Beginning Again Chapter 3: Emergence Chapter 4: Academostardom Chapter 5: Secular Criticism Chapter 6: Rhetoric and Image Chapter 7: On Stage Chapter 8: Later Visions Chapter 9: Marquee Intellectual Chapter 10: Political Roughhouse Chapter 11: Dropping the PLO Chapter 12: Said in History H. Aram Veeser is Associate Professor at The City College of New York. He is coauthor of Painting Between the Lines (2001), and editor of The New Historicism (1989), The New Historicism Reader (1994), Confessions of the Critics (1996), and The Stanley Fish Reader (1999). Besides his work as a writer and critic, Veeser pursues outside interests that range from drawing and painting to motorcycling and competitive rowing.

More than any other Transcendentalist of his time, Henry David Thoreau (1817-1862) embodied the full complement of the movement's ideals and vocations: author, advocate for self-reform, stern critic of society, abolitionist, philosopher, and naturalist. The Thoreau ofourtime-valorized anarchist, founding environmentalist, and fervid advocate of civil disobedience-did not exist in the nineteenth century. In this rich and appealing collection, Sandra Harbert Petrulionis untangles Thoreau's multiple identities by offering a wide range of nineteenth-century commentary as the opinions of those who knew him evolved over time. The forty-nine recollections gathered inThoreau in His Own Timedemonstrate that it was those who knew him personally, rather than his contemporary literati, who most prized Thoreau's message, but even those who disparaged him respected his unabashed example of an unconventional life. Included are comments by Ralph Waldo Emerson-friend, mentor, Walden landlord, and progenitor of the spin on Thoreau's posthumous reputation; Nathaniel Hawthorne, who could not compliment Thoreau without simultaneously denigrating him; and John Weiss, whose extended commentary on Thoreau's spirituality reflects unusual tolerance. Selections from the correspondence of Caroline Healey Dall, Maria Thoreau, Sophia Hawthorne, Sarah Alden Bradford Ripley, and Amanda Mather amplify our understanding of the ways in which nineteenth-century women viewed Thoreau. An excerpt by John Burroughs, who alternately honored and condemned Thoreau, asserts his view that Thoreau was ever searching for the unattainable. The dozens of primary sources in this crisply edited collection illustrate the complexity of Thoreau's iconoclastic singularity in a way that no one biographer could. Each entry is introduced by a headnote that places the selection in historical and cultural context. Petrulionis's comprehensive introduction and her detailed chronology of personal and literary events in Thoreau's life provide a lively and informative gateway to the entries themselves. The collaborative biography that Petrulionis creates inThoreau in His Own Timecontextualizes the strikingly divergent views held by his contemporaries and highlights the reasons behind his profound legacy.

Internationally known as a writer, hostess, and patron of the arts of the twentieth century, Mabel Dodge Luhan (1879-1962) is not known for her experiences with venereal disease, unmentioned in her four-volume published memoir. Making the suppressed portions of Luhan's memoirs available for the first time, well-known biographer and cultural critic Lois Rudnick examines Luhan's life through the lenses of venereal disease, psychoanalysis, and sexology. She shows us a mover and shaker of the modern world whose struggles with identity, sexuality, and manic depression speak to the lives of many women of her era. Restricted at the behest of her family until the year 2000, Rudnick's edition of these remarkable documents represents the culmination of more than thirty-five years of study of Luhan's life, writings, lovers, friends, and Luhan's social and cultural milieus in Italy, New York, and New Mexico. They open up new pathways to understanding late Victorian and early modern American and European cultures in the person of a complex woman who led a life filled with immense passion and pain.

When J. Edgar Hoover declared Herbert Aptheker \"the most dangerous Communist in the United States,\" the notorious FBI director misconstrued his true significance. In this first book-length biography of Aptheker (1915--2003), Gary Murrell provides a balanced yet unflinching assessment of the controversial figure who was at once a leading historian of African America, radical political activist, literary executor of W. E. B. Du Bois, and lifelong member of the American Communist Party. Although blacklisted at U.S. universities, Aptheker published dozens of books, including the groundbreaking American Negro Slave Revolts (1943) and the monumental seven-volume Documentary History of the Negro People (1951--1994). He also edited four volumes of the correspondence and unpublished writings of Du Bois, an achievement that Eric Foner, writing in the New York Times Book Review, called \"a milestone in the coming of age of Afro-American history.\" As Murrell shows, Aptheker the historian was inseparable from Aptheker the leading Communist Party intellectual, polemicist, and agitator. During the 1960s, his ability to rouse and inspire both black and white student radicals made him one of the few Old Leftists accepted by the New Left. Aptheker had joined the CPUSA during its heyday in the 1930s, convinced that only through the party's leadership could fascism be defeated and true liberation be achieved: he ended his affiliation five decades later in 1991 after the collapse of socialism in the Soviet Union and Eastern Europe. In an afterword, Bettina Aptheker adds to Murrell's narrative by illuminating her mother Fay's vital contributions to her father's work and by affirming the particularly devastating challenges of life in a family dedicated to radical political and social change.

One of the twentieth century's most original and influential literary theorists, Stanley Fish is also known as a fascinatingly atypical, polarizing public intellectual; a loud, cigar-smoking contrarian; and a lightning rod for both the political right and left.

In the tradition of My Car in Managua, this is a wise and captivating memoir of a young leftist radical’s transformation while spending ten months as a Sandinista revolutionary in the early 1980s, and his struggle to reconcile uncomfortable truths with his ideals of justice.