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"Interethnic adoption"
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Blue-ribbon babies and labors of love : race, class, and gender in U.S. adoption practice
An examination of race, class, and gender issues surrounding kinship and family formation in America, seen through the lens of adoption.
All you can ever know : a memoir
Chung investigates the mysteries and complexities of her transracial adoption in this chronicle of unexpected family for anyone who has struggled to figure out where they belong.
A Generation Removed
On June 25, 2013, the U.S. Supreme Court heard the caseAdoptive Couple vs. Baby Girl, which pitted adoptive parents Matt and Melanie Capobianco against baby Veronica's biological father, Dusten Brown, a citizen of the Cherokee Nation of Oklahoma. Veronica's biological mother had relinquished her for adoption to the Capobiancos without Brown's consent. Although Brown regained custody of his daughter using the Indian Child Welfare Act (ICWA) of 1978, the Supreme Court ruled in favor of the Capobiancos, rejecting the purpose of the ICWA and ignoring the long history of removing Indigenous children from their families.
InA Generation Removed, a powerful blend of history and family stories, award-winning historian Margaret D. Jacobs examines how government authorities in the post-World War II era removed thousands of American Indian children from their families and placed them in non-Indian foster or adoptive families. By the late 1960s an estimated 25 to 35 percent of Indian children had been separated from their families.
Jacobs also reveals the global dimensions of the phenomenon: These practices undermined Indigenous families and their communities in Canada and Australia as well. Jacobs recounts both the trauma and resilience of Indigenous families as they struggled to reclaim the care of their children, leading to the ICWA in the United States and to national investigations, landmark apologies, and redress in Australia and Canada.
A generation removed : the fostering and adoption of indigenous children in the postwar world
\"Examination of the post-WWII international phenomenon of governments legally taking indigenous children away from their primary families and placing them with adoptive parents in the U.S., Canada, and Australia\"-- Provided by publisher.
Belonging in an adopted world
2010
Since the early 1990s, transnational adoptions have increased at an astonishing rate, not only in the United States, but worldwide. In Belonging in an Adopted World, Barbara Yngvesson offers a penetrating exploration of the consequences and implications of this unprecedented movement of children, usually from poor nations to the affluent West. Yngvesson illuminates how the politics of adoption policy has profoundly affected the families, nations, and children involved in this new form of social and economic migration. Starting from the transformation of the abandoned child into an adoptable resource for nations that give and receive children in adoption, this volume examines the ramifications of such gifts, especially for families created through adoption and later, the adopted adults themselves. Bolstered by an account of the author’s own experience as an adoptive parent, and fully attuned to the contradictions of race that shape our complex forms of family, Belonging in an Adopted World explores the fictions that sustain adoptive kinship, ultimately exposing the vulnerability and contingency behind all human identity.
Palimpsest : documents from a Korean adoption
\"Thousands of South Korean children were adopted around the world in the 1970s and 1980s. More than nine thousand found their new home in Sweden, including the cartoonist Lisa Wool-Rim Sjèoblom, who was adopted when she was two years old. Throughout her childhood she struggled to fit into the homogenous Swedish culture and was continually told to suppress the innate desire to know her origins. \"Be thankful,\" she was told; surely her life in Sweden was better than it would have been in Korea. Like many adoptees, Sjèoblom learned to bury the feeling of abandonment. In Palimpsest, an emotionally charged memoir, Sjèoblom's unaddressed feelings about her adoption come to a head when she is pregnant with her first child. When she discovers a document containing the names of her biological parents, she realizes her own history may not match up with the story she's been told her whole life: that she was an orphan without a background. As Sjèoblom digs deeper into her own backstory, returning to Korea and the orphanage, she finds that the truth is much more complicated than the story she was told and struggled to believe. The sacred image of adoption as a humanitarian act that gives parents to orphans begins to unravel. Sjèoblom's beautiful autumnal tones and clear-line style belie the complicated nature of this graphic memoir's vital central question: Who owns the story of an adoption?\"-- Provided by publisher.
Making families through adoption
2012,2011,2014
This volume examines adoption as a way of understanding the practices and ideology of kinship and family more generally. It focuses primarily on adoption practices in the US but will also use examples of adoption and fostering across cultures to put those American adoption practices into a comparative context.
Blue-Ribbon Babies and Labors of Love
2010
No detailed description available for \"Blue-Ribbon Babies and Labors of Love\".
Life Lines
by
McLeod, John
in
Abandoned children in literature
,
Adoption in literature
,
Contemporary Literature
2015
Adoptions that cross the lines of culture, race and nation are a major consequence of conflicts around the globe, yet their histories and representations have rarely been considered. Life Lines: Writing Transcultural Adoption is the first critical study to explore narratives of transcultural adoption from contemporary Britain, Ireland and America: fictions, films and memoirs made by those within the adoption ‘triad’ or those concerned with the pain and possibilities of transcultural adoption. While acknowledging the sobering inequalities which engender transcultural adoptions and the lasting upset of sundered relations, at the same time John McLeod considers the transfigurative and creative propensity of imagining transcultural adoption as radically calling into question ideas of biogenetic attachment, racial genealogy, cultural identity and normative family-making. How might the predicament of ‘being adopted’ transculturally enable the transformative agency of ‘adoptive being’ for all? Exploring works by Andrea Levy, Barbara Kingsolver, Toni Morrison, Sebastian Barry, Caryl Phillips, Jackie Kay and several others, Life Lines makes a groundbreaking intervention in such fields as transcultural studies, postcolonial thought, and adoption theory and practice.