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"Investigative reporting Fiction."
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Documenting the Corporate Underworld in Mark Nowak's Coal Mountain Elementary
2020
Documentary (or “reportage”) art has been widely studied as a social and
political practice aligned with investigative or “muckraking” journalism.
Likewise, the critical discussion of documentary poetry has emphasized its
political, rather than its strictly literary, nature. Less, meanwhile, has been
written about the documentary tendency in terms of its complex relationship to
long-held traditions of poetry. This article calls attention to one site where
documentary poetry is, rather than simply discarding poetry's traditional
conceits, actively incorporating them into its contemporary project. Mark
Nowak's 2009 book Coal Mountain Elementary documents industrial
mining experiences for a public audience. As a work of political art, it serves
an overt public function within a discursive environment in which truth is
hidden and in need of being extracted, yet in doing so it evokes perhaps the
most powerful formula available to the Western poetic tradition for revealing
concealed information: the katabasis (Greek: κατάβασις,
“descent”) literary trope. Nowak assembles documents that lead the reader
underground into privatized, corporate-controlled spaces, enlisting katabatic
imagery to indicate sites of human abuse in the coal extraction industry. Thus,
CME redirects the katabasis topos from a
visionary to a documentary program; literalizing and inverting the heroic
formula, Nowak structures his political critique of today's neoliberalized
workplace as a subversion of Western poetic convention—an
anti-katabasis. In this way the poet transforms the ancient
narrative trope into an act of public investigation and a mode
of historical description. Nowak's reopening of the katabasis
trope disrupts neoliberal narrative closures and indicates arenas of renewed
literary heroism in contemporary society.
Journal Article
Who killed Cock Robin
2018
In this delicately scripted gut-wrenching psycho-thriller from award-winning filmmaker Cheng Wei-Hao (The Tag-Along), an ambitious journalist who witnessed a hit-and-run years ago reboots his investigation led by newly emerged clues. As he beats the clock to save the only survivor after her sudden disappearance, layers of unimaginable dark truths around a corrupted system start peeling.
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